MCN Blogs
Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Mmmm … Brains

The first ever ZomBCon was held here in Seattle over Halloween weekend. As with any new event, the first couple years are a ramp up, but they had one hell of an impressive slate of guests, especially for a first-time event. Guests included Ted Raimi, Bruce Campbell, Max Brooks (author of the Zombie Survival Guide and World War Z, two of my fave zombie books), Chuck Palahniuk (Fight Club, Choke), Malcolm McDowell (billed simply as Pop Culture Icon, which I guess is about as accurate as any description I’ve ever heard), and a bevy of other artists, actors (including the “Ladies of the Evil Dead!,” and authors of more zombie books than you ever knew existed.

They even had zombie “experts” on-hand — folks who have actually researched the science of zombie folklore, and of course all the expected gaming stores. Oh, and Neve checked out this really excellent RPG called Outbreak: Undead … Zombie Survival Role Playing Game, which, in addition to being incredibly detailed, well-thought and professionally put together, is a totally cool game that should definitely be on your Christmas list if your family is into gaming.

One of the highlights of the weekend for me (other than taking the kids on a field trip day there in full zombie makeup) was taking our teens to see A Clockwork Orange at SIFF Cinema — my first time seeing it on a big screen. Overall, a most excellent weekend. And word has it that next year’s ZomBCon is already being planned. More pics from this year below:

Be Sociable, Share!

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon