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David Poland

By David Poland poland@moviecitynews.com

Dennis Hopper Lives

hopper490.jpg
Why? Why would a nice guy like you want to kill a genius? Feeling pretty good, huh? Why? Do you know that the man really likes you? He likes you. He really likes you. But he’s got something in mind for you. Aren’t you curious about that? I’m curious. I’m very curious. Are you curious? There’s something happening out here, man. You know something, man? I know something you that you don’t know. That’s right, Jack. The man is clear in his mind, but his soul is mad. Oh, yeah. He’s dying, I think. He hates all this. He hates it! But the man’s a…He reads poetry out loud, all right. And a voice…he likes you because you’re still alive. He’s got plans for you. No, I’m not gonna help you. You’re gonna help him, man. You’re gonna help him. I mean, what are they gonna say when he’s gone? ‘Cause he dies when it dies, when it dies, he dies! What are they gonna say about him? He was a kind man? He was a wise man? He had plans? He had wisdom? Bullshit, man! And am I gonna be the one that’s gonna set them straight? Look at me! Look at me! Wrong! [points to Willard] You!
I can think of no greater tribute to The Man than to hear his words, so here is his DP/30, recorded in his home in Venice, just before Christmas 2008, in connection to the film, Elegy.
(EDIT, 2;43p)
We’re having some server issues. Hopefully, you will not have a problem with them.
Here is the normal DP/30 page with the QT file.
Here is the mp3 of the conversation
And here is the visually inferior Google Video streaming version…

And if you have problems with the rest, here is the URL for another server with the QT video – http://moviecitynews.com/views/dp30/hopper.mov

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6 Responses to “Dennis Hopper Lives”

  1. Wrecktum says:

    When was this recorded?

  2. The Pope says:

    What an incredibly varied and therefore, rich life. So many different phases with so many deaths (almost literal), but so many changes and rebirths. And thankfully, for an actor, a lot of really, really indelible performances.
    As an aside, has anyone else ever been taken by the tone and drawl Sam Rockwell uses… shut their eyes and thought it was Dennis Hopper?

  3. frankbooth says:

    Now it’s dark.

  4. Joe Leydon says:

    My favorite Dennis Hopper line, in River’s Edge:

  5. berg says:

    my favorite DH line: minus Apoc Now and Blu Vel …. from the otherwise shitty film with Keifer Sutherland …. “I dropped a hit of acid in your drink, but don’t worry I wouldn’t let you trip alone. I took a tab before we got on the train.”

  6. leahnz says:

    wow, the end of an era. thank you for all the amazing memories and rest in peace, grass-hopper, peace be with you always

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

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My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
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“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon