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David Poland

By David Poland poland@moviecitynews.com

Indie Spirits: Life’s a Beach

There’s been all kinds of self-congratulation about indies being back, but none of that was in evidence on a surprisingly sunny day that left the inside of the Independent Spirit Awards tent about 10 degrees colder than the chilly afternoon in Santa Monica. Only the pregnant woman who won Best Actress – pumping extra blood for two – may have gone through the show without feeling the chill.

Also chilling was the effort by IFC to shoot the show live to tape, which meant looooong commercial breaks that didn’t send anyone scurrying back to their seat when the show returned. As a result, literally hundreds of guests would be milling about and chatting during much of the show, seemingly unaware that a show was going on.

As for the awards, there were a grand total of zero surprises. The most popular films won all the big categories, including The King’s Speech winning for foreign film (we can talk about that some other time) and Black Swan winning every award for which it was nominated – not screenplay – and suffering the idiocy of having Matty Libatique’s Cinematography win, ISA’s only non-writing below-the-line award, made into an afterthought that was not presented as part of the 2 hour show. Really? This is independent spirit? Cutting out categories from the show? (The other award cut was to Lena Dunham for Best First Screenplay.)

I was certainly pleased by many of the winners, but the show really is broken at this point. The room was fuller than ever, heavily relying on donors and sponsors at the $500 a seat tables. And it’s lost all of its spontaneity. Joel McHale was okay… just. Though it is unclear why Black Swan was not introduced by anyone on Team Swan, even though the camera was set up there, it may have been a cunnilingus rant by McHale featuring Princess Leia’s mom.

As always, the gift bags are the best quality bags in all of the awards world. Best.

But as after last year, there will be a cry for a better, smarter, ore independent show next year.

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One Response to “Indie Spirits: Life’s a Beach”

  1. Josh says:

    “…and suffering the idiocy of having Matty Libatique’s Cinematography win.”

    What does that mean? Are you that down on that film’s photography?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

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There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

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My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
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“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon