The real name is “First Reel At The Movies” and it stars two of Toronto’s finest. The funny thing is, you can also get a good sense of how far print media needs to go to catch up with video production. No credits, no clips, and not even editing at the head and tail. Charming, but too easy to fix to leave it this way. Still, this way seems to lie the future for many.
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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?
So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.
And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.
There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.
I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.
So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.
But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”
My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher
“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.
~ David Simon
I know the Star is trying to create more video content but seriously? This is the best they could do? Linda Barnard is a mediocre (at best) writer, hardly a film critic worth paying any attention to, and pretty comical to watch in this video. At least they’ve got Peter Howell, who’s a solid .300 hitter as a critic. The dyed-black wispy mop isn’t doing him any favours here, though.
.300 as a critic? That’s generous.
The Star would do well to fire their entire entertainment section. For the biggest Daily in Canada, it’s fucking embarrassing. (Raju Mudhar is even worse than these two.) They would do well, at the very least, to replace Barnard with Jason Anderson, the only critic at the Star with anything interesting to say.
Also, Dave, I think you’re being generous to these guys, for a paper that’s supposed to be “Canada’s NY Times”, this video is kind of pathetic. Just compare it to AO Scott’s Critic’s Picks and see how well it holds up.
*When I said they should replace Barnard with Anderson, I meant in the video, not in print. In print, they should replace Howell with Anderson.