By MCN Editor editor@moviecitynews.com

FOX SEARCHLIGHT PICTURES ACQUIRES “ANOTHER EARTH”

FOX SEARCHLIGHT PICTURES
A UNIT OF FOX FILMED ENTERTAINMENT

For Immediate Release

FOX SEARCHLIGHT PICTURES ACQUIRES “ANOTHER EARTH”

Specialty Arm Acquires Rights to English Speaking Territories

PARK CITY, UT January 26, 2011 – Fox Searchlight Pictures Presidents Stephen Gilula and Nancy Utley announced today that the company has acquired rights to English speaking territories for the emotionally charged sci-fi drama ANOTHER EARTH. Directed by Mike Cahill and written by Cahill and Brit Marling, ANOTHER EARTH stars William Mapother, Brit Marling, Jordan Baker, Robin Lord Taylor and Flint Beverage. The film was produced by Hunter Gray of Artists Public Domain, Mike Cahill, Brit Marling and Nicholas Shumaker.

“There are haunting yet touching and beautiful elements in Brit Marling and Mike Cahill’s first feature. Brit’s performance is a revelation,” said Utley and Gilula. “We are excited to be working with such extraordinarily talented filmmakers.”

“We were stunned and provoked by this original new vision of our world,” said Claudia Lewis, Fox Searchlight’s President of Production. “This profound love story and philosophical meditation, set in a real yet future world took our breath away.”

“Fox Searchlight has proven to be the true champion of the auteur filmmaker, and I am honored to work with them and hope this is just the beginning,” said Cahill.

“Artists Public Domain strives to allow filmmakers to realize their creative vision. It has been wonderful to have Another Earth so well received at Sundance and to now be in the hands of Fox Searchlight,” said Gray.

In ANOTHER EARTH, Rhoda Williams (Marling), a bright young woman accepted into MIT’s astrophysics program, aspires to explore the cosmos. A brilliant composer, John Burroughs (Mapother), has just reached the pinnacle of his profession and is about to have a second child. On the eve of the discovery of a duplicate Earth, tragedy strikes and the lives of these strangers become irrevocably intertwined.

The deal was brokered by Fox Searchlight’s Executive Vice President of Worldwide Acquisitions Tony Safford, Senior Vice President of Business Affairs Megan O’Brien, Vice President of Acquisitions Ray Strache, Kevin Iwashina of Preferred Content and Graham Taylor, Mark Ankner, Liesl Copeland of WME. Andre Des Rochers of Gray Krauss Des Rochers LLP handled legal on behalf of Artists Public Domain.

Fox Searchlight Pictures is a specialty film company that both finances and acquires motion pictures. It has its own marketing and distribution operations, and its films are distributed internationally by Twentieth Century Fox. Fox Searchlight Pictures is a unit of Fox Filmed Entertainment, a unit of Fox Entertainment Group.

Be Sociable, Share!

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon