St. Louis Film Critics: 2011 Awards

2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013

Best Film
The Artist

Best Director
Michel Hazanavicius (The Artist)

Best Actor
George Clooney (The Descendants)

Best Actress
Rooney Mara (The Girl With The Dragon Tattoo)
 

Best Supporting Actor
Albert Brooks (Drive)

Best Supporting Actress
Bérénice Bejo (The Artist)

Best Original Screenplay
Michel Hazanavicius (The Artist)

Best Adapted Screenplay
Alexander Payne, Nat Faxon, Jim Rash and Kaui Hart Hemmings (novel) for The Descendants

Best Cinematography
Emmanuel Lubezki (Tree Of Life)

Best Visual Effects
Harry Potter And The Deathly Hallows, Part 2

Best Music
The Artist

Best Foreign-Language Film
13 Assassins

Best Documentary
Being Elmo

Best Comedy
Bridesmaids

Best Animated Film
The Adventures of Tintin

Best Art-House or Festival Film – for artistic excellence in quality art-house cinema, limited to films that played at film festivals or film series here or those that had a limited-release here, playing one or two cinemas.
We Need To Talk About Kevin

Best Scene – favorite movie scene or sequence
The Girl With The Dragon Tattoo: the opening credits

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon