Screen Actors Guild

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Outstanding Performance by a Male Actor in a Leading Role

JEFF BRIDGES / Bad Blake – “CRAZY HEART” (Fox Searchlight Pictures)

GEORGE CLOONEY / Ryan Bingham – “UP IN THE AIR” (Paramount Pictures)

COLIN FIRTH / George Falconer – “A SINGLE MAN” (The Weinstein Company)

MORGAN FREEMAN / Nelson Mandela – “INVICTUS” (Warner Bros. Pictures)

JEREMY RENNER / Staff Sgt. William James – “THE HURT LOCKER” (Summit Entertainment)

Outstanding Performance by a Female Actor in a Leading Role

SANDRA BULLOCK / Leigh Anne Tuohy – “THE BLIND SIDE” (Warner Bros. Pictures)

HELEN MIRREN / Sofya – “THE LAST STATION” (Sony Pictures Classics)

CAREY MULLIGAN / Jenny – “AN EDUCATION” (Sony Pictures Classics)

GABOUREY SIDIBE / Precious – “PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE” (Lionsgate)

MERYL STREEP / Julia Child – “JULIE & JULIA” (Columbia Pictures)

Outstanding Performance by a Male Actor in a Supporting Role

MATT DAMON / Francois Pienaar – “INVICTUS” (Warner Bros. Pictures)

WOODY HARRELSON / Captain Tony Stone – “THE MESSENGER” (Oscilloscope Laboratories)

CHRISTOPHER PLUMMER / Tolstoy – “THE LAST STATION” (Sony Pictures Classics)

STANLEY TUCCI / George Harvey – “THE LOVELY BONES” (Paramount Pictures)

CHRISTOPH WALTZ / Col. Hans Landa – “INGLOURIOUS BASTERDS” (The Weinstein Company/Universal Pictures)

Outstanding Performance by a Female Actor in a Supporting Role

PENÉLOPE CRUZ / Carla – “NINE” (The Weinstein Company)

VERA FARMIGA / Alex Goran – “UP IN THE AIR” (Paramount Pictures)

ANNA KENDRICK / Natalie Keener – “UP IN THE AIR” (Paramount Pictures)

DIANE KRUGER / Bridget Von Hammersmark – “INGLOURIOUS BASTERDS” (The Weinstein Company/Universal Pictures)

MO’NIQUE / Mary – “PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE” (Lionsgate)

Outstanding Performance by a Cast in a Motion Picture

AN EDUCATION (Sony Pictures Classics)

THE HURT LOCKER (Summit Entertainment)

INGLOURIOUS BASTERDS (The Weinstein Company/Universal Pictures)

NINE (The Weinstein Company)

PRECIOUS: BASED ON THE NOVEL “PUSH” BY SAPPHIRE (Lionsgate)

PRIMETIME TELEVISION

Outstanding Performance by a Male Actor in a Television Movie or Miniseries

KEVIN BACON / Lt. Col. Michael R. Strobl – “TAKING CHANCE” (HBO)

CUBA GOODING, JR. / Ben Carson – “GIFTED HANDS: THE BEN CARSON STORY” (TNT)

JEREMY IRONS / Alfred Stieglitz – “GEORGIA O’KEEFFE” (Lifetime)

KEVIN KLINE / Cyrano de Bergerac – “GREAT PERFORMANCES: CYRANO de BERGERAC” (PBS)

TOM WILKINSON / Salter – “A NUMBER” (HBO)

Outstanding Performance by a Female Actor in a Television Movie or Miniseries

JOAN ALLEN / Georgia O’Keeffe – “GEORGIA O’KEEFFE” (Lifetime)

DREW BARRYMORE / Little Edie – “GREY GARDENS” (HBO)

RUBY DEE / Mrs. Harper – “AMERICA” (Lifetime)

JESSICA LANGE / Big Edie – “GREY GARDENS” (HBO)

SIGOURNEY WEAVER / Mary Griffith – “PRAYERS FOR BOBBY” (Lifetime)

Outstanding Performance by a Male Actor in a Drama Series

SIMON BAKER / Patrick Jane – “THE MENTALIST” (CBS)

BRYAN CRANSTON / Walter White – “BREAKING BAD” (AMC)

MICHAEL C. HALL / Dexter Morgan – “DEXTER” (Showtime)

JON HAMM / Don Draper – “MAD MEN” (AMC)

HUGH LAURIE / House – “HOUSE” (FOX)

Outstanding Performance by a Female Actor in a Drama Series

PATRICIA ARQUETTE/ Allison Dubois – “MEDIUM” (NBC/CBS)

GLENN CLOSE / Patty Hewes – “DAMAGES” (FX)

MARISKA HARGITAY / Det. Olivia Benson – “LAW & ORDER: SPECIAL VICTIMS UNIT” (NBC)

HOLLY HUNTER / Grace Hanadarko – “SAVING GRACE” (TNT)

JULIANNA MARGULIES / Alicia Florrick – “THE GOOD WIFE” (CBS)

KYRA SEDGWICK / Deputy Chief Brenda Leigh Johnson – “THE CLOSER” (TNT)

Outstanding Performance by a Male Actor in a Comedy Series

ALEC BALDWIN / Jack Donaghy – “30 ROCK” (NBC)

STEVE CARELL / Michael Scott – “THE OFFICE” (NBC)

LARRY DAVID / Himself – “CURB YOUR ENTHUSIASM” (HBO)

TONY SHALHOUB / Adrian Monk – “MONK” (USA NETWORK)

CHARLIE SHEEN / Charlie Harper – “TWO AND A HALF MEN” (CBS)

Outstanding Performance by a Female Actor in a Comedy Series

CHRISTINA APPLEGATE / Samantha Newly – “SAMANTHA WHO?” (ABC)

TONI COLLETTE / Tara Gregor – “UNITED STATES OF TARA” (Showtime)

EDIE FALCO / Jackie Peyton – “NURSE JACKIE” (Showtime)

TINA FEY / Liz Lemon – “30 ROCK” (NBC)

JULIA LOUIS-DREYFUS / Christine Campbell – “THE NEW ADVENTURES OF OLD CHRISTINE” (CBS)

Outstanding Performance by an Ensemble in a Drama Series

THE CLOSER (TNT)

DEXTER (Showtime)

THE GOOD WIFE (CBS)

MAD MEN (AMC)

TRUE BLOOD (HBO)

Outstanding Performance by an Ensemble in a Comedy Series

30 ROCK (NBC)

CURB YOUR ENTHUSIASM (HBO)

GLEE (FOX)

MODERN FAMILY (ABC)

THE OFFICE (NBC)

SAG HONORS FOR STUNT ENSEMBLES

Outstanding Performance by a Stunt Ensemble in a Motion Picture

PUBLIC ENEMIES (Universal Pictures)

STAR TREK (Paramount Pictures)

TRANSFORMERS: REVENGE OF THE FALLEN (Paramount Pictures)

Outstanding Performance by a Stunt Ensemble in a Television Series

24 (FOX)

THE CLOSER (TNT)

DEXTER (Showtime)

HEROES (NBC)

THE UNIT (CBS)

LIFE ACHIEVEMENT AWARD

Screen Actors Guild Awards 46th Annual Life Achievement Award

Betty White

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon