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David Poland

By David Poland poland@moviecitynews.com

Roger…

RJ Matson made this for MCN after the first hospitalization. I don’t think Roger liked it, as it felt like it was a post-mortem in some way. But I loved it, then and now.

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5 Responses to “Roger…”

  1. Matt P. says:

    His impact on film and film criticism can’t be underestimated. One of a kind. Be at peace.

  2. Dr Wally Rises says:

    I’m British. As a teen in the early 90s every Summer we’d visit my uncle’s old home in Cape Cod, and every year the first order of business was to rush down to Waldenbooks to pick up the annual edition of Ebert’s yearbook, and then I’d spend the rest of the vacation devouring every single review, first you’d read it for the thoughts on the movie, and then you’d read it all over again for his prose itself. And remember, this was the early 90’s, before Amazon, before Kindle, before even dial-up internet. I’d manually tote that 1000 page doorstop back to England every year and look forward to doing it again the following year. Rest in peace Sir.

  3. Joe says:

    I am 31 years old and grew up watching Siskel & Ebert. When Siskel passed I bawled like a child and until today thought it likely my mourning was due to my young age, but today I cry again. He will be missed.

  4. Peter says:

    Roger Ebert is a giant. He reviewed almost every movie, he wrote about great movies (which contains some of his best writing), did movie answer man columns, coverage on numerous festivals, plus his TV show. I am not sure there is a better ambassador for film than Mr. Ebert. Rest in peace.

  5. Phil says:

    He was unique. A man who was tweeting his opinions of movies – long before the internet never mind twitter – but whose depth of thinking put professors to shame. A showman, an intellectual, and a man who in these recent years continued to amaze and inspire us.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon