Screen Actors Guild Awards

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2012

Outstanding Performance by a Cast in a Motion Picture
The King’s Speech

Outstanding Performance by a Male Actor in a Leading Role
Colin Firth, The King’s Speech

Outstanding Performance by a Female Actor in a Leading Role
Natalie Portman, Black Swan

Outstanding Performance by a Male Actor in a Supporting Role
Christian Bale, The Fighter

Outstanding Performance by a Female Actor in a Supporting Role
Melissa Leo, The Fighter

Outstanding Performance by an Ensemble in a Drama Series
Boardwalk Empire

Outstanding Performance by an Ensemble in a Comedy Series
Modern Family

Outstanding Performance by a Male Actor in a Drama Series
Steve Buscemi, Boardwalk Empire

Outstanding Performance by a Female Actor in a Drama Series
Julianna Margulies, the Good Wife

Outstanding Performance by a Male Actor in a Comedy Series
Alec Baldwin, 30 Rock

Outstanding Performance by a Female Actor in a Comedy Series
Betty White, Hot in Cleveland

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
Al Pacino, You Don’t Know Jack

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
Claire Danes, Temple Grandin

Stunt Ensemble in a Television Series
True Blood

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NOMINATIONS

Outstanding Performance by a Cast in a Motion Picture
Black Swan
The Fighter
The Kids Are All Right
The King’s Speech
The Social Network

Outstanding Performance by a Male Actor in a Leading Role
Jeff Bridges, True Grit
Robert Duvall, Get Low
Jesse Eisenberg, Social Network
Colin Firth, The King’s Speech
James Franco, 127 Hours

Outstanding Performance by a Female Actor in a Leading Role
Annette Bening, Kids Are All Right
Nicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter’s Bone
Natalie Portman, Black Swan
Hilary Swank, Conviction

Outstanding Performance by a Male Actor in a Supporting Role
Christian Bale, The Fighter
John Hawkes, Winter’s Bone
Jeremy Renner, The Town
Mark Ruffalo, The Kids Are All Right
Geoffrey Rush, The King’s Speech

Outstanding Performance by a Female Actor in a Supporting Role
Amy Adams, The Fighter
Helena Bonham Carter, THe King’s Speech
Mila Kunis, Black Swan
Melissa Leo, Black Swan
Hailee Steinfeld, True Grit

Outstanding Performance by an Ensemble in a Drama Series
Boardwalk Empire
The Closer
Dexter
The Good Wife
Mad Men

Outstanding Performance by an Ensemble in a Comedy Series
30 Rock
Glee
Hot in Cleveland
Modern Family
The Office

Outstanding Performance by a Male Actor in a Drama Series
Steve Buscemi, Boardwalk Empire
Bryan Cranston, Breaking Bad
Michael C. Hall, Dexter
John Hamm, Mad Men
Hugh Laurie, House

Outstanding Performance by a Female Actor in a Drama Series
Glenn Close, Damages
Mariska Hargitay, Law and Order: Special Victims Unit
Julianna Margulies, the Good Wife
Elisabeth Moss, Mad Men
Kyra Sedgwick, The Closer

Outstanding Performance by a Male Actor in a Comedy Series
Alec Baldwin, 30 Rock
Ty Burrell, Modern Family
Steve Carrel, The Office
Chris Colfer, Glee
Ed O’Neill, Modern Family

Outstanding Performance by a Female Actor in a Comedy Series
Edie Falco, Nurse Jackie
Tina Fey, 30 Rock
Jane Lynch, Glee
Sofia Vergara, Modern Family
Betty White, Hot in Cleveland

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
John Goodman, You Don’t Know Jack
Al Pacino, You Don’t Know Jack
Dennis Quaid, The Special Relationship
Edgar Ramirez, Carlos
Patrick Stewart, Macbeth

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
Claire Danes, Temple Grandin
Catherine O’Hara, Temple Grandin
Julia Ormond, Temple Grandin
Winona Ryder, When Love Is Not Enough
Susan Sarandon, You Don’t Know Jack

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Posted in Awards Watch, Note Pad, Scoreboards - Critics Awards | 2 Comments »

2 Responses to “Screen Actors Guild Awards”

  1. Glamourboy says:
    December 16, 2010 at 5:58 pm

    Yes, I thought Melissa Leo was excellent in Black Swan….???

  2. brainypirate says:
    December 17, 2010 at 12:07 am

    and the mistake is still there…. ???

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon