By Laura Rooney laura@moviecitynews.com

A Little Comic-Con So Far …

The Avengers

The Avengers make their poster debut.  Black Widow, Hawkeye, Captain America and Iron Man.

    

_____________________________________________________________________

Haywire

The trailer for Steven Soderberg’s Haywire, with MMA’s Gina Carano as a badass special agent who gets betrayed, left for dead and then goes hunting.  Bourne again – chick style.  

Click here for the trailer here.

_____________________________________________________________________

Guillermo del Toro on himself
“I think I’m an acquired taste. When I come here, it’s fantastic, but I don’t buy that illusion… I’m really a freak every place I go. I don’t quite fit in the independent scene, I don’t quite fit in the art scene, and I don’t fit in the Hollywood scene. I’m a weird, strange, fat motherfucker, and I plan to stay that way.”

_____________________________________________________________________

The Pirates! Band of Misfits

Sony Animation reminds us about the wonders of animation – Aardman style. 

The trailer is here.

_____________________________________________________________________

Drive

The red band trailer shows that hammers and nails aren’t just for construction any more. 

Click here for the trailer.

_____________________________________________________________________

In Time

Justin Timberlake is In Time.  Four minutes of footage (click here) and a few new posters made their debut!

 

_____________________________________________________________________

Jon Favreau talking about Cowboys & Aliens
“They go to see Transformers and they see a trailer for Cowboys & Aliens and they’re like no, cowboys and aliens, they don’t fight each other, it’s completely implausible, they didn’t exist at the same time. Alien robots turn into trucks, and that’s okay. But you get James Bond and, you know, Indiana Jones fighting aliens, we’ve crossed a line there.”

_____________________________________________________________________

The Twilight Saga:  Breaking Dawn Part I

The line up started on Tuesday for the Twilight Panel.  Clips of the Bella and Edward honeymoon.  Fans swoon.  Until it hits YouTube, here’s the trailer again.

_____________________________________________________________________

The Amazing Spider Man

The trailer came out earlier this week.  – just in time for the Con.  Click here for the trailer.

Be Sociable, Share!

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon