By MCN Editor editor@moviecitynews.com

MUSIC BOX FILMS TO RELEASE NICOLAS SARKOZY BIOPIC “THE CONQUEST”

For Immediate Release:

Chicago, IL – Music Box Films announced today the acquisition of all US rights to the THE CONQUEST, directed by Xavier Durringer, a political drama about the political ascendency of the current French president Nicolas Sarkozy.  Based entirely on public documents and first person accounts, THE CONQUEST is the story of seemingly unstoppable ambition, riddled with backstage maneuverings, fits of anger and vicious confrontations with political rivals and loved ones alike. In short, the story of a man who gains the highest office at the price of his greatest love.

Music Box partners Edward Arentz and William Schopf negotiated the deal with Cecile Gagnet and Yohann Comte of Gaumont, the film’s international sales agent. Arentz said: “THE CONQUEST will give US audiences a front row seat to France’s most popular political reality show. And, more soberingly, it offers an appropriately cynical view of the international governing class and their behind-the-scenes Machiavellian chess games.”

The film was produced by Mandarin Films in association with Canal+. Music Box has previously worked with Mandarin on the Michel Hazanavicius’ OSS 117 films starring Jean Dujardin and Francois’ Ozon’s POTICHE starring Catherine Deneuve, currently in release.

Music Box Films is currently planning an aggressive US theatrical release of THE CONQUEST to precede the upcoming American presidential primary season.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

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I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

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~ David Simon