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Kim Voynar

By Kim Voynar Voynar@moviecitynews.com

Jay-Z, Lyrical Genius?

Off movie topics for a moment and onto music … been in an Eminem phase for the past couple days thanks to Tom Hall rapping the hell out of “Lose Yourself” at the karaoke party at Sarasota (and y’all, Tom Hall can rap the hell out of some Eminem), but I finally got tired of that and migrated over to Jay-Z’s The Black Album, one of my standby albums to listen to when I’m in need of energy or stumped with a writing hurdle.

I was looking up a lyric in 99 Problems, and the first comment in the comment section, written by “lee” on 4/10/11, caught my eye, and then once I read it I had to go back and read it again. It’s pretty brilliantly written, particularly for a comment on a lyrics page. Check out this bit:

And only if you have been in a hole may you be excused for not being aware of Jay-z evolution. Haven’t you heard his new shit? “i make music for the world”. He HAS moved away from his predecessors. What I’m trying to verbalize is that you are inept on both accounts. Jay-z is currently rapping about what he knows; riches, so you’re lacking in current information. Listen to the Blueprint 3; it’s not as good as Reasonable Doubt or the original Blueprint, but it will educate your ass. And 2, he’s FROM the hood baby, if he ever wants to return to that, he’s got shit to draw from. So perhaps a little reflection is in order, i don’t blame you for being misinformed, i pity you.

I have no idea who “lee” is, but hell yeah. He’s got a great writing voice, you can practically hear the words in your head as if they’re being recited as a spoken word piece. They have the rhythm of a lyricist to them.

If you scroll on through the rest of the comments and ignore the occasional dumbass, taken as a whole it’s all a pretty interesting conversation on the social relevance of Jay-Z’s 99 Problems lyrics. Fascinating, even if you’re not Jay-Z fan.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon