By Ray Pride Pride@moviecitynews.com

BAFTA 2013 Winners

BAFTA page

2012 NOMINATIONS AND WINNERS

(presented in 2013)

FELLOWSHIP

ALAN PARKER

OUTSTANDING BRITISH CONTRIBUTION TO CINEMA

TESSA ROSS

BEST FILM

ARGO Grant Heslov, Ben Affleck, George Clooney

LES MISÉRABLES Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh

LIFE OF PI Gil Netter, Ang Lee, David Womark

LINCOLN Steven Spielberg, Kathleen Kennedy

ZERO DARK THIRTY Mark Boal, Kathryn Bigelow, Megan Ellison

 

 

OUTSTANDING BRITISH FILM

ANNA KARENINA Joe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard

THE BEST EXOTIC MARIGOLD HOTEL John Madden, Graham Broadbent, Pete Czernin, Ol Parker

LES MISÉRABLES Tom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer

SEVEN PSYCHOPATHS Martin McDonagh, Graham Broadbent, Pete Czernin

SKYFALL Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan

 

 

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER 

BART LAYTON (Director), DIMITRI DOGANIS (Producer) The Imposter

DAVID MORRIS (Director), JACQUI MORRIS (Director/Producer) McCullin

DEXTER FLETCHER (Director/Writer), DANNY KING (Writer) Wild Bill

JAMES BOBIN (Director) The Muppets

TINA GHARAVI (Director/Writer) I Am Nasrine

 

 

FILM NOT IN THE ENGLISH LANGUAGE 

AMOUR Michael Haneke, Margaret Ménégoz

HEADHUNTERS Morten Tyldum, Marianne Gray, Asle Vatn

THE HUNT Thomas Vinterberg, Sisse Graum Jørgensen, Morten Kaufmann

RUST AND BONE Jacques Audiard, Pascal Caucheteux

UNTOUCHABLE Eric Toledano, Olivier Nakache, Nicolas Duval Adassovsky, Yann Zenou, Laurent Zeitoun

 

 

DOCUMENTARY

THE IMPOSTER Bart Layton, Dimitri Doganis

MARLEY Kevin Macdonald, Steve Bing, Charles Steel

McCULLIN David Morris, Jacqui Morris

SEARCHING FOR SUGAR MAN Malik Bendjelloul, Simon Chinn

WEST OF MEMPHIS Amy Berg

 

 

 

 

ANIMATED FILM

BRAVE Mark Andrews, Brenda Chapman

FRANKENWEENIE Tim Burton

PARANORMAN Sam Fell, Chris Butler

 

 

DIRECTOR

AMOUR Michael Haneke

ARGO Ben Affleck

DJANGO UNCHAINED Quentin Tarantino

LIFE OF PI Ang Lee

ZERO DARK THIRTY Kathryn Bigelow

 

 

ORIGINAL SCREENPLAY

AMOUR Michael Haneke

DJANGO UNCHAINED Quentin Tarantino

THE MASTER Paul Thomas Anderson

MOONRISE KINGDOM Wes Anderson, Roman Coppola

ZERO DARK THIRTY Mark Boal

 

 

ADAPTED SCREENPLAY

ARGO Chris Terrio 

BEASTS OF THE SOUTHERN WILD Lucy Alibar, Benh Zeitlin

LIFE OF PI David Magee

LINCOLN Tony Kushner

SILVER LININGS PLAYBOOK David O. Russell

 

 

LEADING ACTOR

BEN AFFLECK Argo

BRADLEY COOPER Silver Linings Playbook

DANIEL DAY-LEWIS Lincoln

HUGH JACKMAN Les Misérables

JOAQUIN PHOENIX The Master

 

 

LEADING ACTRESS

EMMANUELLE RIVA Amour

HELEN MIRREN Hitchcock

JENNIFER LAWRENCE Silver Linings Playbook

JESSICA CHASTAIN Zero Dark Thirty

MARION COTILLARD Rust and Bone

 

 

SUPPORTING ACTOR

ALAN ARKIN Argo

CHRISTOPH WALTZ Django Unchained

JAVIER BARDEM Skyfall

PHILIP SEYMOUR HOFFMAN The Master

TOMMY LEE JONES Lincoln

 

 

 

SUPPORTING ACTRESS

AMY ADAMS The Master

ANNE HATHAWAY Les Misérables

HELEN HUNT The Sessions

JUDI DENCH Skyfall

SALLY FIELD Lincoln

 

 

ORIGINAL MUSIC 

ANNA KARENINA Dario Marianelli

ARGO Alexandre Desplat

LIFE OF PI Mychael Danna

LINCOLN John Williams

SKYFALL Thomas Newman

 

 

CINEMATOGRAPHY

ANNA KARENINA Seamus McGarvey

LES MISÉRABLES Danny Cohen

LIFE OF PI Claudio Miranda

LINCOLN Janusz Kaminski

SKYFALL Roger Deakins

 

 

EDITING

ARGO William Goldenberg

DJANGO UNCHAINED Fred Raskin

LIFE OF PI Tim Squyres

SKYFALL Stuart Baird

ZERO DARK THIRTY Dylan Tichenor, William Goldenberg

 

 

PRODUCTION DESIGN

ANNA KARENINA Sarah Greenwood, Katie Spencer

LES MISÉRABLES Eve Stewart, Anna Lynch-Robinson

LIFE OF PI David Gropman, Anna Pinnock

LINCOLN Rick Carter, Jim Erickson

SKYFALL Dennis Gassner, Anna Pinnock

 

 

COSTUME DESIGN

ANNA KARENINA Jacqueline Durran

GREAT EXPECTATIONS Beatrix Aruna Pasztor

LES MISÉRABLES Paco Delgado

LINCOLN Joanna Johnston

SNOW WHITE AND THE HUNTSMAN Colleen Atwood

 

 

MAKE UP & HAIR

ANNA KARENINA Ivana Primorac

HITCHCOCK Julie Hewett, Martin Samuel, Howard Berger

THE HOBBIT: AN UNEXPECTED JOURNEY Peter Swords King, Richard Taylor, Rick Findlater

LES MISÉRABLES Lisa Westcott

LINCOLN Lois Burwell, Kay Georgiou

 

 

 

SOUND

DJANGO UNCHAINED Mark Ulano, Michael Minkler, Tony Lamberti, Wylie Stateman

THE HOBBIT: AN UNEXPECTED JOURNEY Tony Johnson, Christopher Boyes, Michael Hedges, Michael Semanick, Brent Burge, Chris Ward

LES MISÉRABLES Simon Hayes, Andy Nelson, Mark Paterson, Jonathan Allen, Lee Walpole, John Warhurst

LIFE OF PI Drew Kunin, Eugene Gearty, Philip Stockton, Ron Bartlett, D. M. Hemphill

SKYFALL Stuart Wilson, Scott Millan, Greg P. Russell, Per Hallberg, Karen Baker Landers

 

 

SPECIAL VISUAL EFFECTS

THE DARK KNIGHT RISES Paul Franklin, Chris Corbould, Peter Bebb, Andrew Lockley

THE HOBBIT: AN UNEXPECTED JOURNEY Joe Letteri, Eric Saindon, David Clayton, R. Christopher White

LIFE OF PI Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer, Donald R. Elliott

MARVEL AVENGERS ASSEMBLE Janek Sirrs, Jeff White, Guy Williams, Dan Sudick

PROMETHEUS Richard Stammers, Charley Henley, Trevor Wood, Paul Butterworth

 

 

SHORT ANIMATION

HERE TO FALL Kris Kelly, Evelyn McGrath

I’M FINE THANKS Eamonn O’Neill

THE MAKING OF LONGBIRD Will Anderson, Ainslie Henderson

 

 

SHORT FILM

THE CURSE Fyzal Boulifa, Gavin Humphries

GOOD NIGHT Muriel d’Ansembourg, Eva Sigurdardottir

SWIMMER Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw

TUMULT Johnny Barrington, Rhianna Andrews

THE VOORMAN PROBLEM Mark Gill, Baldwin Li

 

 

THE EE RISING STAR AWARD (voted for by the public) 

ELIZABETH OLSEN

ANDREA RISEBOROUGH

SURAJ SHARMA

JUNO TEMPLE

ALICIA VIKANDER

 

 

 

 

10 February 2013

 

 

 

 

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon