By MCN Editor editor@moviecitynews.com

Ghostbusters To Return to Theaters For Limited Engagement Through Sony Pictures Repertory

Posted Friday, September 23rd, 2011 - Comments Off on Ghostbusters To Return to Theaters For Limited Engagement Through Sony Pictures Repertory
Be Sociable, Share!

Who Ya Gonna Call? Sony Pictures Entertainment Brings Its Classic Film “Ghostbusters” Back to Theatres

Culver City, CA (September 22, 2011) – Get ready for mass hysteria! This October, Sony Pictures Repertory celebrates the original movie Ghostbusters, its franchise, and its fans by bringing the quintessential modern classic back to theatres for a special limited engagement of one showtime one night a week. Starting on Thursday, October 13, 2011 and continuing every following Thursday in October 2011, fans together will be able to see their favorite paranormal psychologists back on the big screen as they save the world from ghosts, ghouls, and Mr. Stay Puft.

Ghostbusters will show in approximately 500 theatres across the US on October 13th, 20th, and 27th, one showtime each day, in 2K digital with 5.1 surround sound. Please check local listings for showtimes. Ghostbusters will also be showing in select theatres in Canada and in various international markets; for more information on international locations and dates, please visit www.parkcircus.com.

Fans who follow Ghostbusters on Facebook (www.facebook.com/ghostbusters) and Twitter (www.twitter.com/StayPuft4Eva) or visit www.ghostbusters.com will be the first to know information about the release and will be able to participate in the fan conversation leading up to this unique theatrical experience.

Commenting on the announcement, Rory Bruer, president, Worldwide Distribution for Sony Pictures, said, “We’re delighted to be bringing Ghostbusters back to the big screen – this is a special celebration of the movie, giving the fans a chance to see it on the big screen in perfect digital presentation. As we head towards Halloween, we ain’t afraid of no ghosts, but just the same, we’re glad that everyone’s favorite paranormal eliminators are on the case.”

The film was directed and produced by Ivan Reitman, with the screenplay written by Dan Aykroyd and Harold Ramis, Ghostbusters stars Bill Murray, Dan Aykroyd, Sigourney Weaver, Harold Ramis, and Rick Moranis. The executive producer was Bernie Brillstein.

In Ghostbusters, University parapsychologists Dr. Peter Venkman (Murray), Dr. Raymond Stanz (Aykroyd) and Dr. Egon Spengler (Ramis) lose a research grant when their experiment methodology is proven to be bogus. The team decides to go into business for themselves and open ‘Ghostbusters,’ a ghost removal service. After struggling to get on their feet, they are summoned to investigate the strange happenings in Dana Barrett’s (Weaver) Central Park West apartment. What they discover is that all Manhattan is being besieged by ghosts and other worldly demons through a portal in herbuilding. Ghostbusters is available on Blu-ray and DVD.

About Sony Pictures Entertainment

Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; home entertainment acquisition and distribution; worldwide television networks; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. Sony Pictures Entertainment can be found on the World Wide Web at www.sonypictures.com.

About Sony Pictures Imageworks Interactive

Imageworks Interactive is an award-winning, full-service digital marketing agency within Sony Pictures Digital Productions. The agency is dedicated to creating entertaining and impactful brand experiences and is a leader in developing unique solutions to engaging social networking communities. Imageworks Interactive designs creative campaigns for a diverse roster of clients, including brands across Sony Pictures Entertainment. To see examples of the agency’s recent work, please visit www.ImageworksInteractive.com.

About Sony Pictures Repertory:

The Sony Pictures Releasing’s repertory division distributes worldwide a library that features more than 3,500 films from Columbia Pictures, Sony Pictures Classics, Screen Gems, Sony Pictures Animation, TriStar Pictures as well as various other acquired titles. It’s award winning catalogue encompasses 12 Best Picture Academy Award® Winners such as It Happened One Night (1934) , Lawrence of Arabia (1962), A Man for All Seasons (1966), Oliver! (1968), Gandhi (1982), and Kramer vs. Kramer (1979). SPR’s diverse library includes shorts from The Three Stooges and modern classics like Ghostbusters, The Big Chill, Close Encounters of the Third Kind, Legends of the Fall and Taxi Driver. Animated classics are also available including Cloudy with a Chance of Meatballs, Surf’s Up and The Smurfs. Many titles from our library are undergoing restorations using the newest digital technologies and in turn enhancing and creating the ultimate screening experience of film favorites from the past. In addition, Sony Pictures Repertory continues to make new 35mm prints of its catalogue. For booking a Sony title domestically or internationally, or for more information on our catalogue please go to www.sonypicturesrepertory.com

#  #  #

Be Sociable, Share!

Posted in Movie City News, Press Releases | Comments Off on Ghostbusters To Return to Theaters For Limited Engagement Through Sony Pictures Repertory

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon