By David Poland

Page 21

Link to the List

Susan Wloszczyna

1 Up in the Air
2 The Hurt Locker
3 Up
4 Precious
5 A Serious Man
6 An Education
7 Zombieland
8 Coraline
9 Fantastic Mr. Fox
10 Inglourious Basterds
Link to the List

David Walsh

1 Everlasting Moments
2 Of Time and the City
3 The Country Teacher
4 Laila’s Birthday
5 Where the Wild Things Are
6 Serbis
7 The Men Who Stare at Goats
8 24 City
9 A Serious man
10 Bright Star
Link to the List

Karina Longworth

1 Silent Light
2 Two Lovers
3 The Girlfriend Experience
4 Summer Hours
5 Beeswax
6 Cargo 200
7 The Limits of Control
8 Bad Lieutenant
9 The Hurt Locker
10 Inglourious Basterds
Link to the List

Mark Jenkins

1 35 Shots of Rum
2 Summer Hours
3 Still Walking
4 The Beaches of Agnes
5 The Hurt Locker
6 24 City
7 The Cove
8 Tokyo Sonata
9 Departures
10 Police, Adjective
Link to the List

Sean P. Means
Salt Lake Tribune

1 Sita Sings the Blues
2 A Serious Man
3 Up
4 The Cove
5 Up in the Air
6 Phoebe in Wonderland
7 The Class
8 Pirate Radio
9 Every Little Step
10 In the Loop
Link to the List

Aaron Hillis

1 Tetro
2 Two Lovers
3 Inglourious Basterds
4 The Hurt Locker
5 Fantastic Mr. Fox
6 35 Shots of Rum
7 You, the Living
8 The Informant
9 Paradise
10 Tony Manero
Link to the List

Caryn James

1 Up in the Air
2 Bright Star
3 The Hurt Locker
4 A Single Man
5 Inglourious Basterds
6 An Education
7 Fantastic Mr. Fox
8 In the Loop
9 The Road
10 Seraphine
Link to the List

Dennis Lim
Moving Image Source

1 Summer Hours
2 The Limits of Control
3 The Headless Woman
4 Inglourious Basterds
5 24 City
6 Police, Adjective
7 Fantastic Mr. Fox
8 Night and Day
9 Liverpool
10 Beeswax
Link to the List

Richard Brody
New Yorker

1 Fantastic Mr. Fox
2 Beaches of Agnes
3 Funny People
4 Two Lovers
5 Gentlemen Broncos
6 Police, Adjective
7 24 City
8 Lorna’s Silence
9 Frontier of Dawn
10 Alexander the Last
Link to the List

Ed Gonzalez

1 Two Lovers
2 Up
3 Julia
4 Where the Wild Things Are
5 The Hurt Locker
6 Revanche
7 35 Shots of Rum
8 Inglourious Basterds
9 That Evening Sun
10 The Window

Richard Brody | Ed Gonzalez | Aaron Hillis | Caryn James | Mark Jenkins | Dennis Lim | Karina Longworth | Sean Means | David Walsh | Susan Wloszczyna

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon