By David Poland

Page 13

Link to the List

Malcolm Fraser
Montreal Mirror

1 Anvil! Story of Anvil
2 Bad Lieutenant
3 A Serious Man
4 I Love You, Man
5 Adventureland
6 Drag Me To Hell
7 Last Train Home
8 (500) Days of Summer
9 I Killed My Mother
10 Antichrist
Link to the List

Christopher Sykes
Montreal Mirror

1 The Class
2 35 Shots of Rum
3 Where the Wild Things Are
4 Tulpan
5 Up
6 The Hurt Locker
7 Sin Nombre
8 District 9
9 Antichrist
10 The Hangover
Link to the List

Andy Klein
Brand X

1 In the Loop
2 35 Shots of Rum
3 Red Cliff
4 Inglourious Basterds
5 Up
6 Up in the Air | Hurt Locker
7 A Serious man
8 The Fantastic Mr. Fox
9 Tokyo Sonata
10 Star Trek
Link to the List

Mark Slutsky
Montreal Mirror

1 Inglourious Basterds
2 A Serious Man
3 Bad Lieutenant
4 Bright Star
5 Public Enemies
6 The Hurt Locker
7 Antichrist
8 Two Lovers
9 District 9
Link to the List

Keith Cohen
Sun Publications

1 Invictus
2 Departures
3 Gran Torino
4 It’s Complicated
5 The Princess & the Frog
6 Defiance
7 Every Little Step
8 Up in the Air
9 Up
10 An Education
Link to the List

Jeffrey M. Anderson

1 The Hurt Locker
2 Coraline
3 Bright Star
4 Red Cliff
5 You, The Living
6 35 Shots of Rum
7 Drag Me To Hell
8 Sita Sings the Blues
9 Inglourious Basterds
10 Adventureland
Link to the List

Jeff Walls
Seattle Post Intelligencer

1 (500) Days of Summer
2 Avatar
3 Star Trek
4 Up
5 A Serious Man
6 An Education
7 Fantastic Mr. Fox
8 The Hurt Locker
9 District 9
10 Harry Potter & the Half-Blood Prince
Link to the List

Mike Ward

1 Up in the Air
2 State of Play
3 Inglourious Basterds
4 The Hurt Locker
5 Zombieland
6 Up
7 The Road
8 District 9
9 The Damned United
10 The Messenger
Link to the List

Tom Charity

1 A Serious Man
2 Ponyo
3 Inglourious Basterds
4 Two Lovers
5 Coraline
6 The Headless Woman
7 The Hurt Locker
8 Bright Star
9 Fantastic Mr. Fox
10 La Danse
Link to the List

Jack Garner

1 The Hurt Locker
2 Up in the Air
3 Fantastic Mr. Fox
4 Avatar
5 Precious
6 Inglourious Basterds
7 Up
8 The Young Victoria
9 Me & Orson Welles
10 This is It!

Jeffrey M. Anderson | Tom Charity | Keith Cohen | Malcolm Fraser | Jack Garner | Andy Klein | Mark Slutsky | Christopher Sykes | Jeff Walls | Mike Ward

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon