By David Poland

Page 14

Link to the List

Matt Singer

1 Two Lovers
2 Summer Hours
3 Drag Me to Hell
4 Up
5 Anvil! The Story of Anvil
6 The Hurt Locker
7 The Headless Woman
8 In the Loop
9 The White Ribbon
10 Crank: High Voltage
Link to the List

Alison Willmore

1 You, the Living
2 Fantastic Mr. Fox
3 The Hurt Locker
4 The Headless Woman
5 A Twon Called Panic
6 Somers Town
7 Public Enemies
8 A Serious Man
9 Paradise
10 The Missing Person
Link to the List

Stephen King
Entertainment Weekly

1 The Hurt Locker
2 Last House on the Left
3 The Road
4 Disgrace
5 The Reader
6 District 9
7 Law Abiding Citizen
8 The Taking of Pelham 123
9 Fantastic Mr. Fox
10 2012
Link to the List

Michael Atkinson

1 Made in the USA
2 The Headless Woman
3 Inglourious Basterds
4 I’m Gonna Explode
5 Hunger
6 The Baader Meinhof Comples
7 Up
8 Night and Day
9 You, the Living
10 Three Monkeys
Link to the List

Kim Brown

1 The Hurt Locker
2 Up in the Air
3 An Education
4 (500) Days of Summer
5 The Road
6 Precious
7 Inglourious Basterds
8 Up
9 A Single Man
10 Bright Star
Link to the List

John Harding
Cantonsville Times

1 The Hurt Locker
2 A Serious Man
3 Up in the Air
4 Beaches of Agnes
5 Up
6 Nine
7 In the Loop
8 The young Victoria
9 This is It!
10 The English Surgeon
Link to the List

Brian Tallerico
Movie Retriever

1 Where the Wild Things Are
2 The Hurt Locker
3 Up in the Air
4 The White Ribbon
5 An Education
6 Bright Star
7 Star Trek
8 Sin Nombre
9 Goodbye Solo
10 Inglourious Basterds
Link to the List

Mike Giuliano
Cantonsville Times

1 Up in the Air
2 Bright Star
3 Julie & Julia
4 The Messenger
5 Tetro
6 Invictus
7 Star Trek
8 A Serious man
9 Inglourious Basterds
10 Everybody’s Fine
Link to the List

Matthew Hays
Montreal Mirror

1 Pontypool
2 Bruno
3 Inglourious Basterds
4 I Killed My Mother
5 Captialism: A Love Story
6 Precious
7 Petropolis
8 A Single Man
9 The Queen and I
10 Cairo Time
Link to the List

Marc Savlov
Austin Chronicle

1 A Single Man
2 12
3 Moon
4 Antichrist
5 Bad Lieutenant
6 The Cove
7 The Hurt Locker
8 Up
9 Inglourious Basterds
10 In the Loop

Michael Atkinson | Kim Brown | Mike Giuliano | John Harding | Matthew Hays | Stephen King | Marc Savlov | Matt Singer | Brian Tallerico | Alison Willmore

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon