By David Poland

Page 20

Link to the List

Amy Taubin
Film Comment

1 35 Shots of Rum
2 The Hurt Locker
3 The Headless Woman
4 Tulpan
5 Tokyo Sonata
6 The Informant
7 Lake Tahoe
8 Police, Adjective
9 The Sun
10 Sugar
Link to the List

Chuck Wilson
LA Weekly

1 Bright Star
2 The Hurt Locker
3 Everlasting Moments
4 A Single Man
5 Drag Me to Hell
6 Police, Adjective
7 Public Enemies
8 The Beaches of Agnes
9 The Messenger
10 Bad Lieutenant
Link to the List

Joe Leydon

1 Up in the Air
2 That Evening Sun
3 (500) Days of Summer
4 The Messenger
5 Fantastic Mr. Fox
6 A Serious Man
7 The Informant
8 Summer Hours
9 The Hurt Locker
10 Funny People
Link to the List

Gerald Peary
Boston Phoenix

1 The Hurt Locker
2 A Serious man
3 Precious
4 Humpday
5 The Baader Meinhof Complex
6 Lorna’s Silence
7 The Informant
8 Beeswax
9 Up
10 Treeless Mountain
Link to the List

Sam Adams
LA Times

1 Still Walking
2 A Serious Man
3 The Sun
4 Fantastic Mr. Fox
5 Coraline
6 The Hurt Locker
7 The Limits of Control
8 The Headless Woman
9 Two Lovers
10 Crank: High Voltage
Link to the List

Ben Kenigsberg
Time Out Chicago

1 Inglourious Basterds
2 The Hurt Locker
3 A Serious Man
4 Tokyo Sonata
5 The Headless Woman
6 Julia
7 The Box
8 The White Ribbon
9 Public Enemies
10 Summer Hours
Link to the List

Nathan Lee
Film Comment

1 The Headless Woman
2 Halloween II
3 Summer Hours
4 Inglourious Basterds
5 TheSun
6 Next Day Air
7 Adventureland
8 Loren Cass
9 The Feature
10 The Limits of Control
Link to the List

Matthew Wilder

1 Broken Embraces
2 A Serious man
3 Inglourious Basterds
4 The Hurt Locker
5 The Headless Woman
6 Tetro
7 Bad Lieutenant
8 The Informant
9 Night and Day
10 You, the Living
Link to the List

Matt Prigge
Philadelphia Weekly

1 In the Loop
2 Inglourious Basterds
3 Duplicity
4 The Headless Woman
5 I’m Gonna Explode
6 The Beaches of Agnes
7 Fantastic Mr. Fox
8 Sita Sings the Blues
9 Afterschool
10 Crank: High Voltage
Link to the List

Sean Burns
Philadelphia Weekly

1 Up
2 A Serious Man
3 Adventureland
4 Public Enemies
5 The Hurt Locker
6 Two Lovers
7 Where the Wild Things Are
8 Fantastic Mr. Fox
9 Funny People
10 Bad Lieutenant

Sam Adams | Sean Burns | Ben Kenigsberg | Nathan Lee | Joe Leydon | Gerald Peary | Matt Prigge | Amy Taubin | Matthew Wilder | Chuck Wilson

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon