By MCN Editor editor@moviecitynews.com

Pioneering Filmmaker Immortalized on Postage

Posted Tuesday, June 22nd, 2010 - Comments Off on Pioneering Filmmaker Immortalized on Postage
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Oscar Micheaux Joins Black Heritage Stamp Series
micheauxstamp.jpg
NEW YORK, June 22 /PRNewswire-USNewswire/ — Film director, screenwriter, producer and distributor Oscar Micheaux, who illuminated the African-American experience through more than 40 feature films, was immortalized on a U.S. postage stamp today, taking his place as the 33rd person honored in the popular Black Heritage commemorative stamp series.
Micheaux’s unique storytelling ability shattered stereotypes and challenged film audiences with realistic representations of African-Americans. The stamp was dedicated today at a ceremony in Miller Auditorium at Columbia University.
“Oscar Micheaux was a transformational filmmaker and gifted storyteller with an uncompromising technique that embraced honest depictions of African-Americans,” said Delores Killette, vice president and Consumer Advocate for the U.S. Postal Service. “His films not only entertained, they left audiences with a sense of encouragement, hope and inspiration.”


Joining Killette at the event were Wycliffe Gordon, jazz musician and leader of the Wycliffe Gordon Quartet; Melvin Van Peebles, film director; Lisa Collins, producer, Right on Time Productions; and Jamel Joseph, chair, Film Department, Columbia University. Other events taking place in New York City to recognize the issuance of the Oscar Micheaux commemorative stamp will be held at the Adam Clayton Powell Jr. State Office Building on June 23 and at Steiner Studios in Brooklyn on June 24.
The stamp is designed by Derry Noyes of Washington, DC, and features a stylized portrait of Oscar Micheaux by artist Gary Kelly of Cedar Falls, IA. The artwork is based on one of the few surviving photographs of Micheaux, a portrait that appeared in his 1913 novel The Conquest.
All 33 stamp designs in the Black Heritage commemorative series can be viewed online at http://beyondtheperf.com/.
The Postal Service receives no tax dollars for operating expenses, and relies on the sale of postage, products and services to fund its operations.
Ordering the First-Day-of-Issue Postmark
Customers have 60 days to obtain the first-day-of-issue postmark by mail. They may purchase new stamps at their local Post Office facility, at The Postal Store® website at www.usps.com/shop, or by calling 800-STAMP-24. They should affix the stamps to envelopes of their choice, address the envelopes (to themselves or others), and place them in a larger envelope addressed to:
Oscar Micheaux Stamp
Postmaster
421 Eighth Avenue, Rm. 2029B
New York, NY 10199-9998
After applying the first-day-of-issue postmark, the Postal Service will return the envelopes through the mail. There is no charge for the postmark. All orders must be postmarked by Aug. 23, 2010.
Ordering First-Day Covers
Stamp Fulfillment Services also offers first-day covers for new stamp issues and Postal Service stationery items postmarked with the official first day of issue cancellation. Each item has an individual catalog number and is offered in the quarterly USA Philatelic Catalog. Customers may request a free catalog by calling 800-STAMP-24 or writing to:
Information Fulfillment
Dept. 6270
U.S. Postal Service
PO Box 219014
Kansas City, MO 64121-9014
Philatelic Products
With this stamp and cultural diary page, the U.S. Postal Service honors Oscar Micheaux, who wrote, directed, produced and distributed more than 40 movies during the first half of the 20th century. The diary page comes with a maxi card with the Oscar Micheaux stamp affixed and cancelled, plus a pane of 20 stamps (Item 464976, $13.95).
There are three other philatelic products available for this stamp issue:
* 464961, First-Day Cover 82 cents.
* 464991, Ceremony Program, $6.95.
* 464993, Cancellation Keepsake, $9.95.
Please Note: For broadcast quality video and audio, photo stills and other media resources, visit the USPS Newsroom at www.usps.com/news.
A self-supporting government enterprise, the U.S. Postal Service is the only delivery service that reaches every address in the nation, 150 million residences, businesses and Post Office Boxes. The Postal Service receives no direct support from taxpayers. With 36,000 retail locations and the most frequently visited website in the federal government, the Postal Service relies on the sale of postage, products and services to pay for operating expenses. Named the Most Trusted Government Agency five consecutive years and the sixth Most Trusted Business in the nation by the Ponemon Institute, the Postal Service has annual revenue of more than $68 billion and delivers nearly half the world’s mail. If it were a private sector company, the U.S. Postal Service would rank 28th in the 2009 Fortune 500.
SOURCE U.S. Postal Service

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon