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David Poland

By David Poland poland@moviecitynews.com

Circle Of Jerk

The News Releases/BREAKING NEWS Of The Day:
Clooney and Heslov land at Sony – The crazy thing is that much of the media seems to have missed that Clooney (and Soderbergh), who produced via the now deceased Section Eight which was primarily responsible for the birth of the also deceased Warner Independent Pictures, has been out of Warners for a while already.
Since Michael Clayton, Clooney has not had a film at WB. Leatherheads (U), Burn After Reading (Focus), Up in the Air (DW), Men Who Stare At Goats (Overture), The Fantastic Mr Fox (Fox), and A Very Private Gentleman (Focus). Soderbergh’s only film at WB since Ocean’s 13 is The Informant, a $21 million Matt Damon film coming this fall, a leftover from Section Eight… but he’s basically been out for years already.
Paramount Seeks DVD Production Business Share With Others – It may seem like a big deal, but it really, really isn’t. It’s the same idea as the Paramount/MGM/Lionsgate pay-tv venture that never got off the ground. It’s like all the distribution deals that Paramount has, which have created big grosses for media stories and a dangerous combination of light profits on massive hits and a decimated production business (which has NO movies scheduled to start before next year).
This is not a deal to merge libraries or anything like that. It is an effort to save money on infrastructure, just as studios that distribute through Fox or WB do… and not actually a bad idea at all, though I don’t know the hard numbers.
Firings at Paramount – All inevitable. I’m not sure why people are so surprised.
What would be SHOCKING is other Par firings that are being rumored today around town. Some of these choices, if they turn out to be real, would be suicidal, as they go right to the heart of the some of the very few parts of Paramount that actually work right now.

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One Response to “Circle Of Jerk”

  1. steamfreshmeals says:

    Go on and be David Finke/Nikki Poland for a day, let those rumors fly, and share with your dedicated loyal followers…
    Do I hear Marketing or Distribution anyone?
    What would be SHOCKING is other Par firings that are being rumored today around town. Some of these choices, if they turn out to be real, would be suicidal, as they go right to the heart of the some of the very few parts of Paramount that actually work right now.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon