By Leonard Klady Klady@moviecitynews.com
The Weekend Report: January 30, 2011
Tune Down
The debut of the ExoRcIsT-lite The Rite possessed the top of the weekend box office charts with an estimated $14.7 million. In another soft film going frame the other national opener The Mechanic ranked fifth with an $11.1 million bow.
The session also saw the Hispanic-targeted release of From Nanda to Prada register OK results of $1 million at 256 haciendas – continuing the elusive pursuit of tapping into the nation’s fastest growing viewing demographic.
Niche and specialized debuts included a disappointing $103,000 launch for Dil Toh Baccha Hai Ji on the Bollywood circuit and a dull $332,000 bow of Funkytown on 79 Quebecois screens. Also new, sorta, was Mexican Oscar submission and nominee Biutiful (following a December qualifying run) that recorded a solid $432,000 weekend at 57 venues. And of the exclusives only the American indie Kaboom created a stir with a solo screen gross of $14,700.
The first month of 2011 certainly suggests that multiplexes are losing ground with its traditional base of youthful avids. Overall box office experienced an upward weekend flutter from seven days earlier but on going double digit drops from 2010.
Exit polls indicated that both The Rite and The Mechanic’s ticket buyers were about two-thirds comprised on plus 25s. Add in the decidedly older appeal of Oscar contenders and the big picture appears decidedly grayish. The two films also debuted relatively close to tracking estimates and both, if not technically remakes/updates, toed to expectations implanted from earlier films.
Weekend revenues clocked in just shy of $110 million for a 4% hike from the immediate prior frame. It was 15% behind last year’s session when week seven of Avatar continued to hold sway with $31.3 million. Bows of Edge of Darkness and When in Rome followed with respective tallies of $17.2 million and $12.3 million.
Last week’s observation of The Social Network fatigue factor in the lingering award season manifested itself in Saturday’s Directors Guild award to The King’s Speech Tom Hooper. With Oscar four weeks in the offing the momentum for its top award now is clearly listing toward Speech with its chief competition coming from True Grit. Regardless, unlike last year most of the films with a clutch of nominations have generated $100 million at the domestic box office or are within striking distance of that benchmark.
It’s also the case that the majority of late December Oscar qualifiers that had token or were absent of nominations are struggling to stand on their own merits. The Way Back, Country Strong, Somewhere and Rabbit Hole are rapidly losing screens and The Company Men is only faring slightly better.
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Weekend Estimates: January 28-30, 2011
Title | Distributor | Gross (average) | % change * | Theaters | Cume |
The Rite | WB | 14.7 (4,930) | NEW | 2985 | 14.7 |
No Strings Attached | Par | 13.6 (4,490) | -31% | 3022 | 39.7 |
The Green Hornet | Sony | 11.5 (3,270) | -35% | 3524 | 78.8 |
The Mechanic | CBS | 11.1 (4,110) | NEW | 2703 | 11.1 |
The King’s Speech | Weinstein Co. | 10.4 (4,080) | 33% | 2557 | 71.5 |
True Grit | Par | 7.2 (2,320) | -1% | 3120 | 148 |
Dilemma | Uni | 5.4 (1,870) | -40% | 2905 | 40.6 |
Black Swan | Fox Searchlight | 4.9 (2,110) | -17% | 2315 | 90.5 |
The Fighter | Par/Alliance | 3.9 (2,020) | -7% | 1914 | 78.2 |
Yogi Bear | WB | 3.1 (1,440) | -20% | 2133 | 92.4 |
Tron: Legacy | BV | 2.5 (1.670) | -31% | 1505 | 166.7 |
Little Fockers | Uni | 2.5 (1,200) | -43% | 2051 | 144.6 |
Tangled | BV | 2.4 (1,520) | -22% | 1589 | 189.5 |
127 Hours | Fox Searchlight | 2.0 (2,200) | 916 | 13.4 | |
Country Strong | Sony | 1.2 (960) | -41% | 1287 | 18.8 |
Blue Valentine | Weinstein Co. | 1.1 (2,720) | 29% | 415 | 6 |
From Prada to Nada | Lions Gate | 1.0 (3,980) | NEW | 256 | 1 |
Chronicles of Narnia: Dawn Treader | Fox | .87 (1,190) | -36% | 732 | 101.8 |
Season of the Witch | Relativity | .73 (660) | -68% | 1110 | 23.7 |
Gulliver’s Travels | Fox | .67 (1,030) | -42% | 653 | 40.9 |
The Company Men | Weinstein Co. | .64 (3,030) | -1% | 211 | 1.5 |
Harry Potter & the Deathly Hollows, Part 1* | WB | .57 (1,220) | -37% | 465 | 292.2 |
The Way Back | Newmarket/Alliance | .52 ((860) | -57% | 602 | 2.2 |
Barney’s Version | eOne/Sony Classics | .50 (4,190) | 12% | 118 | 2 |
Megamind | Par | .47 (1,570) | -18% | 300 | 146.9 |
Weekend Total ($500,000+ Films) | $103.00 | ||||
% Change (Last Year) | -15% | ||||
% Change (Last Week) | 4% | ||||
Also debuting/expanding | |||||
Biutiful | Roadside | .43 (7,580) | 57 | 0.59 | |
Funkytown | Remstar | .33 (4,200) | 79 | 0.033 | |
Another Year | Sony Classics | .31 (3,410) | 49% | 91 | 1.1 |
Rabbit Hole | Lions Gate | .16 (1,310) | -8% | 124 | 1.5 |
The Illusionist | Sony Classics | .13 (5,360) | 66% | 25 | 0.53 |
Somewhere | Focus | .11 (1,780) | -47% | 60 | 1.5 |
Dil Toh Baccha Hai Ji | Viva | .10 (2,460) | 42 | 0.1 | |
Incendies | eOne/Seville | 91,500 (6,100) | 142% | 15 | 2.6 |
Ip Man 2 | Variance | 57,400 (2,870) | 20 | 0.06 | |
Kaboom | IFC | 14,700 (14,700) | 1 | 0.01 | |
When We Leave | Olive | 5,600 (5,600) | 2 | 0.01 | |
Rage | Strand | 3,800 (3,800) | 1 | 0.01 |
The “cume” section of the chart isn’t visible. Fix it?