By MCN Editor editor@moviecitynews.com

Marvel’s CAP Opens At Comic-Con

BEFORE IT OPENS ANYWHERE ELSE IN THE WORLD, MARVEL’S “CAPTAIN AMERICA: THE FIRST AVENGER” TO OPEN FIRST IN COMIC-CON
Exclusive Comic-Con Keepsakes to be Given Away Throughout the Day

HOLLYWOOD, CA (July 18, 2011) – Before it opens anywhere else in the world, CAPTAIN AMERICA: THE FIRST AVENGER will open first in Comic-Con. Convention goers in San Diego will be the first audience to see one of the summer’s hottest super heroes beginning at noon PST on Thursday, July 21st, 1-day ahead of its US opening. The movie will play exclusively at the UA Horton Plaza with Captain America-themed festivities happening throughout the day. To help kick-off the day, Paramount and Marvel will host an exclusive free fan screening at 10 A.M. with the movie’s star Chris Evans on-hand to introduce the screening.

In addition to being among the first to see the movie, all CAPTAIN AMERICA: THE FIRST AVENGER ticketholders will receive RealD® 3D Collector’s Custom red, white and blue Captain America: The First Avenger glasses and a limited edition poster designed exclusively for the fans.  A grand prize package of CAPTAIN AMERICA: THE FIRST AVENGER merchandise and other Marvel items will be given away to a select audience member at each screening. USO-costumed women will be standing at the American Flag Pole in the Horton Plaza passing out free tickets every hour beginning at 11:00 A.M. to the first 10 people who come dressed as Captain America.

Show times for Captain America: The First AvengeR are 12:00 P.M., 12:45 P.M., 2:45 P.M., 3:30 P.M., 5:30 P.M., 6:15 P.M., 8:15 P.M., 9:00 P.M., 11:00 P.M. and 11:45 P.M. Tickets for Thursday’s shows are available for purchase at  www.fandango.com/uahortonplaza14_aabfx/theaterpage.

CAPTAIN AMERICA: THE FIRST AVENGER, directed by Joe Johnston, from a screenplay by Christopher Markus & Stephen McFeely, will focus on the early days of the Marvel Universe when Steve Rogers (Chris Evans) volunteers to participate in an experimental program that turns him into the Super Soldier known as Captain America.  As Captain America, Rogers joins forces with Bucky Barnes (Sebastian Stan) and Peggy Carter (Hayley Atwell) to wage war on the evil HYDRA organization, led by the villainous Red Skull (Hugo Weaving). One of a continuing slate of films being produced by Marvel Studios based on the Marvel characters, CAPTAIN AMERICA: THE FIRST AVENGER joins Thor which was released on May 6, 2011 and Marvel’s The Avengers which is coming to theaters on May 4, 2012.” Paramount Pictures will distribute CAPTAIN AMERICA: THE FIRST AVENGER nationwide on July 22, 2011.

About Paramount Pictures Corporation

Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NYSE: VIA, VIA.B), a leading content company with prominent and respected film, television and digital entertainment brands.  The company’s labels include Paramount Pictures, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films and Nickelodeon Movies.  PPC operations also include Paramount Digital Entertainment, Paramount Famous Productions, Paramount Home Entertainment, Paramount Pictures International, Paramount Licensing Inc., Paramount Studio Group and Paramount Television & Digital Distribution.

About Marvel Entertainment

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of over 8,000 characters featured in a variety of media over seventy years.  Marvel utilizes its character franchises in entertainment, licensing and publishing.  For more information visit <a href=”http://www.marvel.com/“>Marvel</a> . Super Hero(es) is a co-owned registered trademark.

# # #

Be Sociable, Share!

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon