By Ray Pride Pride@moviecitynews.com

2011 FILM INDEPENDENT SPIRIT AWARD NOMINATIONS ANNOUNCED

LOS ANGELES (November 30, 2010) – Film Independent, the non-profit arts organization that produces the Spirit Awards and the Los Angeles Film Festival, announced nominations this morning for the 2011 Film Independent Spirit Awards.  Eva Mendes and Jeremy Renner served as presenters and 2011 Spirit Awards host Joel McHale was also on hand.  Nominees for Best Feature include 127 Hours, Black Swan, Greenberg, The Kids Are All Right and Winter’s Bone. Please Give was selected for the Robert Altman Award, which is given to one film’s director, casting director and ensemble cast.

2011 SPIRIT AWARD NOMINATIONS

BEST FEATURE (Award given to the Producer, Executive Producers are not listed)
127 Hours
Producers: Danny Boyle, Christian Colson, John Smithson
Black Swan
Producers: Scott Franklin, Mike Medavoy, Arnold W. Messer, Brian Oliver
Greenberg
Producers: Jennifer Jason Leigh, Scott Rudin
The Kids Are All Right
Producers: Gary Gilbert, Philippe Hellmann, Jordan Horowitz, Jeffrey Levy-Hinte, Celine Rattray, Daniela Taplin Lundberg
Winter’s Bone
Producers: Alix Madigan-Yorkin, Anne Rosellini
BEST DIRECTOR
Darren Aronofsky – Black Swan
Danny Boyle – 127 Hours
Lisa Cholodenko – The Kids Are All Right
Debra Granik – Winter’s Bone
John Cameron Mitchell – Rabbit Hole

BEST SCREENPLAY
Stuart Blumberg, Lisa Cholodenko – The Kids Are All Right
Debra Granik, Anne Rosellini – Winter’s Bone
Nicole Holofcener – Please Give
David Lindsay-Abaire – Rabbit Hole
Todd Solondz – Life During Wartime

BEST FIRST FEATURE (Award given to the director and producer)
Everything Strange and New – Director: Frazer Bradshaw, Producers: A.D. Liano, Laura Techera Francia
Get Low – Director: Aaron Schneider
, Producers: David Gundlach, Dean Zanuck
Night Catches Us – Director: Tanya Hamilton
, Producers: Sean Costello, Jason Orans, Ronald Simons
The Last Exorcism – Director: Daniel Stamm
, Producers: Marc Abraham, Tom Bliss, Eric Newman, Eli Roth
Tiny Furniture – Director: Lena Dunham
, Producers: Kyle Martin, Alicia Van Couvering

BEST FIRST SCREENPLAY
Diane Bell – Obselidia
Lena Dunham – Tiny Furniture
Nik Fackler – Lovely, Still
Bob Glaudini – Jack Goes Boating
Dana Adam Shapiro, Evan M. Wiener – Monogamy

JOHN CASSAVETES AWARD – Given to the best feature made for under $500,000.  Award given to the writer, director, and producer.  Executive Producers are not listed
Daddy Longlegs
Writer/Directors: Benny Safdie, Josh Safdie
Producers: Casey Neistat, Tom Scott
Lbs.
Director: Matthew Bonifacio
Writer/Producers: Matthew Bonifacio, Carmine Famiglietti
Lovers of Hate
Writer/Director: Bryan Poyser
Producer: Megan Gilbride
Obselidia
Writer/Director: Diane Bell
Producers: Chris Byrne, Mathew Medlin
The Exploding Girl
Writer/Director: Bradley Rust Gray
Producers: Karin Chien, Ben Howe, So Yong Kim

BEST FEMALE LEAD
Annette Bening – The Kids Are All Right
Greta Gerwig – Greenberg
Nicole Kidman – Rabbit Hole
Jennifer Lawrence – Winter’s Bone
Natalie Portman – Black Swan
Michelle Williams – Blue Valentine

BEST MALE LEAD
Ronald Bronstein – Daddy Longlegs
Aaron Eckhart – Rabbit Hole
James Franco – 127 Hours
John C. Reilly – Cyrus
Ben Stiller – Greenberg

BEST SUPPORTING FEMALE
Ashley Bell – The Last Exorcism
Dale Dickey – Winter’s Bone
Allison Janney – Life During Wartime
Daphne Rubin-Vega – Jack Goes Boating
Naomi Watts – Mother and Child
BEST SUPPORTING MALE
John Hawkes – Winter’s Bone
Samuel L. Jackson – Mother and Child
Bill Murray – Get Low
John Ortiz – Jack Goes Boating
Mark Ruffalo – The Kids Are All Right

BEST CINEMATOGRAPHY
Adam Kimmel – Never Let Me Go
Matthew Libatique – Black Swan
Jody Lee Lipes – Tiny Furniture
Michael McDonough – Winter’s Bone
Harris Savides – Greenberg

BEST DOCUMENTARY (Award given to the director)
Exit Through the Gift Shop
Director: Banksy
Marwencol
Director: Jeff Malmberg
Restrepo
Directors: Tim Hetherington, Sebastian Junger
Sweetgrass
Directors: Ilisa Barbash, Lucien Castaing-Taylor
Thunder Soul
Director: Mark Landsman

BEST FOREIGN FILM (Award given to the director)
Kisses (Ireland)
Director: Lance Daly
Mademoiselle Chambon (France)
Director: Stéphane Brizé
Of Gods and Men (Morocco)
Director: Xavier Beauvois
The King’s Speech
(United Kingdom)
Director: Tom Hooper
Uncle Boonmee Who Can Recall His Past Lives (Thailand)
Director: Apichatpong Weerasethakul

ACURA SOMEONE TO WATCH AWARD – The 17th annual Acura Someone to Watch Award recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition.  The award includes a $25,000 unrestricted grant funded by Acura.
Hossein Keshavarz
Dog Sweat
Laurel Nakadate
The Wolf Knife
Mike Ott
Littlerock

PIAGET PRODUCERS AWARD – The 14th annual Piaget Producers Award honors emerging producers who, despite highly limited resources demonstrate the creativity, tenacity, and vision required to produce quality, independent films.  The award includes a $25,000 unrestricted grant funded by Piaget.
In-Ah Lee
Au Revoir Taipei
Adele Romanski
The Myth of the American Sleepover
Anish Savjani
Meek’s Cutoff

AVEENO® TRUER THAN FICTION AWARD – The 16th annual AVEENO® Truer Than Fiction Award is presented to an emerging director of non-fiction features who has not yet received significant recognition.  The award includes a $25,000 unrestricted grant funded by AVEENO®.
Ilisa Barbash, Lucien Castaing-Taylor – Sweetgrass
Jeff Malmberg – Marwencol
Lynn True, Nelson Walker – Summer Pasture

ROBERT ALTMAN AWARD – (Given to one film’s director, casting director, and its ensemble cast)
Please Give
Director: Nicole Holofcener; Casting Director: Jeanne McCarthy; Ensemble Cast: Ann Guilbert, Rebecca Hall, Catherine Keener, Amanda Peet, Oliver Platt, Lois Smith, Sarah Steele

BY DISTRIBUTOR

DISTRIBUTOR
FILM TITLE(S)
# OF NOMINATIONS

Focus Features – 9
Greenberg, The Kids Are All Right

Fox Searchlight 9
127 Hours, Black Swan, Cyrus, Never Let Me Go

IFC Films – 9
Daddy Longlegs, Life During Wartime, Lovers of Hate, the Myth of the American Sleepover, Tiny Furniture

Roadside Attractions – 8
Thunder Soul, Winter’s Bone

Sony Pictures Classics – 7
Get Low, Mother and Child, Of Gods and Men, Please Give

Lionsgate – 6
The Last Exorcism, Rabbit Hole

The Cinema Guild – 4
Marwencol, Sweetgrass

Oscilloscope Laboratories – 4
The Exploding Girl, Kisses, Meek’s Cutoff, Monogamy

Overture Films – 3
Jack Goes Boating

The Weinstein Company – 2
Blue Valentine, The King’s Speech

Indiepix – 1
Everything Strange and New

Lorber Films – 1
Mademoiselle Chambon

Magnolia Pictures – 1
Night Catches Us

Monterey Media, Inc. – 1
Lovely, Still

National Geographic Entertainment – 1
Restrepo

Producers Distribution Agency – 1
Exit Through the Gift Shop

Strand Releasing – 1
Uncle Boonmee Who Can Recall His Past Lives

Truly Indie – 1
Lbs.

No Distributor – 1
Au Revoir Taipei

No Distributor – 1
Dog Sweat

No Distributor – 1
Littlerock

No Distributor – 1
Obselidia

No Distributor – 1
Summer Pasture

No Distributor – 1
The Wolf Knife

35 FILMS NOMINATED
TOTALS PER FILM

FILM TITLE # OF NOMINATIONS
Winter’s Bone
7
The Kids Are All Right
5
Black Swan
4
Greenberg
4
Rabbit Hole
4
127 Hours
3
Jack Goes Boating
3
Tiny Furniture
3
Daddy Longlegs
2
Get Low
2
Life During Wartime
2
Marwencol
2
Mother and Child
2
Please Give
2
Sweetgrass
2
The Last Exorcism
2
Au Revoir Taipei
1
Blue Valentine
1
Cyrus
1
Dog Sweat
1
Everything Strange and New
1
Exit Through the Gift Shop
1
Kisses
1
Lbs.
1
Littlerock
1
Lovely, Still
1
Lovers of Hate
1
Mademoiselle Chambon
1
Meek’s Cutoff
1
Monogamy
1
Never Let Me Go
1
Night Catches Us
1
Obselidia
1
Of Gods and Men
1
Restrepo
1
Summer Pasture
1
The Exploding Girl
1
The King’s Speech
1
The Myth of the American Sleepover
1
The Wolf Knife
1
Thunder Soul
1
Uncle Boonmee Who Can Recall His Past Lives
1

“The artistic side of independent film is stronger than ever, and it’s especially impressive to see the developed craft of extraordinary independent filmmakers who have only gotten better over the years.  Past nominees such as Darren Aronofsky, Noah Baumbach, Danny Boyle, Lisa Cholodenko, Debra Granik, Nicole Holofcener and John Cameron Mitchell continue to create original and compelling films that move and amaze us.” said Film Independent Executive Director Dawn Hudson.

“It is an honor and a privilege to work with an organization that is passionate about the advancement of independent film.  This dedication and thoroughness was evident every step of the way during the nominee selection process,” said Ted Mundorff, Chair of the American Narrative Feature Nominating Committee. “The wide-ranging spectrum of talent, storylines and innovative filmmaking has once again raised the bar for independent film.”

Selected from 220 submissions, this year’s winners will be announced at the Film Independent Spirit Awards on Saturday, February 26, 2011 at 2:00 p.m. on the beach in Santa Monica.  The 26th annual awards show will air exclusively that night on IFC at 10:00 p.m. ET/PT.  Winners of the Filmmaker Grants will be highlighted during the Spirit Awards and announced at the 2011 Spirit Awards Nominee Brunch celebration on Saturday, January 15th at BOA Steakhouse in West Hollywood.

On Wednesday, February 23, a selection of Spirit Award nominees will discuss their films and their craft at Film Independent’s Directors Close-Up, a 5-week series that features conversations with directors and their collaborators.

The Spirit Awards Nominating Committee applies uniqueness of vision, original & provocative subject matter, economy of means (with particular attention paid to total production cost & individual compensation), and percentage of financing from independent sources as guidelines when making its selections. The Committee was composed of the following sub-committees:

The 13-person American Narrative Nominating Committee included Chair, CEO Landmark Theatres Ted Mundorff; actress Melonie Diaz; producers Jennifer Fox, Jennifer Todd; author/filmmaker Nelson George; director Karyn Kusama; writer/director/producers Larry Karaszewski, Edgar Wright; filmmaker Kasi Lemmons; film critic and host of KCRW’s “The Treatment” Elvis Mitchell; actor/producers Andre Royo, Adam Scott; and screenwriter Daniel Waters.

The 7-person Documentary Feature Nominating Committee included Chair, San Francisco Film Society Director of Programming Rachel Rosen; directors Nanette Burstein, Laura Gabbert; director/producer RJ Cutler; film critic Alonso Duralde; The Boston Globe film critic Wesley Morris; and filmmaker Marina Zenovich.

The 7-person Foreign Feature Nominating Committee included Chair, filmmaker Mary Sweeney; writer/director/producer Julie Dash; writer/director Neil LaBute; producer Gail Mutrux; director Patricia Riggen; writer Howard A. Rodman; and Los Angeles Times and NPR’s “Morning Edition” film critic Kenneth Turan.

The 5-person Acura Someone to Watch Award Nominating Committee included Chair, producer Alison Dickey; writer/director Kyle Patrick Alvarez; Dallas Film Society Artistic Director James Faust; Sarasota Film Festival Artistic Director Tom Hall; and NPR.org film critic Ella Taylor.

The 5-person Piaget Producer’s Award Nominating Committee included Chair, producer Karin Chien; producers Seth Caplan, Lisa Cortes, Amy Kaufman, and Barry Mendel.

The 5-person AVEENO® Truer Than Fiction Award Nominating Committee included Chair, filmmaker Darius Marder; producer Lesley Chilcott; editor Geeta Ghandbir; LincolnFilm Society’s Director of Digital Strategy Eugene Hernandez; and aspen FILM Artistic Director Laura Thielen.

The Jameson FIND Your Audience Award, a new filmmaker grant, was established this year to help make it possible for one Spirit Award-nominated film to find a broader audience.  Spirit Award-nominated films in need of expanding their marketing and distribution efforts will be considered.  The award includes a $50,000 marketing and distribution grant, funded by Jameson Irish Whiskey.  The grant was designed to meet independent filmmakers’ biggest challenge today: How to get their films out into the marketplace.  A blue-ribbon committee will determine the winner.

The Film Independent Spirit Awards are sponsored by Premier Sponsors IFC, ELLE, Netflix, Piaget, Acura, and Jameson Irish Whiskey, and Principal Sponsor AVEENO®.  WireImage is the Official Photographer of Film Independent, American Airlines is the Official Airline Partner, and PR Newswire is the Official Breaking News Service of Film Independent.

For more information on submission guidelines, voting, media and publicist credentials, and the history of the Spirit Awards, please visit SpiritAwards.com.

ABOUT THE FILM INDEPENDENT SPIRIT AWARDS
The Film Independent Spirit Awards is a celebration honoring films made by filmmakers who embody independence and originality.  Televised in millions of homes and covered internationally by the press, the Spirit Awards has become the vanguard event in independent film, recognizing the achievements of independent filmmakers and promoting independent film to a wider audience.

Awards are given in the following categories: Best Feature, Best First Feature, Best First Screenplay, Best Director, Best Screenplay, John Cassavetes Award (given to the best feature made for a budget under $500,000), Best Male Lead, Best Female Lead, Best Supporting Male, Best Supporting Female, Best Cinematography, Best Foreign Film, Best Documentary, and the Robert Altman Award.  The Filmmaker Grants include Acura Someone to Watch Award, AVEENO® Truer Than Fiction Award, Piaget Producers Award, and the Jameson FIND Your Audience Award.

This year’s ceremony is sponsored by Premier Sponsors IFC, ELLE, Netflix, Piaget, Acura, Jameson Irish Whiskey, and Principal Sponsor AVEENO®.  WireImage is the Official Photographer of Film Independent and PR Newswire is the Official Breaking News Service of Film Independent.

For more information on submission guidelines, voting, photo and video galleries, and the history of the Spirit Awards, please visit SpiritAwards.com.

ABOUT FILM INDEPENDENT
Film Independent is a 501 (c)(3) non-profit arts organization that champions independent film and supports a community of artists who embody diversity, innovation, and uniqueness of vision. Film Independent helps filmmakers make their movies, builds an audience for their projects, and works to diversify the film industry. Film Independent’s Board of Directors, filmmakers, staff, and constituents, are comprised of an inclusive community of individuals across ability, age, ethnicity, gender, race, and sexual orientation. Anyone passionate about film can become a member, whether you are a filmmaker, industry leader, or a film lover.

With over 250 annual screenings and events, Film Independent provides access to a network of like-minded artists who are driving creativity in the film industry. Film Independent offers free Filmmaker Labs for selected writers, directors, and producers; provides cut-rate services for filmmakers; and presents year-round networking opportunities. Film Independent’s mentorship and job placement program, Project:Involve, pairs emerging culturally diverse filmmakers with film industry professionals.

Film Independent produces the Los Angeles Film Festival, celebrating the best of American and international cinema and the Spirit Awards, a celebration honoring films and filmmakers that embody independence and originality.

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One Response to “2011 FILM INDEPENDENT SPIRIT AWARD NOMINATIONS ANNOUNCED”

  1. Craig Baldwin says:

    Carol Rzadkiewicz writes, “What makes some people more creative than others? Is it because they are raised in creativity-enhancing environments where they are encouraged to express their creativity by parents who themselves are creative?”

    I believe the answer is YES … an enthusiastic yes!!!

    When Mark Landsman’s creative mind initiated forward thinking about how he was going to introduce Mr. Conrad O. Johnson (Prof) to the people on this planet, we from the Kashmere Reunion Stage Band in concert with the Johnson Family endorsed said forward thinking. Mark’s vision; Thunder Soul is about the man known as “Prof.”

    Mark’s film making style mirrors no other. We adore this guy and all at Snoot Entertainment for making this vision truth. And he told the truth. I’m quite sure the other nominees did a superb job on their respective projects.

    But, all must understand, I’m selfish, the Kashmere Reunion Stage Band members are selfish, the Johnson family are selfish for our Drum Major of Jazz-Funk to continue succeeding in all he has done in life and thereafter. We want the best-director to be called and his name is Mark Landsman. Show him some love ya’ll. Show him your love ya’ll. Please embrace his heart and creative passion for how it was for “Prof” and the Kashmere Stage Band back in the day during racially divided times.

    Craig Baldwin [Conductor]
    Kashmere Reunion Stage Band – Thunder Soul Documentary

    PS: It’s all about the musical spirit of Prof’s legacy.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon