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David Poland

By David Poland poland@moviecitynews.com

DP/30 Sneak Peek: TGWTDT’s Noomi Rapace Talks About Watching One Of The Most Brutal Movie Rape Sequences Ever

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8 Responses to “DP/30 Sneak Peek: TGWTDT’s Noomi Rapace Talks About Watching One Of The Most Brutal Movie Rape Sequences Ever”

  1. The Pope says:

    You know, looking at Noomi Rapace, I am struck by how imaginative casting directors are. I had to keep reminding myself every twenty seconds or so how she looked in Dragon. In know a lot of it was hair and make-up… but good casting directors can really help.

  2. DiscoNap says:

    she says “like” more than Roland Emmerich. How do Europeans end up doing this, unless they’re just constantly thinking the word they’re trying to think of is like the word they know by heart.

  3. LexG says:

    Whoa! LOOK AT HER. WHO KNEW??????

    Man, why didn’t she wear her hair LIKE THAT in those Dragon movies????

    Fetching.

  4. Joe Straatmann says:

    I like the mohawk she’s sporting in the shots from the new one. It’s not a stretch to say the mohawk is pretty much one of the hardest hairstyles to pull off.

  5. cadavra says:

    Jeez, Lex, I told you “like” a half-dozen times she was a stunner, but you didn’t believe me. But congrats on coming over to our side.

  6. DiscoNap says:

    Should ad since I was snarky she really is lovely and in her own atypical way. I hope her Hollywood moment works out.

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  8. Charles Ceranski says:

    Padre justo, Tú reino es Eterno y Tu potencia no tiene límites. toda rodilla se doblará y confesará que solamente Usted es Dios Por todos los siglos. Ahora señor intercedo por las personas y familias que sufren en Baghdad, te ruego que los libres y defiendelos de todo mal por amor a ti mismo. En el poderoso nombre de Jesús, Amén.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon