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David Poland

By David Poland poland@moviecitynews.com

DP/30 Sneak Peek – An Education's Carey Mulligan… Take 3.

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7 Responses to “DP/30 Sneak Peek – An Education's Carey Mulligan… Take 3.”

  1. LexG says:

    CHARMING.
    But she looks SO exhausted.

  2. The Pope says:

    LexG, fully agreed. And further evidence of the ‘race’ and the burn out that not only we, the viewers feel about a film, but also what happens to the nominees. Does anyone think there is a correlation between that and how some actresses turn up at the Oscars looking totally emaciated? Remember Gwynnie, Helen Hunt, Nicole Kidman, Cate Blanchett, Rachel Weizs, Reese Witherspoon, Renee Zelwegger. Or is just ASH (Awards’ Season Hyperphagia)?

  3. jbf81 says:

    After seeing pics of her and video interviews I finally got why she was getting so much hype, the film camera loves her, she can be very average and awkward on pictures and images, but on film she is she is magnetic.
    I do agree that she must be exhausted, you have to remember she is promoting the film since Sundance 2009. I heard her new film Never Let me Go is very good and she is fantastic once again, I wonder if she could do another crazy year like this one.

  4. I soooo hope she gets to make The Seagull like the rumour suggests (she did so on stage).

  5. leahnz says:

    silly as it may sound, this is still my fave carey m perf, sally sparrow (the first couple minutes, bonza. blink is cool bananas):
    http://www.youtube.com/watch?v=MsWFtvdi5mU&feature=related

  6. Kambei says:

    Agreed! She is fantastic in “blink”. I had a crush within five minutes…

  7. leahnz says:

    i like her short hair now, she’s cute as a button, but the long blond locks suited sally

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon