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Screen Actors Guild Honors Outstanding Film And Television Performances at the 18th Annual Screen Actors Guild Awards

Posted Sunday, January 29th, 2012 - Comments Off on Screen Actors Guild Honors Outstanding Film And Television Performances at the 18th Annual Screen Actors Guild Awards
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FOR IMMEDIATE RELEASE

LOS ANGELES (Jan. 29, 2012) – Screen Actors Guild presented its coveted Actor statuette for the outstanding motion picture and primetime television performances of 2011 at the “18th Annual Screen Actors Guild Awards” in ceremonies attended by film and television’s leading actors, held Sunday, Jan. 29, at the Los Angeles Shrine Exposition Center.

Honored with individual awards were Viola Davis, Jean Dujardin, Christopher Plummer and Octavia Spencer for performances in motion pictures and Alec Baldwin, Steve Buscemi, Paul Giamatti, Jessica Lange, Betty White, and Kate Winslet for performances in television. Screen Actors Guild originated awards for the outstanding performances by a motion picture cast and by television drama and comedy ensembles. The Actor® for a motion picture cast performance went this year to “The Help”, while the Actors® for television drama and comedy ensemble performances went this year to “Boardwalk Empire” and “Modern Family.” Screen Actors Guild’s honors for outstanding performances by a stunt ensemble in film and television were awarded to “Harry Potter and the Deathly Hallows: Part 2” and “Game of Thrones.” Nearly 100,000 active members of Screen Actors Guild nationwide were eligible to vote for the recipients.

Dick Van Dyke presented Mary Tyler Moore with Screen Actors Guild’s highest honor, the 48th Annual Life Achievement Award, following a filmed tribute. Jessica Chastain introduced a film salute to SAG’s regional branches, spotlighting memorable moments created by actors who live and work across the nation. Meryl Streep introduced a filmed “In Memoriam” tribute to the actors we have lost in the past year.

PEOPLE magazine and the Entertainment Industry Foundation (EIF) hosted the Screen Actors Guild Post-Awards Gala for the 16th year. This exclusive event, immediately following the SAG Awards on the back lot of the Shrine Exposition Center, honors the philanthropic causes and good works of the members of the Screen Actors Guild. The gala benefits the SAG Foundation.

The complete list of recipients of the 18th Annual Screen Actors Guild Awards® follows.

18th ANNUAL SCREEN ACTORS GUILD AWARDS® RECIPIENTS

THEATRICAL MOTION PICTURES

Outstanding Performance by a Male Actor in a Leading Role
JEAN DUJARDIN / George – “THE ARTIST” (The Weinstein Company)

Outstanding Performance by a Female Actor in a Leading Role
VIOLA DAVIS / Aibileen Clark – “THE HELP” (DreamWorks Pictures / Touchstone Pictures)

Outstanding Performance by a Male Actor in a Supporting Role
CHRISTOPHER PLUMMER / Hal – “BEGINNERS” (Focus Features)

Outstanding Performance by a Female Actor in a Supporting Role
OCTAVIA SPENCER / Minny Jackson – “THE HELP” (DreamWorks Pictures / Touchstone Pictures)

Outstanding Performance by a Cast in a Motion Picture
THE HELP (DreamWorks Pictures / Touchstone Pictures)
JESSICA CHASTAIN / Celia Foote
VIOLA DAVIS / Aibileen Clark
BRYCE DALLAS HOWARD / Hilly Holbrook
ALLISON JANNEY / Charlotte Phelan
CHRIS LOWELL / Stuart Whitworth
AHNA O’REILLY / Elizabeth Leefolt
SISSY SPACEK / Missus Walters
OCTAVIA SPENCER / Minny Jackson
MARY STEENBURGEN / Elaine Stein
EMMA STONE / Skeeter Phelan
CICELY TYSON / Constantine Jefferson
MIKE VOGEL / Johnny Foote

PRIMETIME TELEVISION

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
PAUL GIAMATTI / Ben Bernanke – “TOO BIG TO FAIL” (HBO)

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
KATE WINSLET / Mildred Pierce – “MILDRED PIERCE” (HBO)

Outstanding Performance by a Male Actor in a Drama Series
STEVE BUSCEMI / Enoch “Nucky” Thompson – “BOARDWALK EMPIRE” (HBO)

Outstanding Performance by a Female Actor in a Drama Series
JESSICA LANGE / Constance – “AMERICAN HORROR STORY” (FX)

Outstanding Performance by a Male Actor in a Comedy Series
ALEC BALDWIN / Jack Donaghy – “30 ROCK” (NBC)

Outstanding Performance by a Female Actor in a Comedy Series
BETTY WHITE / Elka Ostrovsky – “HOT IN CLEVELAND” (TV Land)

Outstanding Performance by an Ensemble in a Drama Series
BOARDWALK EMPIRE (HBO)
STEVE BUSCEMI / Enoch “Nucky” Thompson
DOMINIC CHIANESE / Leander Cephas Whitlock
ROBERT CLOHESSY / Ward Boss Jim Neary
DABNEY COLEMAN / Commodore Louis Kaestner
CHARLIE COX / Owen Sleater
JOSIE & LUCY GALLINA / Emily Schroeder
STEPHEN GRAHAM / Al Capone
JACK HUSTON / Richard Harrow
ANTHONY LACIURA / Eddie Kessler
HEATHER LIND / Katy
KELLY MACDONALD / Margaret Schroeder
RORY & DECLAN McTIGUE / Teddy Schroeder
GRETCHEN MOL / Gillian Darmody
BRADY & CONNOR NOON/ Tommy Darmody
KEVIN O’ROURKE / Mayor Edward Bader
ALEKSA PALLADINO / Angela Darmody
JACQUELINE PENNEWILL / Lilian
VINCENT PIAZZA / Lucky Luciano
MICHAEL PITT / Jimmy Darmody
MICHAEL SHANNON / Agent Nelson Van Alden
PAUL SPARKS / Mickey Doyle
MICHAEL STUHLBARG / Arnold Rothstein
PETER VAN WAGNER / Isaac “Icky” Ginsburg
SHEA WHIGHAM / Sheriff Elias Thompson
MICHAEL KENNETH WILLIAMS / Chalky White
ANATOL YUSEF / Meyer Lansky

Outstanding Performance by an Ensemble in a Comedy Series
MODERN FAMILY (ABC)
AUBREY ANDERSON-EMMONS / Lily
JULIE BOWEN / Claire
TY BURRELL / Phil
JESSE TYLER FERGUSON / Mitchell
NOLAN GOULD / Luke
SARAH HYLAND / Haley
ED O’NEILL / Jay
RICO RODRIGUEZ / Manny
ERIC STONESTREET / Cameron
SOFIA VERGARA / Gloria
ARIEL WINTER / Alex

SAG HONORS FOR STUNT ENSEMBLES

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (WARNER BROS. PICTURES)

Outstanding Action Performance by a Stunt Ensemble in a Television Series
GAME OF THRONES (HBO)

LIFE ACHIEVEMENT AWARD

Screen Actors Guild Awards 48th Annual Life Achievement Award
MARY TYLER MOORE The 18th Annual Screen Actors Guild Awards will be produced by Jeff Margolis Productions in association with Screen Actors Guild Awards®, LLC. For more information about the SAG Awards, SAG, TNT and TBS, visit sagawards.org/about, “like” SAG Awards at facebook.com/sagawardsofficialpage and follow SAG Awards at twitter.com/sagawards.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon