By MCN Editor editor@moviecitynews.com

Nominees for Alliance of Women Film Journalists 2011 AWFJ EDA Awards

Posted Friday, December 23rd, 2011 - Comments Off on Nominees for Alliance of Women Film Journalists 2011 AWFJ EDA Awards
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AWFJ BEST OF AWARDS

Best Film:

  • The Artist
  • The Descendants
  • Hugo
  • Melancholia
  • Midnight in Paris

Best Director:

  • Woody Allen – Midnight In Paris
  • Michel Hazanavicius – The Artist
  • Terrence Malick – Tree of Life
  • Alexander Payne – The Descendants
  • Martin Scorsese – Hugo

Best Screenplay, Original

  • The Artist – Michel Hazanavicius
  • Beginners – Mike Mills
  • Bridesmaids – Kristin Wiig and Annie Mumolo
  • Midnight in Paris – Woody Allen
  • Win Win – Thomas McCarthy

Best Screenplay, Adapted

  • The Descendants – Alexander Payne and Nat Faxon
  • Hugo – John Logan
  • Moneyball – Steven Zallian and Aaron Sorkin
  • Tinker, Tailor, Soldier, Spy – Bridget O’Connor and Peter Straughan
  • We Need To Talk About Kevin – Lynne Ramsey and Rory Kinnear

Best Documentary

  • Bill Cunningham New York
  • Buck
  • Cave of Forgotten Dreams
  • The Interrupters
  • Pina
  • Project Nim

Best Animated Film

  • Arthur Christmas
  • Kung Fu Panda
  • Puss in Boots
  • Rango
  • Tintin

Best Actress

  • Viola Davis – Abileen Clark in The Help
  • Kirsten Dunst – Justine in Melancholia
  • Meryl Streep – Margaret Thatcher in The Iron Lady
  • Tilda Swinton – Eva Khatchadourian in We Need To Talk About Kevin
  • Michelle Williams – Marilyn Monroe in My Week With Marilyn

Best Actress in a Supporting Role

  • Bernice Bejo – Peppy Miller in The Artist
  • Jessica Chastain – Celia Foote in The Help
  • Janet McTeer – Hubert Page in Albert Nobbs
  • Carey Mulligan – Sissy Sullivan in Shame
  • Octavia Spencer – Minny Jackson in The Help

Best Actor

  • George Clooney – Matt King in The Descendants
  • Jean Dujardin – George Valentin in The Artist
  • Michael Fassbinder – Brandon Sullivan in Shame
  • Brad Pitt – Billy Beane in Moneyball
  • Michael Shannon – Curtis in Take Shelter

Best Actor in a Supporting Role

  • Kenneth Brannagh – Sir Laurence Olivier in My Week With Marilyn
  • Albert Brooks – Bernie Rose in Drive
  • Christopher Plummer – Hal Fields in Beginnings
  • Alan Rickman – Professor Severus Snape in Harry Potter and the Deathly Hallows: Part II
  • Andy Serkis – in Planet of the Apes

Best Ensemble Cast

  • Bridesmaids
  • The Descendants
  • The Help
  • Margin call
  • Midnight In Paris

Best Editing:

  • The Artist – Anne-Sophie Bion and Michel Hazanavicius
  • Girl With The Dragon Tattoo – Kirk Baxter and Angus Wall
  • Hugo – Thelma Schoonmaker
  • Tree of Life – Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa
  • Warhorse – Michael Kahn

Best Cinematography:

  • The Artist – Guillaume Schiffman
  • Hugo – Robert Richardson
  • Melancholia – Manuel Alberto Claro
  • Tree of life – Emmanuel Lubezki
  • Warhorse – Janusz Kaminski

Best Film Music Or Score :

  • The Artist – Ludovic Bource, Original Score
  • Girl With The Dragon Tattoo – Trent Reznor and Atticus Ross, Original Score
  • Hannah – The Chemical Brothers, Original Score

Best Non-English-Language Film:

  • Le Havre – Aki Kaurismaki, Finland/France
  • Pina – Wim Wenders, Germany
  • A Separation – Ashgar FarhadI, Iran
  • The Skin I Live In – Pedro Almodovar, Spain
  • Trollhunter – André Øvredal, Norway

EDA FEMALE FOCUS AWARDS

Best Woman Director

  • Lynne Ramsey – We Need To Talk About Kevin
  • Dee Rees – Pariah
  • Vera Farmiga – Higher Ground
  • Kelly Reichardt – Meek’s Cutoff
  • Jennifer Yuh – Kung Fu Panda

Best Woman Screenwriter

  • Diablo Cody – Young Adult
  • Abi Morgan – The Iron Lady
  • Lynne Ramsey and Rory Kinnear – We Need To Talk About Kevin
  • Dee Rees – Pariah
  • Kristin Wiig and Annie Mumolo – Bridesmaids

Kick Ass Award For Best Female Action Star

  • Rooney Mara — Lisbeth Salander in Girl With The Dragon Tattoo
  • Helen Mirren – Rachel Singer in The Debt
  • Paula Patton – Jane in Mission: Impossible – Ghost Protocol
  • Saoirse Ronan – Hanna in Hanna
  • Zoe Saldana – Cataleya in Colombiana

Best Animated Female

  • Emily Blunt as Juliet in Gnomeo and Juliet
  • Isla Fisher as Beans in Rango
  • Anne Hathaway as Jewel in Rio
  • Salma Hayak as Kitty Softpaws in Puss in Boots
  • Angelina Jolie – Tigress in Kung Fu Panda

Best Breakthrough Performance

  • Jessica Chastain as Mrs. O’Brien in Tree of Life
  • Elizabeth Olsen as Martha, Marcy May and Marlene in Martha Marcy May Marlene
  • Adepero Oduye as Alike in Pariah
  • Rooney Mara as Lisbeth Salander in The Girl With The Dragon Tattoo
  • Shailene Woodley as Alexandra King in The Descendants

Female Icon Award

  • Glenn Close as Albert Nobbs in Albert Nobbs
  • Viola Davis as Abileen Clark in The Help
  • Meryl Streep as Margaret Thatcher in The Iron Lady

Actress Defying Age and Ageism

  • Glenn Close as Albert Nobbs in Albert Nobbs
  • Judi Dench as Anna Marie Hoover in J. Edgar Hoover
  • Helen Mirren as Rachel Singer in The Debt
  • Vanessa Redgrave as Volumnia in Coriolanus
  • Meryl Streep as Margaret Thatcher in The Iron Lady

This Year’s Outstanding Achievement By A Woman In The Film Industry:

  • Jessica Chastain for performances in four highly acclaimed films
  • Thelma Schoonmaker for editing Hugo
  • Stacey Snider for helming Dreamworks
  • Kristin Wiig for Bridesmaids

AWFJ Award Humanitarian Activism

  • Sandra Bullock for tsunami relief
  • Elaine Hendrix for Animal Rescue Corps and In Defense of Animals
  • Angelina Jolie for UN work and making In The Land of Milk and Blood to raise awareness about genocide.
  • Elizabeth Taylor for her work with AIDS
  • Olivia Wilde for relief work in Haiti

EDA SPECIAL MENTION AWARDS

AWFJ Hall Of Shame Award

  • The Hollywood Reporter for failing to invite any women to join the Directors Roundtable
  • I Melt With You, production and cast
  • Jack and Jill, production and cast
  • Something Borrowed, production and cast
  • Sucker Punch, production and cast

Actress Most in Need Of A New Agent

  • Jennifer Aniston
  • Kate Hudson
  • Sarah Jessica Parker
  • Amanda Seyfried
  • All actresses in New Year’s Eve

Movie You Wanted To Love But Just Couldn’t:

  • Drive
  • The Future
  • Sucker Punch
  • Tinker, Tailor, Soldier, Spy
  • Young Adult

Unforgettable Moment Award:

  • The Artist – The sound of glass clinking on the table
  • Drive – The elevator scene
  • Girl With The Dragon Tattoo – Lisbeth’s revenge
  • The Help – The pie scene
  • Shame – Carey Mulligan singing New York, New York

Best Depiction Of Nudity, Sexuality, or Seduction:

  • A Dangerous Method – Carl Jung spanks Sabina Speilrein
  • Girl With the Dragon Tattoo — Lisbeth mounts Mikael
  • Melancholia – Justine in the moonlight
  • Shame – Opening sequence on the subway train
  • Shame – Brendan with co-worker

Sequel or Remake That Shouldn’t Have Been Made Award:

  • Arthur
  • Cars 2
  • Hangover Part II
  • Hoodwinked 2
  • Transformers: Dark Side of the Moon

Most Egregious Age Difference:

  • Albert Nobbs – Glenn Close (64) and Mia Wasikowska (22)
  • Girl With The Dragon Tattoo – Daniel Craig (43) and Rooney Mara (26)
  • Midnight in Paris – Owen Wilson (43) and Léa Seydoux (26)
  • Sleeping Beauty – Emily Browning (23) and Man 1 (Peter Carroll, 1968), Man 2 (Chris Haywood, 63) and Man 3 (Hugh Keays-Byrne, 64)
  • Twilight: Breaking Dawn Part 1 – Bella (18) and Edward (over 100)

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon