2012 Critics Awards: Phoenix Film Critics

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013

Best Picture
Argo

Best Director
Kathryn Bigelow – Zero Dark Thirty

Best Actor in a Leading Role
Daniel Day-Lewis – Lincoln

Best Actress in a Leading Role
Jessica Chastain – Zero Dark Thirty

Best Actor in a Supporting Role
Philip Seymour Hoffman – The Master

Best Actress in a Supporting Role
Anne Hathaway – Les Misérables

Best Ensemble Acting
Moonrise Kingdom

Best Screenplay Written Directly for the Screen
Moonrise Kingdom

Best Screenplay Adapted from Another Medium
Argo

Best Live Action Family Film
Life of Pi

Overlooked Film of the Year
Safety Not Guaranteed

Best Animated Film
Wreck-It Ralph

Best Foreign Language Film
The Intouchables

Best Documentary
Searching for Sugar Man

Best Original Song
Skyfall from Skyfall

Best Original Score
Skyfall

Best Cinematography
Life of Pi

Best Film Editing
Argo

Best Production Design
Moonrise Kingdom

Best Costume Design
Anna Karenina

Best Visual Effects
Life of Pi

Best Stunts
Skyfall

Breakthrough Performance on Camera
Quvenzhané Wallis – Beasts of the Southern Wild

Breakthrough Performance Behind the Camera
Benh Zeitlin – Beasts of the Southern Wild

Best Youth Performance in a Lead or Supporting Role – Male
Tom Holland – The Impossible

Best Youth Performance in a Lead or Supporting Role – Female
Quvenzhané Wallis – Beasts of the Southern Wild

 

Top Ten Films

Argo
The Avengers
Beasts of the Southern Wild
Les Misérables
Life of Pi
Lincoln
Moonrise Kingdom
Silver Linings Playbook
Skyfall
Zero Dark Thirty

 

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon