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David Poland

By David Poland

FIRST!!! Sony Classics Gets 2 DVDs Into Voter Hands

Naomi Watts starrer Mother & Child and Aussie crime drama Animal Kingdom started landing around town this week.

We’re still weeks away from the public DVD releases of Winter’s Bone(10/26), Toy Story 3 (11/2), and The Kids Are All Right (11/16), so it will interesting to see if they turn up sooner than that. Shutter Island lands next week from Par Home Ent… and I won’t watch it in anything less than Blu. Inception is scheduled to be released on Dec 6 in the UK… still not clear about the U.S… but I would say the film would be well-served by a strong push to get people back into movie theaters for that one, instead of relying on the DVD experience.

Most of the other contenders are less than two weeks into theatrical runs or not yet in release. I count 11 due after Thanksgiving, which is kinda the drop dead date for screeners, with the exception of the highest profile films (True Grit and How Do You Know likely to be the last screeners on the shelf this year.)

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One Response to “FIRST!!! Sony Classics Gets 2 DVDs Into Voter Hands”

  1. scooterzz says:

    just adding to the many reasons i hate pete hammond: in tonight’s post about the receipt of these fyc screeners, he refers to ‘animal kingdom’ as a BRITISH CRIME THRILLER. check it out quickly, it’ll, no doubt, be changed as quick as this gets read….

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon