By MCN Editor editor@moviecitynews.com

“War Horse” Presents Spielberg Live Via Satellite—Audiences Worldwide to Participate

Posted Tuesday, November 22nd, 2011 - Comments Off on “War Horse” Presents Spielberg Live Via Satellite—Audiences Worldwide to Participate
Be Sociable, Share!

BURBANK, Calif., Nov. 22, 2011 — DreamWorks Pictures announced today that they will be presenting an advance screening of Steven Spielberg’s “War Horse” on Sunday, November 27th in New York City. The event, which starts at 2:00 p.m. (EST), features a live Q&A session with director Steven Spielberg following the presentation of the film.

This special screening gives film fans across the country a unique opportunity to engage in a live question-and-answer discussion with the “War Horse” director. The Q&A will be moderated by Mark Harris, Entertainment Weekly columnist and contributing editor at New York Magazine. The screening will start simultaneously in nine other cities—Los Angeles, San Francisco, Chicago, Dallas, Boston, Washington DC, Seattle, Miami, Atlanta—and audiences in those cities will view the Q&A with Steven Spielberg live via satellite after the film and will be able to text their questions to the moderator. The Q&A session will also stream live on MSN.com with real time text translation provided by Ortsbo.com. Fans around the world will be able to submit their questions via a live chat function during the event.

The film, which opens in theatres in the U.S. on December 25th, is a tale of loyalty, hope and tenacity set against a sweeping canvas of rural England and Europe during the First World War. Based on the best-selling book by Michael Morpurgo and the Tony Award-winning stage play by Nick Stafford, “War Horse” is one of the great stories of bravery and friendship, brought to the screen by Academy Award-winner Steven Spielberg.

“War Horse” begins with the remarkable friendship between a horse named Joey and a young man called Albert, who tames and trains him. When they are forcefully parted, the film follows the extraordinary journey of the horse as he moves through the war, changing and inspiring the lives of all those he meets — British cavalry, German soldiers, and a French farmer and his granddaughter—before the story reaches its emotional climax in the heart of No Man’s Land.  The First World War is experienced through the journey of this horse—an odyssey of joy and sorrow, passionate friendship and high adventure.

Directed by Steven Spielberg, DreamWorks Pictures’ “War Horse” stars Emily Watson, David Thewlis, Peter Mullan, Niels Arestrup, Tom Hiddleston, Jeremy Irvine, Benedict Cumberbatch and Toby Kebbell.  It is produced by Steven Spielberg and Kathleen Kennedy, and executive producers are Frank Marshall and Revel Guest.  The screenplay was written by Lee Hall and Richard Curtis and is based on the book by Michael Morpurgo and the international hit stage play by Nick Stafford, originally produced by the National Theatre of Great Britain and directed by Tom Morris and Marianne Elliot.

# # #

Be Sociable, Share!

Posted in Movie City News, Press Releases | Comments Off on “War Horse” Presents Spielberg Live Via Satellite—Audiences Worldwide to Participate

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon