By MCN Editor editor@moviecitynews.com

SAG and AFTRA Convene Formal Discussions to Create One Union

Posted Sunday, June 19th, 2011 - Comments Off on SAG and AFTRA Convene Formal Discussions to Create One Union
Be Sociable, Share!

Silver Spring, Maryland (June 19, 2011) — Screen Actors Guild and the American Federation of Television and Radio Artists convened this weekend for the first, formal face-to-face discussions between the AFTRA New Union Committee and the SAG Merger Task Force at the National Labor College in Silver Spring, Maryland.

The two groups, comprised of members including actors, performers, recording artists and broadcast professionals, met together as the Screen Actors Guild and AFTRA Group for One Union (G1) to facilitate the creation of one successor union to represent all of the members of AFTRA and Screen Actors Guild.

The G1 established a series of work groups to discuss six key areas that rank-and-file members identified as important during the Screen Actors Guild and AFTRA Presidents’ Forum for One Union nationwide Listening Tour. The six workgroups are:

  • Governance and Structure
  • Finance and Dues
  • Collective Bargaining
  • Pension, Health and Retirement
  • Operations and Staff
  • Member Education and Outreach

The work groups will meet throughout 2011, formulate recommendations for how the successor union should address each area and bring those recommendations back to the G1 for approval. These recommendations will inform the G1’s work to create the Merger Agreement, National Constitution and uniform dues structure that each union’s National Board has required for review by January 2012.

In a joint statement, AFTRA National President Roberta Reardon and Screen Actors Guild President Ken Howard praised the unions’ inaugural meeting saying: “We applaud the members and staff of our two unions for their incredible solidarity and vision during this intense and substantive weekend. We know the members of the successor union will be well served by their diligent and hard work during the months to come.”

On Friday, June 17, AFL-CIO President Richard L. Trumka, joined by Department of Professional Employees President Paul Almeida, welcomed the members and staff of Screen Actors Guild and AFTRA. Trumka addressed the group and praised the unions’ leaderships for their commitment to solidarity and their work on the effort to unite AFTRA and SAG saying, “I encourage you to keep an open mind and base your decision not on any preconceived notions but on this measure alone: what is best for our members, our unions and our future. That’s the big picture we must all keep our eyes on. Whatever your decision the 12 million members of the AFL-CIO will support you.”

The weekend’s meetings were facilitated by Rutgers School of Management and Labor Relations Professor Susan J. Schurman, and noted labor consultant Peter S. DiCicco. The next meeting of the full AFTRA and Screen Actors Guild Group for One Union is scheduled for August 27 – 28 in New York City.

About Screen Actors Guild

Screen Actors Guild is the nation’s largest labor union representing working actors. Established in 1933, SAG has a rich history in the American labor movement, from standing up to studios to break long-term engagement contracts in the 1940s to fighting for artists’ rights amid the digital revolution sweeping the entertainment industry in the 21st century. With 20 branches nationwide, SAG represents more than 125,000 actors who work in film and digital television programs, motion pictures, commercials, video games, music videos, industrials and all new media formats. The Guild exists to enhance actors’ working conditions, compensation and benefits and to be a powerful, unified voice on behalf of artists’ rights. SAG is a proud affiliate of the AFL-CIO. Headquartered in Los Angeles, you can visit SAG online at SAG.org.

The American Federation of Television and Radio Artists, AFL-CIO, are the people who entertain and inform America. In 32 Locals across the country, AFTRA members work as actors, broadcasters, singers, dancers, announcers, hosts, comedians, disc jockeys, and other performers across the media industries including television, radio, cable, sound recordings, music videos, commercials, audio books, non-broadcast industrials, interactive games, the Internet and other digital media. The 70,000 professional performers, broadcasters, and recording artists of AFTRA are working together to protect and improve their jobs, lives, and communities in the 21st century. From new art forms to new technology, AFTRA members embrace change in their work and craft to enhance American culture and society. Visit AFTRA online at http://www.aftra.com, and follow AFTRA on Facebook and Twitter.

Be Sociable, Share!

Posted in Movie City News, Press Releases | Comments Off on SAG and AFTRA Convene Formal Discussions to Create One Union

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon