MCN Columnists
David Poland

By David Poland poland@moviecitynews.com

Best Picture Chart

BEST PICTURE
Picture
Studio
Director
Stars
Comment
The Films Most Likely (by release date)
June 18
Toy Story 3
Disney
Unkrich
July 16

Inception
WB
Nolan
DiCaprio
July 30
Get Low
SPC
Schneider
Duvall

Spacek

Murray

Oct 22
Hereafter
WB
Eastwood
Damon
Dec 25
True Grit
Par
Coens
Bridges

Brolin

Damon

The Next Tier Of Likely (by release date)
Dec 17
Everything You’ve Got
Sony
Brooks
Witherspoon

Nicholson

Oct 1

The Social Network
Sony
Fincher
Eisenberg
Nov 12
Morning Glory
Par
Michell
McAdams

Ford

Oct 8
Secretariat
Dis
Wallace
Lane
Nov 24
The King’s Speech
TWC
Marshall
Firth
Dec 1
The Black Swan
FxSch
Aronofsky
Portman
Nov 19
Made In Dagenham
SPC
Cole
Hawkins
Dec 25

Somewhere
Focus
Coppola

Dorff

Fanning

The Rest Of The Legitimate Contenders (by release date)
Feb 19
Shutter Island
Par
Scorsese
DiCaprio

June 11 Winter’s Bone
RdAtt
Granik
Lawrence
July 9
The Kids Are All Right
Focus
Cholodenko
Bening

Moore

Aug 13
Eat Pray Love
Fox
Stone
J Roberts
Sept 1
The American
Focus
Corbijn
Clooney
Sept 15
Never Let Me Go
FxSch
Romanek
Knightley

Mulligan

Garfield

Sept 17
The Town
WB
Affleck

Renner

Hall

Cooper

Sept 24

It’s Kind Of A Funny Story
Focus
Boden/

Fleck

E Roberts
Sept 24
Wall Street 2
Fox
Stone
Douglas

Mulligan

Oct 15
Conviction
FxSch
Goldwyn
Swank
Nov 5
127 Hours
FxSch
Boyle
Franco

Mara

Nov 24
Love & Other Drugs
Fox
Zwick
Gyllenhaal

Hathaway

Dec 1
Miral
TWC
Schnabel
Dec 10
The Fighter
Par/Rel
O. Russell
Wahlberg
Dec 10
The Tempest
Mir
Taymor
Mirren
Dec 29
Another Year
SPC
Leigh
Broadbent

Staunton

Dec 31
Blue Valentine
TWC
Cianfrance
Gosling

Williams

???
Biutiful
?
Gonzalez-

Inarritu

Bardem
???
London Boulevard
?
Monahan
Knightley

Farrell

Be Sociable, Share!

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon