By MCN Editor editor@moviecitynews.com

Relativity Announces Nine Actors to Play alongside Roberts, Collins, Hammer, and Lane

Posted Wednesday, May 25th, 2011 - Comments Off on Relativity Announces Nine Actors to Play alongside Roberts, Collins, Hammer, and Lane
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FOR IMMEDIATE RELEASE

(Beverly Hills, CA) May 25, 2011 – Relativity Media has closed deals with Mark Povinelli (Water for Elephants), Jordan Prentice (Harold & Kumar Go to White Castle), Danny Woodburn (Watchmen), Sebastian Saraceno (Bedtime Stories), Ronald Lee Clark (Epic Movie), Martin Klebba (Hancock) and Joey Gnoffo (Pirates of the Caribbean series) to play the Seven Dwarfs in its upcoming untitled Snow White feature, directed by Tarsem Singh (Immortals, The Cell). The studio has also cast Mare Winningham (Brothers) as Baker Margaret and Michael Lerner (Elf) as Baron.

The nine actors join the previously announced cast in which Oscar-winner Julia Roberts plays the Queen, Lily Collins (The Blind Side) plays Snow White, Armie Hammer (The Social Network) plays Prince Andrew Alcott, and Nathan Lane (The Lion King, The Birdcage) plays the Queen’s hapless and bungling servant, Brighton.  Pre-production has begun, and principal photography will start in June. The theatrical release date is set for March 16, 2012.

In Relativity’s Snow White, a spectacular reimagining of the classic fairy tale, an evil queen steals control of a kingdom, and an exiled princess enlists the help of seven resourceful rebels to win back her birthright in a spirited adventure comedy filled with jealousy, romance, and betrayal that will capture the imagination of audiences the world over.

The film’s producers are Ryan Kavanaugh (The Fighter), Bernie Goldmann (300) and Brett Ratner (Rush Hourfranchise). The script was written by Melisa Wallack (Meet Bill) and Jason Keller (Machine Gun Preacher).

Coming off its success of the box office hit Limitless, the studio will release Judy Moody and the NOT Bummer Summer on June 10, 2011. Looking ahead, Relativity will release David Ellis’ Shark Night 3Don September 2, 2011, followed by the highly-anticipated Immortals on November 11th, 2011, starring Henry Cavill, Stephen Dorff, Isabel Lucas, Freida Pinto, Luke Evans, Kellan Lutz with John Hurt and Mickey Rourke.

ABOUT RELATIVITY MEDIA, LLC

Relativity Media is a next-generation studio engaged in multiple aspects of entertainment including full-scale film and television production and distribution, the co-financing of major studio film slates, music publishing, sports management, and digital media.  Additionally, the company makes strategic partnerships with, and investments in, media and entertainment-related companies and assets.

To date, Relativity has committed to, produced and/or financed more than 200 motion pictures.  Released films have accumulated more than $15 billion in worldwide box office receipts.  Relativity’s recent films include:Bridesmaids, Hop, Limitless, Battle: Los Angeles, Season of The Witch, Little Fockers, The Fighter, The Social Network, Salt, Despicable Me, Grown Ups, Dear John, It’s Complicated, Couples Retreat, and Zombieland. Upcoming films for Relativity include: Shark Night 3D, Immortals, Anonymous, and Cowboys & Aliens.  Thirty-six of the company’s films have opened to No. 1 at the box office.  Relativity films have earned 60 Oscar® nominations, including nods for The Fighter, The Social Network, The Wolfman, Nine, A Serious Man,Frost/Nixon, Atonement, American Gangster and 3:10 to Yuma. Fifty-five of Relativity’s films have each generated more than $100 million in worldwide box-office receipts.

Relativity also owns and operates Rogue Pictures, a company that specializes in films targeted to the 13-25 year old audience, and RogueLife, Relativity’s digital studio which is developing original content for the Web, and creating sustainable online platforms and communities. RelativityREAL, Relativity’s television arm, is currently producing 14 series and more than 20 pilots including Police Women for TLC, Coming Home for Lifetime,  and The Great Food Truck Race for Food Network.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon