By Ray Pride Pride@moviecitynews.com

Hollywood icons celebrate the Irish in Film: J.J. Abrams, Steven Speilberg and Warren Beatty on hand for the US-Ireland Alliance awards ceremony

For Immediate Release February 21, 2013 

Colin Farrell, Lionsgate Vice Chairman Michael Burns, and Academy Award winning makeup artist, Michele Burke, were honored at the US-Ireland Alliance’s annual “Oscar Wilde: Honoring the Irish in Film.” J.J. Abrams welcomed guests to Bad Robot, Abrams’ production company in Santa Monica. Major sponsors were American Airlines and Accenture.

Abrams, recently tapped to direct Star Wars, introduced honoree Michael Burns saying “the legendary producer Sam Goldwyn said ‘nobody knows anything.’ If he were alive today he might change that to ‘nobody knows anything except Michael Burns.’ Or he might say ‘nobody knows anything including Michael Burns, but holy shit is that guy lucky!’”

Burns’ acceptance speech was full of wisdom and optimism as he spoke of his family and his and his wife Pell’s Irish heritage. He quoted Yeats and Joyce and regaled guests with funny and poignant stories about his children and Hollywood. He noted that ‘when, as happens to all of us from time to time, we are disappointed that something we’ve done wasn’t properly recognized, remember this, THE WIZARD OF OZ, GOODBYE MR. CHIPS, THE GRAPES OF WRATH, TO KILL A MOCKINGBIRD, THE GRADUATE, MASH, A CLOCKWORK ORANGE, ALL THE PRESIDENT’S MEN, STAR WARS, APOCALYPSE NOW, RAGING BULL AND, YES, CITIZEN KANE all have two things in common, they inspired millions and none of those fantastic films won the Academy Award for Best Picture.”

Paula Wagner introduced honoree Michele Burke, who she has worked with for twenty years, noting “she is responsible for makeup design that for years to come will be remembered as indelible screen images.” Burke grew up in Kildare, Ireland where her mother instilled in her a sense of fearlessness, which allowed her to accept the job for QUEST FOR FIRE. Other makeup artists turned down the job which gave three days notice get to Africa for a film about Neanderthals, and that she’d be told the rest when she arrived. Michele was not on hand at the Academy Awards to receive her Oscar for that film. In Canada at the time, the post office customs division called her with a cryptic message that she was to come down and claim a package, suspicious that it could contain some sort of contraband. When the postman opened the box in front of Michele he exclaimed ‘but this is an Oscar!’ Michele said, “then you will have to present it to me’ and he leaned forward with great officialdom, bestowed the Oscar and everyone in the post office applauded.

In introducing honoree Colin Farrell, director Jim Sheridan said “in Ireland we admire Daniel Day Lewis, we respect Liam Neeson but we love Colin.” Colin was extremely poetic and eloquent in his acceptance speech. Quoting Oscar Wilde, he said, “’Education is an admirable thing, but it is well to remember from time to time that nothing that is worth knowing can be taught.’ And I think what he was speaking of is the power of experience over comprehension and that is what film feels like for me in many ways, it feels like the sweet and perfect marriage of comprehension and experience.”

Trina Vargo, president of the US-Ireland noted “these wonderful honorees demonstrate the breadth and depth of Irish talent in the modern film industry. Colin Farrell as a remarkable acting talent with a poetic soul. Michele Burke whose face may not be seen on screen but whose work is constantly visible in the faces of the characters she helps bring to life. And Michael Burns represents the rare combination of business skill, quiet confidence, and creative insight which has made Lionsgate a film industry leader.”

The event has become known for shining a light on up-and-coming Irish music acts. Performing this year were the innovative Julie Feeney, the soulful Declan O’Rourke and energetic young Heathers.

Jason O’Mara, currently starring in the television show Vegas, spoke of President Kennedy’s visit to Ireland 50 years ago and how he said that Ireland’s diaspora who visit Ireland, in a sense, ‘come home.’ Tourism Ireland is encouraging Ireland’s diaspora to visit Ireland in 2013. Actor Peter Gallagher won the trip to Ireland that includes flights on American Airlines, stays at the Doyle Hotel Group’s Westbury Hotel in Dublin and the River Lee Hotel in Cork, a Dan Dooley Car Rental and a visit to Kildare Village, a high-end retail outlet. O’Mara encouraged all guests to visit Ireland, noting that Ireland’s céad mile fáilte (100,000 welcomes) are for everyone, not just its diaspora.

Famed Irish photographer John Minihan snapped pics of guests. Tullamore D.E.W. hosted a whiskey tasting and great food was served by Kensington Caterers.

Among the 400 guests were Steven Spielberg, Kate Capshaw, Warren Beatty, Annette Bening; directors Cameron Crowe, and Marc Forster; US-Ireland Alliance advisory board members Hylda Queally (CAA) and Una Fox (Disney); many of the Bad Robot team including Bryan Burk; actors Griffin Dunne, Dominique McElligott, Bronagh Gallagher, and Mike O’Malley; Academy Award nominees Fodhla Cronin O’Reilly and Shawn Christensen; Irish Film Board CEO James Hickey and Commissioner Naoise Barry; several Irish producers and directors including Ciaran Foy, Gary Shore, and Nick Ryan; Irish boxer Barry McGuigan; numerous film industry execs including several from Lionsgate, Summit Entertainment CEO Rob Friedman, HBO President Len Amato, and Drew Buckley of Electus; several music supervisors, music producer George Drakoulias; Garrett Kelleher of Lightstream Productions; 2012 Oscar winner Oorlagh George, Limerick screenwriter Conor Ryan (who recently became the only two-time winner of the LA Comedy Festival pilot script competition), Light Iron’s Des Carey, and media lawyer Paul Tweed.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon