By MCN Editor editor@moviecitynews.com

GK FILMS AND INFINITUM NIHIL’S THE RUM DIARY LANDS AT FILMDISTRICT

JOHNNY DEPP STARS
FilmDistrict to release October 28

NEW YORK, March, 29, 2011 – It was announced today at CinemaCon, by Bob Berney, President, Theatrical Distribution that FilmDistrict will release “The Rum Diary,” based on the early Hunter S. Thompson novel that was ultimately published in 1998. It stars Johnny Depp and will be released on October 28, 2011. The film is directed by Bruce Robinson (“Withnail and I”) from his own screenplay and also stars Aaron Eckhart, Amber Heard, Michael Rispoli, Richard Jenkins and Giovanni Ribisi. “The Rum Diary” is produced by Infinitum Nihil, the production company headed by Depp and Christi Dembrowski, along with Graham King and Tim Headington. Anthony Rhulen and Robert Kravis also produce.

“The Rum Diary” tells the increasingly unhinged story of itinerant journalist Paul Kemp (Depp). Tired of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, Kemp travels to the pristine island of Puerto Rico to write for a local San Juan newspaper run by the downtrodden editor Lotterman (Jenkins). Adopting the rum-soaked lifestyle of the late ‘50s version of Hemingway’s “The Lost Generation,” Paul soon becomes entangled with a very attractive American woman, Chenault (Heard) and her fiancée Sanderson (Eckhart), a businessman involved in shady property development deals. It is within this world that Kemp ultimately discovers his true voice as a writer and integrity as a man.

“Hunter S. Thompson became close with Johnny Depp during the filming of “Fear and Loathing in Las Vegas” and showed Depp the unpublished manuscript for The Rum Diary,” says producer and FilmDistrict co-founder Graham King. “I am extremely proud to bring this novel to film and to honor Hunter’s legacy.”

Peter Schlessel, CEO of FilmDistrict and President of GK Films, says, “The Rum Diary” is a special project for all of us here, as it is a true collaboration between both of our entities. Depp gives an extraordinary performance in this remarkable adaptation.”

“Robinson directed one of my favorite films, “Withnail and I” – combine that with Hunter S. Thompson and it’s a match made in celluloid heaven,” says Bob Berney, President of Distribution, FilmDistrict.

“The Rum Diary” is a GK Films, Infinitum Nihil and Film Engine production produced by Johnny Depp, Christi Dembrowski, Anthony Rhulen, Robert Kravis, Tim Headington and Graham King.

About FilmDistrict
FilmDistrict is a multi-faceted acquisitions, distribution, production and financing company focusing on wide release, commercial pictures. Founded in September by Graham King and Tim Headington’s GK Films, in partnership with Peter Schlessel, the company’s films include INSIDIOUS, April 1; SOUL SURFER, April 8; DRIVE, Sept. 16; and LOCKOUT, February 24, 2012. For more information, visit filmdistrict.com.

About GK Films
Graham King launched GK Films in May 2007 with business partner Tim Headington. Most recently, GK Films produced the animated tale “Rango,” directed by Gore Verbinski and produced with his Blind Wink Productions for Paramount Pictures, “The Town,” written and directed by Ben Affleck for Warner Bros., and “The Tourist,” directed by Florian Henckel von Donnersmarck and starring Angelina Jolie and Johnny Depp.

The company is currently in post-production on the 3-D adventure film “Hugo Cabret,” directed by Martin Scorsese set for release through Paramount Pictures on November 23rd 2011, an untitled love story, written and directed by Angelina Jolie, the crime drama “London Boulevard,” starring Colin Farrell and Keira Knightley and written and directed by Academy Award®-winning screenwriter William Monahan and “The Rum Diary” starring Johnny Depp and produced with Depp’s production company, Infinitum Nihil.

GK Films has announced several projects in development including the screen adaptation of “Jersey Boys,” the untitled Freddie Mercury story starring Sacha Baron Cohen and written by Peter Morgan and a reboot of the successful action franchise,“Tomb Raider.”

Previous GK Films releases include “Edge of Darkness,” and the three-time Academy Award® nominated “The Young Victoria.”

In 2010, Graham King and Tim Headington launched a new division, GK-TV. Run by President Craig Cegielski, GK-TV is dedicated to the development, production and worldwide distribution of television programming. GK-TV’s miniseries “Camelot,” set to premiere on Starz on April 1, 2011, stars Joseph Fiennes and Eva Green.

GK Films, in partnership with Peter Schlessel, formed FilmDistrict, a multi-faceted studio that encompasses acquisitions, distribution, production and financing on wide release commercial pictures. The company will theatrically distribute several films per year.

GK Films can be found at http://gk-films.com

About Infinitum Nihil
Infinitum Nihil was formed in 2004 and enjoys a production deal with GK Films. The two companies have produced the forthcoming film The Rum Diary starring Johnny Depp and written and produced by Bruce Robinson, as well as Hugo Cabret directed by Martin Scorsese and set for release on November 23rd through Paramount Pictures. Additionally, Infinitum Nihil and Graham King are in pre-production on Dark Shadows for Warner Brothers with Johnny Depp set to star with Tim Burton directing.

Infinitum Nihil and GK Films share a number of films in development for Warner Brothers, including Shantaram, based on the book by Gregory David Roberts and adapted by Eric Roth; Attica adapted by Linda Woolverton and to be directed by Sam Fell; Gordon Dahlquist’s The Glass Books of the Dream Eaters and the Tom Robbins classic Fierce Invalids Home from Hot Climates adapted by Eric Aronson.

Infinitum Nihil is also developing the Nick Tosches book In The Hand of Dante as well as journalist-author James Meek’s The People’s Act of Love.

Be Sociable, Share!

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon