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HBO RENEWS HIT SERIES TRUE BLOOD FOR FOURTH SEASON

Posted Monday, June 21st, 2010 - Comments Off on HBO RENEWS HIT SERIES TRUE BLOOD FOR FOURTH SEASON
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For Immediate Release
LOS ANGELES, June 21, 2010 – HBO has renewed the hit show TRUE BLOOD for a 12-episode fourth season, it was announced today by Michael Lombardo, president, HBO Programming. Created by Alan Ball, the series will begin production of new episodes early next year in Los Angeles, with debut set for summer 2011.
“The new season of TRUE BLOOD is off to a terrific start, as enthusiasm for this unique show continues to build among both subscribers and critics,” noted Lombardo. “We’re looking forward to more chills from Alan Ball and his gifted team next year.”
“I am beyond thrilled to be able to continue working with this amazing cast and crew,” says Ball. “This is the most fun I have ever had.”
Mixing romance, suspense, mystery and humor, TRUE BLOOD takes place in the not-too-distant future, when vampires have come out of the coffin, thanks to the invention of mass-produced synthetic blood that means they no longer need humans as a nutritional source. The show follows the romance between waitress Sookie Stackhouse (Anna Paquin), who can hear people’s thoughts, and her boyfriend, 173-year-old vampire Bill Compton (Stephen Moyer), who went missing at the end of season two, and is now the object of a frantic search. Alan Ball (creator of the Emmy®-winning HBO series “Six Feet Under”) created and executive produces the show, which is based on the best-selling Sookie Stackhouse novels by Charlaine Harris.
The 12-episode third season of TRUE BLOOD, which launched June 13, has already inspired critical raves, with Entertainment Weekly calling it “faster, sleeker, more vicious, more fun than it already was,” as well as “summer’s best TV.” USA Today hails the show as “fabulously wild,” while the Washington Post describes it as “electrifying.”
Season three credits: TRUE BLOOD was created by Alan Ball; based on the Sookie Stackhouse novels by Charlaine Harris; executive producers, Alan Ball and Gregg Fienberg; co-executive producers, Brian Buckner, Nancy Oliver and Alexander Woo; supervising producer, Raelle Tucker; producer, Mark McNair.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

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~ David Simon