Broadcast Film Critics Association Awards

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2012

Best Picture
The Hurt Locker

Best Animated Movie
Up

Best Comedy Movie
The Hangover

Best Action Movie
Avatar

Best Director
Kathryn Bigelow

Best Original Screenplay
Inglourious Basterds

Best Adapted Screenplay
Up in the Air

Best Acting Ensemble
Inglourious Basterds

Best Actor
Jeff Bridges

Best Actress (tie)
Meryl Streep & Sandra Bullock

Best Supporting Actor
Christoph Waltz, Inglourious Basterds

Best Supporting Actress
Mo’Nique, Precious

Best Young Actress
Saoirse Ronan

Best Documentary
The Cove

Best Foreign Language Film
Broken Embraces

Best Score
Up

Best Song
The Weary Kind

Best Costume Design
The Young Victoria

Best Make-Up
District 9

Best Cinematography
Avatar

Best Visual Effects
Avatar

Best Art Direction
Avatar

Best Editing
Avatar

Best Sound
Avatar

2009 Nominations
The Press Release is here.

BEST PICTURE
Avatar
An Education
The Hurt Locker
Inglourious Basterds
Invictus
Nine
Precious
A Serious Man
Up
Up In The Air

BEST ACTOR
Jeff Bridges – “Crazy Heart”
George Clooney – “Up In The Air”
Colin Firth – “A Single Man”
Morgan Freeman – “Invictus”
Viggo Mortensen – “The Road”
Jeremy Renner – “The Hurt Locker”

BEST ACTRESS
Emily Blunt – “The Young Victoria”
Sandra Bullock – “The Blind Side”
Carey Mulligan – “An Education”
Saoirse Ronan – “The Lovely Bones”
Gabourey Sidibe – “Precious”
Meryl Streep – “Julie & Julia”

BEST SUPPORTING ACTOR
Matt Damon – “Invictus”
Woody Harrelson – “The Messenger”
Christian McKay – “Me And Orson Welles”
Alfred Molina – “An Education”
Stanley Tucci – “The Lovely Bones”
Christoph Waltz – “Inglourious Basterds”

BEST SUPPORTING ACTRESS
Marion Cotillard – “Nine”
Vera Farmiga – “Up In The Air”
Anna Kendrick – “Up In The Air”
Mo’Nique – “Precious”
Julianne Moore – “A Single Man”
Samantha Morton – “The Messenger”

BEST YOUNG ACTOR/ACTRESS
Jae Head – “The Blind Side”
Bailee Madison – “Brothers”
Max Records – “Where The Wild Things Are”
Saoirse Ronan – “The Lovely Bones”
Kodi Smit-McPhee – “The Road”

BEST ACTING ENSEMBLE
Inglourious Basterds
Nine
Precious
Star Trek
Up In The Air

BEST DIRECTING
Kathryn Bigelow – “The Hurt Locker”
James Cameron – “Avatar”
Lee Daniels – “Precious”
Clint Eastwood – “Invictus”
Jason Reitman – “Up In The Air”
Quentin Tarantino – “Inglourious Basterds”

BEST ORIGINAL SCREENPLAY
Mark Boal – “The Hurt Locker”
Joel Coen & Ethan Coen – “A Serious Man”
Scott Neustadter & Michael H. Weber – “(500) Days Of Summer”
Bob Peterson, Peter Docter – “Up”
Quentin Tarantino – “Inglourious Basterds”

BEST ADAPTED SCREENPLAY
Wes Anderson, Noah Baumbach – “Fantastic Mr. Fox”
Neill Blomkamp, Terri Tatchell – “District 9”
Geoffrey Fletcher – “Precious”
Tom Ford, David Scearce – “A Single Man”
Nick Hornby – “An Education”
Jason Reitman, Sheldon Turner – “Up In The Air”

BEST CINEMATOGRAPHY
Barry Ackroyd – “The Hurt Locker”
Dion Beebe – “Nine”
Mauro Fiore – “Avatar”
Andrew Lesnie – “The Lovely Bones”
Robert Richardson – “Inglourious Basterds”

BEST ART DIRECTION
Dan Bishop – “A Single Man”
Rick Carter, Robert Stromberg – “Avatar”
John Myhre, Gordon Sim – “Nine”
Naomi Shohan, George De Titta, Jr. – “The Lovely Bones”
David Wasco, Sandy Reynolds Wasco – “Inglourious Basterds”

BEST EDITING
Dana E. Glauberman – “Up In The Air”
Sally Menke – “Inglourious Basterds”
Bob Murawski, Chris Innis – “The Hurt Locker”
Stephen Rivkin, John Refoua, James Cameron – “Avatar”
Claire Simpson, Wyatt Smith – “Nine”

BEST COSTUME DESIGN
Colleen Atwood – “Nine”
Janet Patterson – “Bright Star”
Sandy Powell – “The Young Victoria”
Anna Sheppard – “Inglourious Basterds”
Casey Storm – “Where The Wild Things Are”

BEST MAKEUP
Avatar
District 9
Nine
The Road
Star Trek

BEST VISUAL EFFECTS
Avatar
District 9
The Lovely Bones
Star Trek
2012

BEST SOUND
Avatar
District 9
The Hurt Locker
Nine
Star Trek

BEST ANIMATED FEATURE
Cloudy With A Chance Of Meatballs
Coraline
Fantastic Mr. Fox
Princess And The Frog
Up

BEST ACTION MOVIE
Avatar
District 9
The Hurt Locker
Inglourious Basterds
Star Trek

BEST COMEDY
(500) Days Of Summer
The Hangover
It’s Complicated
The Proposal
Zombieland

BEST PICTURE MADE FOR TELEVISION
Gifted Hands
Grey Gardens
Into The Storm
Taking Chance

BEST FOREIGN LANGUAGE FILM
Broken Embraces
Coco Before Chanel
Red Cliff
Sin Nombre
The White Ribbon

BEST DOCUMENTARY FEATURE
Anvil
Capitalism: A Love Story
The Cove
Food, Inc.
Michael Jackson’s This Is It

BEST SONG
“All Is Love” – Karen O, Nick Zinner – “Where The Wild Things Are”
“Almost There” – Randy Newman – “The Princess And The Frog”
“Cinema Italiano” – Maury Yeston – “Nine”
“(I Want To) Come Home” – Paul McCartney – “Everybody’s Fine”
“The Weary Kind” – T Bone Burnett, Ryan Bingham – “Crazy Heart”

BEST SCORE
Michael Giacchino – “Up”
Marvin Hamlisch – “The Informant!”
Randy Newman – “The Princess and the Frog”
Karen O, Carter Burwell – “Where The Wild Things Are”
Hans Zimmer – “Sherlock Holmes”

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon