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By DP30 david@thehotbuttonl.com

DP/30: Like Crazy, actor Anton Yelchin

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11 Responses to “DP/30: Like Crazy, actor Anton Yelchin”

  1. LexG says:

    Can someone give me a Rage-O-Meter warning of what level I’m gonna reach if I watch this? One being usual Internet smirking, 5 being “drink heavily,” 11 being apocalyptic self-hated noose-constructing fury?

    Thanks in advance.

  2. sanj says:

    LexG – standard dp/30 interview – lots of talk about his acting … but funny joke at 28:00 to 32:00 .

  3. David Poland says:

    Should I be putting you in moderate now?

    Anton is a good guy… self-deprecating… interesting perspective… talks about working his way up the ladder over a lot of time…

    Not sure what will piss you off.

  4. LexG says:

    List of Anton Yelchin leading ladies. Anton. Yelchin. As in women he has been paired with on screen:

    Kat Dennings, Amanda Seyfried, Felicity Jones, Jennifer Lawrence (twice), *KRISTEN STEWART*, WILLA HOLLAND, and Imogen Poots. How does he do it? How do they cast him in movies with THOSE WOMEN? Do you ask him about that? HOW HOW HOW? And what is one’s life even LIKE knowing they’ve been in movies with those women, which is better than even having a relationship in real life with them, because as long as the movie lasts, people will be seeing you ON SCREEN paired with ALMOST ALL of the hottest chicks in Hollywood.

    Do you ask him about that? Like how do you ACT IN A MOVIE with ANY of those chicks, ANY of them, and not think you’re the luckiest fucker in the history of the UNIVERSE?

    And he’s ANTON YELCHIN! Sure he’s a nice kid, decent actor, but… it’s not like he’s Joel Edgerton or something where you could see why he’d always be paired with hot chicks.

  5. sanj says:

    LexG – he did talk about Brit Marling for like 1 minute – they seem to be friends .

    however. DP missed out on a lot of basic movie questions like reviews of her movie and reviews of movies he likes. he knows a lot of movies.

    DP – cut the Kim K joke and put that up and let it go viral.

  6. DiscoNap says:

    Lex how could you not go with your “Billy Crystal in Soap” line again, one of your most devastatingly accurate ever?

  7. Paul MD (Stella's Boy) says:

    I like Yelchin. Talented young actor. Did not enjoy Like Crazy at all, and totally mystified by the glowing reviews. Didn’t buy the central couple as deeply, madly in love and didn’t care if they ended up together. Found them both rather irritating most of the time.

  8. Rob says:

    He’s really modest and appealing in this interview. If you’re looking for an actor in his early twenties and don’t want a Zac Efron/Chace Crawford tiger beat type, who else do you cast?

  9. Anghus says:

    Good actor. Looking forward to seeing where he goes in his career.

    I think he could use help with picking projects. Fright Night was pretty bad. And his filmography outside of Star Trek and an awful Terminator movie reads like a list of well intentioned misfires that have been generally ignored by everyone.

    I liked him in Charlie Bartlett. In every other film ive seen him in he seems totally replacable.

  10. berg says:

    good int ….. in his bio Frank Capra says he’d tape record the sounds of the preview audiences, then listen afterwards and use that to cut jokes that weren’t working

  11. Lofin says:

    Great interview. Anton is not only intelligent and talented he is my favourite young actor working today. I’d have liked you´ll make him any question about his next projects like Odd Thomas, the indie movie call Pete & Goat and the rumor about that movie Very good girls.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
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“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon