By Leonard Klady Klady@moviecitynews.com
The Weekend Report: February 12, 2012
Safe and Sound
The weekend turned out to be more of a horse race than anticipated with the four hankie The Vow pitted against the Bourne again spy antics of Safe House. Ultimately sentiment won out with the romantic yarn earning an estimated $41.4 million to the thriller’s $39.3 million. Two other national releases rounded out the top of the list with the stereoscopic adventure Journey 2: The Mysterious Island grossing $27.5 million and the 3D enhanced Star Wars, Episode 1 adding $22.9 million to the pot.
Overall that spurred record breaking box office revenues for the period that put big smiles on all sectors of the industry.
The session also featured a strong $632,000 bow for Bollywood entry Ek Main aur Ekk Tu and a fast $311,000 start for the 2012 edition of Oscar Nominated Shorts. The non-Oscar nominated Rampart had an impressive $60,500 bow on five screens while Oscar short listed foreign-language entry In Darkness garnered $26,400 from three venues. Also boffo was surprise animation nominee Chico & Rita with $20,700 at a single site and Hungarian Oscar submission The Turin Horse scoring $9,300 from another solo flight.
Weekend revenues edged close to $195 million that expanded last weekend biz (hit by the largest viewership ever for a Super Bowl) by 66% as well as a 29% boost from 2011. A year ago five new films led the charts with the top trio of Just Go With It, Justin Bieber: Never Say Never and Gnomeo and Juliet entering the fray respectively with $30.5 million, $29.5 million and $25.4 million.
The Vow, a Nicolas Sparks’ like romantic saga, always appeared to have the edge on Safe House with tracking that pegged it about $5 million ahead with weekend estimates generally in the mid-$30 million range. Obviously both films exceeded expectations, particularly the latter Denzl Washington vehicle.
Not unexpected was the 72% female demos for The Vow (Safe House attracted 50%) but while it was anticipated to attract an older crowd, exit polls indicated an audience that was 55% aged 25 years old and younger. Conversely Safe House drew a 62% crowd aged 30 years and older. It also skewed African American with 38% of viewers compared with 31% identified as Caucasian and 23% Hispanic.
Journey 2, targeted at families, also outpaced projections in the mid-teens that would have had it fourth behind the Star Wars reissue that was anticipated to bring in $20 million.
The new titles pushed Oscar contenders further into the niches. None of the best picture nominees has sustained momentum as the awards approach though those still on screen will likely receive a boost next week … if they can maintain current screen counts. Ironically there was a better than usual response to the program of Academy nominated shorts but generally the lack of frontrunners in high profile categories has robbed the event of suspense or the prospect of a favorite getting his/her due.
Weekend (estimates) February 10 – 12, 2012 | ||||
Title | Distributor | Gross (avg) | % chng | Thtrs |
The Vow | Sony | 41.4 (14,000) | 2958 | NEW |
Safe House | Uni | 39.3 (12,590) | 3119 | NEW |
Journey 2: The Mysterious Island | WB | 27.5 (7,920) | 3470 | NEW |
Star Wars, Episode 1 – 3D | Fox | 22.9 (8,990) | 2655 | NEW |
Chronicle | Fox | 12.3 (4,220) | -44% | 2908 |
The Woman in Black | CBS | 10.6 (3,700) | -49% | 2856 |
The Grey | Open Road/eOne | 4.9 (1,740) | -48% | 2801 |
Big Miracle | Uni | 3.8 (1,800) | -51% | 2133 |
The Descendants | Fox Searchlight | 3.4 (2,170) | -24% | 1581 |
Underworld: Awakening | Sony | 2.4 (1,430) | -57% | 1657 |
Red Tails | Fox | 2.4 (1,510) | -50% | 1580 |
One For the Money | Lions Gate | 2.3 (1,110) | -56% | 2056 |
The Artist | Weinstein Co. | 2.2 (2,770) | -14% | 808 |
Hugo | Par | 1.8 (2,590) | -20% | 702 |
Extremely Loud & Incredibly Close | WB | 1.5 (1,070) | -61% | 1375 |
Man on a Ledge | Summit | 1.3 (930) | -70% | 1423 |
Contraband | Uni | 1.2 (1,120) | -64% | 1081 |
The Iron Lady | Weinstein Co. | 1.1 (2,170) | -42% | 512 |
Beauty and the Beast | BV | .79 (1,170) | -69% | 678 |
Mission Impossible – Ghost Protocol | Par | .72 (1,540) | -58% | 469 |
Ek Main aur Ekk Tu | UTV | .63 (5,640) | NEW | 112 |
Tinker, Tailor, Soldier, Spy | Focus | .54 (2,320) | -19% | 233 |
Alvin and the Chipmunks: Chip-Wrecked | Fox | .53 (1,060) | -49% | 502 |
Joyful Noise | WB | .49 (710) | -66% | 686 |
War Horse | BV | .42 (840) | -56% | 502 |
Weekend Total ($500,000+ Films) | $186.00 | |||
% Change (Last Year) | 29% | |||
% Change (Last Week) | 66% | |||
Also debuting/expanding | ||||
Oscar Nominated Shorts 2012 | Magnolia | .31 (3,080) | 101 | |
A Separation | Sony Classics | .28 (6,290) | -12% | 45 |
Albert Nobbs | Roadside/eOne | .26 (1,730) | -47% | 151 |
A Dangerous Method | Sony Class/eOne | .19 (1,810) | -40% | 107 |
Rampart | Millennium | 60,500 (12,100) | 5 | |
W.E. | Weinstein Co, | 58,100 (3,420) | 23% | 17 |
Coriolanus | Weinstein Co. | 31,200 (2,840) | -30% | 11 |
In Darkness | Sony Classics | 26,400 (8,800) | 3 | |
Chico & Rita | Gkids | 20,700 (20,700) | 1 | |
The Turin Horse | Cinema Guild | 9,300 (9,300) | 1 | |
Exit Strategy | Level 33 | 7,200 (3,600) | 2 | |
Return | Dada | 6,800 (3,400) | 2 | |
Domestic Market Share (Jan. 1 – Feb. 9, 2012) | ||||
Distributor (releases) | Gross | Market Share | ||
Paramount (8) | 190.9 | 19.00% | ||
20th Century Fox (6) | 152.2 | 15.20% | ||
Warner Bros. (9) | 132.5 | 13.20% | ||
Sony (7) | 110.9 | 11.10% | ||
Buena Vista (5) | 93.9 | 9.40% | ||
Universal (3) | 74.2 | 7.40% | ||
Weinstein Co. (5) | 43.5 | 4.30% | ||
Open Road (1) | 34.6 | 3.50% | ||
Summit (3) | 31.8 | 3.20% | ||
Fox Searchlight (3) | 30.3 | 3.00% | ||
CBS (1) | 25.1 | 2.50% | ||
Lions Gate (1) | 21.4 | 2.10% | ||
Relativity (2) | 19.2 | 1.90% | ||
Focus (2) | 18.4 | 1.80% | ||
Sony Classics (6) | 5.8 | 0.60% | ||
Other * (34) | 18.3 | 1.80% | ||
1003 | 100.00% | |||
* none greater than 0.04% | ||||
Top Domestic Grossers (Jan. 1 – Feb. 9, 2012) * | ||||
Title | Distributor | Gross | ||
Mission: Impossible – Ghost Protocol * | Par | 83,460,476 | ||
Contraband | Uni | 63,383,485 | ||
Sherlock Holmes: A Game of Shadows * | WB | 60,192,669 | ||
Underworld: Awakening | Sony | 56,434,369 | ||
The Devil Inside | Par | 53,114,763 | ||
The Girl with the Dragon Tattoo * | Sony | 49,982,099 | ||
Beauty and the Beast 3D (reissue | BV | 45,623,195 | ||
Red Tails | Fox | 42,663,386 | ||
War Horse * | BV | 41,396,177 | ||
Alvin and the Chipmunks: Chip-Wrecked * | Fox | 40,368,658 | ||
The Grey | Open Road/eOne | 37,742,264 | ||
We Bought a Zoo * | Fox | 36,046,452 | ||
The Adventures of Tintin * | Par | 31,679,431 | ||
Joyful Noise | WB | 29,400,513 | ||
The Descendants * | Fox Searchlight | 28,854,582 | ||
Chronicle | Fox | 27,867,267 | ||
Extremely Loud & Incredibly Close * | WB | 27,665,966 | ||
The Woman in Black | CBS | 25,155,487 | ||
The Iron Lady * | Weinstein Co. | 21,498,543 | ||
One For the Money | Lions Gate | 21,378,705 |