By MCN Editor editor@moviecitynews.com

BRAVEN FILMS TO LAUNCH WITH TREVI BIOPIC AS FIRST PROJECT

FOR IMMEDIATE RELEASE

BRAVEN FILMS TO LAUNCH WITH TREVI BIOPIC AS FIRST PROJECT
Company Kicks Off With $6 Million in Development Funds

New York, NY (September 1, 2010) – Newly formed Braven Films announced today that the New York-based company is launching with over six million dollars in private funding towards developing feature film screenplays with other funds available for producing feature length films that are both artistically compelling and economically viable projects. The company will embrace films with potential for distribution across all platforms. Braven will be run by Frida Torresblanco, who served for eight years as the head of Alfonso Cuaron’s Esperanto label, and also produced Guillermo Del Toro’s Oscar-winning film Pan’s Labyrinth and the Mexican box office smash hit Rudo Y Cursi (which starred Diego Luna and Gael Garcia Bernal). Torresblanco’s partners at Braven include Eric Laufer, Giovanna Randall, Joseph Swiader (who will serve as the company’s head of Business Development) and Eugenia Silva. Laufer and Randall serve as the main investors of Braven, with Silva also serving as both investor and also artistic advisor for the company. The company’s first project is TREVI, a feature film based on the true-life story of Mexican rock singer/song- writer/composer Gloria Trevi. The film will directed by Swiss-born Christian Keller (making his directorial debut) and produced by Barrie Osborne (The Lord of the Rings, The Matrix, Face Off) and Torresblanco.

TREVI tells the story of Gloria Trevi, referred to as the “Mexican Madonna”, who was arguably the most controversial figure in Latin music history. Her sociopolitical music was overshadowed by her sudden, five year-long incarceration in a Brazilian prison.

“Braven is going to be first and foremost about attracting the best writers, directors and actors; and bringing intelligent and contemporary films with a global appeal to audiences. Braven hopes to provide filmmakers not only creative freedom and financial support, but also to foster their artistic growth,” said Torresblanco. “TREVI is the perfect inaugural project for us because Gloria Trevi embodies everything we want our films to be about – she was inspirational, creative, provocative, and intriguing on so many levels.”

Though the TREVI project brings together a Latin American icon as its subject and a Swiss-born filmmaker, BRAVEN will look to have the majority of their projects focus on independent American cinema, with a universal appeal.

Aside from his role with Braven, Laufer serves as President and founder of the Laufer Wind Group and Idalia Solar Technologies. Randall is the president and chief designer of a women’s luxury clothing brand, HONOR, which will debut September 2010. Both Laufer and Randall are quite active in the New York City theatre scene, both having helped bring Hair and the upcoming play, Lombardi to Broadway. Swiader has almost twenty years of experience in the finance and institutional investment industries having worked for JP Morgan, The Dreyfus Corporation, and Scudder Investments. Swiader’s background in business analysis, and equity and debt financing brings expertise to the financial and capital raising functions of Braven. Silva, who serves as worldwide brand ambassador for Armani and Chopard, is an eminent model internationally. Additionally, Silva is an attorney and also writes a monthly column called Iconelle for Elle Spain. This is Laufer, Randall and Silva’s first significant foray into the film world.

Be Sociable, Share!

11 Responses to “BRAVEN FILMS TO LAUNCH WITH TREVI BIOPIC AS FIRST PROJECT”

  1. aaron says:

    wooooowwww finally ive been waiting for this movie since 2007 THANK YOUUUUUUUU SOOOOOO MUCHH CANT WAIT TO SEE IT

  2. JAN says:

    omg i cant wait for this movie..gloria story is great!

  3. roger says:

    OMG I CAN FUCKING WAIT FOR THIS…!!! :):):)

  4. Nancy says:

    This is just amazing! I cant wait for this movie! I hope the film really pays a strong and well-overdue tribute to Goria Trevi!!! =)

  5. luis terrones says:

    supper biiien, sera todo un exito, tenemos años esperando esta peli qe cuenta nuestra historia de amorr …. somos grandess 🙂

  6. Leoneld15 says:

    Wowww la espera ha terminado por fin se realizara esa super pelicula que seguro sera un Exitazoo pues Gloria Trevi es una super artista COMPLETA……

    TE AMO GLORIA TREVI.

  7. Franco says:

    OMG!

    Finally. this movie is going to blow our heads off. there is so much to tell. Glori Trevi is the best.

  8. Jess says:

    I’m hopeful this is true. Gloria’s story is a great one and it will, likewise, make a very good film. A lot of people are really looking forward to this movie.

  9. Where do I book my advance tickets?

  10. E C says:

    This film is sure to be a huge success. Unlike many artists, Gloria Trevi has managed to shine and stay on top of the billboards even when all odds were against her. Gloria’s life, music, charm, beauty, and immeasureable talent have captivated Latin America and it is about time that the rest of the world can experience all that Gloria Trevi has to offer. This MEGA super star is a singer, song-writer, actress, pianist, tv host, music video director, comic book artist, and philanthropist.

    I wonder if Eva Mendez is still going to play Gloria Trevi in this film.

  11. Trevinator says:

    Wow cant wait to see this great movie seriously this movie is gonna be great! hope so!!

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon