By MCN Editor editor@moviecitynews.com

JOHN STEINBECK’S THE LOG FROM THE SEA OF CORTEZ TO GRACE THE BIG SCREEN

JUNE 21, 2011 — New York, NY – Robert Kanter announced today that he has acquired the exclusive world-wide documentary film rights to Nobel Prize recipient and celebrated author John Steinbeck’s non-fiction work, The Log from the Sea of Cortez. Through his production shingle, Sardine Boat Pictures, Kanter will recreate and film the six-week voyage Steinbeck took around the Sea of Cortez in which he and his good friend marine biologist Ed Ricketts catalogued over 500 species of fauna and discovered about 50 new species.

“I am humbled by the rare opportunity to honor and interpret Steinbeck’s work for the screen,” Kanter said. “ It is one of the few Steinbeck books that has not been adapted as a motion picture and I hope to do it justice.”

On March 11, 1940 John Steinbeck and Ricketts set out on the 76-foot purse seiner, the Western Flyer, from Monterey, California bound for the Sea of Cortez (Gulf of California.)  The trip afforded the friends the opportunity to relax, to bond and for Steinbeck to escape from the controversy mounting around The Grapes of Wrath. It is of interest, that Ricketts was the inspiration for the boozy, good-hearted character “Doc,” who appears in Steinbeck’s novels set in and around Monterey. The Log from the Sea of Cortez is a breathtaking chronicle of the ideas behind the philosophy, science, literature and wanderlust explored aboard the Western Flyer over the course of a six-week journey.

In 2012, Kanter will lead a crew to retrace the journey taken by Steinbeck and Ricketts.  They will revisit the land and the waters of the original trip and examine the changes that have been wrought to the environment over the past 70 years.  The Sea of Cortez is a jewel of Mexico’s diverse biosphere, described by Jacques Cousteau as “the world’s aquarium.”  Combining state of the art photography of the sites with conversations with the local people, Kanter will explore the natural wonder and all its bounty and beauty in a celebration of the historic voyage. He has begun reaching out to some actors who would give voice to Steinbeck’s stunning prose. “I have been privileged to work with the finest actors – Gregory Peck, Paul Newman – on past projects. I am trying to determine which great actor is right to narrate this film, and to attract him to this the project.”

Only ten American writers have been awarded the Nobel Prize in Literature, John Steinbeck is one of them.  His masterpieces include The Grapes of Wrath, East of Eden, and Of Mice and Men and his work has been adapted for the big screen by legendary filmmakers including John Ford, Alfred Hitchcock, and Elia Kazan.

An Emmy-Award-winning television producer, his most recent feature length documentary, “Citizen Havel,” which he co-produced, had its North American premiere this past year at Lincoln Center.  Kanter received the Best Historical Documentary award from the National Academy of Television Arts and Sciences for the film “Voices of the Children.”  He has produced a number of other films, among them:  “Havel’s Audience with History,” with Våclav Havel and Paul Newman; “Where Dreams Debut,” with Gregory Peck, Jean Stapleton and Isaac Stern; “Missy Ruby’s Southern Holiday Dinner,” with Annie Potts, Pearl Bailey, Roy Blount, Jr. and Craig Claiborne; and “Making Dance American” with Tommy Tune and Agnes DeMille, and a special at the Santa Fe Chamber Music Festival with Aaron Copland.   Kanter is also a partner in Socios del Cambio, a joint venture focused on production in Latin America, where he produced a number of projects, including a 6-part telenovela, and most recently ten documentaries shot in and around Mexico City.

###

Be Sociable, Share!

One Response to “JOHN STEINBECK’S THE LOG FROM THE SEA OF CORTEZ TO GRACE THE BIG SCREEN”

  1. Electrician says:

    I simply couldn’t go away your website before suggesting that I actually loved the usual info an individual supply for your guests? Is gonna be back ceaselessly to check up on new posts

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon