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David Poland

By David Poland poland@moviecitynews.com

Premature Eteaselator: Twilight Offers A :13 Nip Slip

I just kept thinking of Elton John… “Red eyes… baby’s got red eyes… like a Pom smoothie… on a red, red day…”

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3 Responses to “Premature Eteaselator: Twilight Offers A :13 Nip Slip”

  1. SamLowry says:

    Wow, RPats looks like the polar opposite of imposing, impressive, cool…

    And that Cossack dude?

    There’s a reason you don’t see vampires in daylight.

  2. LYT says:

    Oh man…you realize LexG will now expect an actual nip slip, don’t you?

  3. SamLowry says:

    Not that I care about the movie, but for the sake of cinematic posterity I’m hoping the sequence in the last half of this teaser is a dream sequence or a vision because otherwise it just may be the most horribly-assembled piece of footage ever released.

    I came back to this because it keeps bugging me, like an itch you can’t scratch. We can thank Lucas and Snyder for this abomination, the execution of the belief that actors don’t even need to be within 1000 miles of each other when shooting a scene, just record each one in front of a green screen and put them together on a virtual set, like a diorama thrown together at the last minute for Art class. And it looks it. RPats is especially vapid, like he doesn’t know where he is or what emotion he’s supposed to be expressing, unless that emotion is “Wow, that was some good shit. Lemme have another hit!”

    Just ugh.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon