By Leonard Klady Klady@moviecitynews.com

The Weekend Report

Star Trek: Into Darkness zapped the competition as it launched an estimated $68.2 million in its maiden theatrical voyage. The Enterprise was the sole new wide national release.

The only other bright spot among newcomer was Frances Ha, a daunting seriocomedy showcasing Greta Gerwig that grossed $134,000 on a mere four screens.

Meanwhile in the niches, Bollywood provided two new entries but neither Aurangzeb with $85,800 at 62 locations or Rangeelay grossing $64,500 at 19 sites drew a significant crowd. Spy thriller Erased echoed its title commercially along with other incoming entries.

Weekend revenues topped $150 million and dipped 6% from seven days earlier. However, it was, for a change, 6% improved from 2012 when the third weekend of The Avengers grossed $55.6 million followed by freshmen entries Battleship and The Dictator that opened, respectively, with $25.5 million and $17.4 million.

The successful movie re-boot of Star Trek in 2009 had fans old and new palpably hoping the new crew would live long and prosper. The studio folk rashly predicted the new chapter would debut to $100 million and the competition snickered when it posted $13.5 million on opening day Thursday and finished it four-day run 18% behind expectations.

Perception is cruel and naysayers could have been easily silenced with a more modest studio missive. Unsurprisingly, opening weekend studio exit demos revealed a heavily male tilt of 64% and a disappointing 73% of viewers aged 25-years and older. The most unsettling aspect of contemporary filmgoing for the industry is that the avids, the immediate and frequent film freak, of the past three decades were aged 18 to 25. Today, they’re taking a wait and see stance … or viewing films on alternative platforms.

Internationally, Into Darkness bowed last weekend to about $32 million and this weekend added 33 territories (40 in total) and an estimated $40 million. However, that was still a step behind The Great Gatsby that followed up its Cannes premiere with an estimated $42 million that included a $6.2 million tally in Russia, $6.1 million from the UK, $4.3 million in Korea and the French chiming in with $4.7 million. But The Fast and the Furious 6 won on a pound-for-pound basis with a $13.8 million box office from its single advance-of-domestic playdate in Great Britain.

Weekend (estimates) May 17 – 19, 2013
Title Distributor Gross (average) % change * Theaters Cume
Star Trek Into Darkness Par

68.2 (17,640)

NEW

3868

81.8

Iron Man 3 BV

35.2 (8,310)

-51%

4237

337.1

The Great Gatsby WB

23.5 (6,630)

-53%

3550

90.3

Pain & Gain Par

3.0 (1,250)

-39%

2429

46.5

The Croods Fox

2.7 (1,150)

-24%

2373

176.7

42 WB

2.7 (1,140)

-41%

2380

88.7

Oblivion Uni

2.2 (1,060)

-46%

2077

85.5

Mud Roadside Attractions

2.2 (2,260)

-14%

960

11.6

Peeples Lionsgate

2.1 (1,040)

-54%

2041

7.8

The Big Wedding Lionsgate

1.1 (760)

-56%

1443

20.2

Oz The Great and Powerful BV

.79 (1,480)

-27%

535

231.3

G.I. Joe: Retaliation Par

.51 (1,250)

-16%

409

120.4

The Iceman Millennium

.44 (2,680)

295%

165

0.74

Olympus Has Fallen FilmDistrict

.40 (850)

-46%

466

97.3

Scary Movie 5 Weinstein Co.

.36 (710)

-47%

508

31.1

Jurassic Park 3D Uni

.32 (740)

-34%

428

45.3

The Place Beyond the Pines Focus

.28 (880)

-48%

317

20.6

The Company You Keep Sony Class/eOne

.23 (1,030)

-42%

223

4.5

Jack the Giant Slayer WB

.22 (870)

-12%

250

64.8

Escape from Planet Earth Weinstein Co.

.21 (300)

109%

693

55.6

Identity Thief Uni

.19 (780)

0%

241

134

Weekend Total ($500,000+ Films)

$144.20

% Change (Last Year)

6%

% Change (Last Week)

-6%

Also debuting/expanding
Kon-Tiki Weinstein Co.

.15 (2,430)

75%

61

0.41

Frances Ha IFC

.13 (33,480)

4

0.13

Stories We Tell Roadside

.12 (5,500)

347%

22

0.16

Renoir IDP/Metropole

.11 (1,590)

-25%

71

1.5

Aurangzeb Yash Raj

85,800 (1,380)

62

0.09

Love is All You Need Sony Classics

70,900 (3,220)

91%

22

0.17

The Reluctant Fundamentalist IFC

68,300 (1,180)

-8%

58

0.35

In the House Seville/Cohen

66,700 (1,520)

-19%

44

0.53

Rangeelay Eros

64,500 (3,390)

19

0.06

What Maisie Knew Millennium

32,500 (8,120)

32%

4

0.1

Erased Weinstein Co.

20,300 (400)

51

0.02

Augustine Music Box

12,800 (2,560)

5

0.01

Les Gamins Niagara

10,200 (9,270)

11

0.01

Black Rock LD Entertainment

9,900 (410)

24

0.01

Hating Breitbart FreeStyle

6,300 (420)

15

0.01

Pieta Drafthouse

6,100 (510)

12

0.01

The English Teacher Cinedigm

5,700 (2,850)

2

0.01

Becoming Traviata Distrib

3,900 (3,900)

1

0.01

La Verite si j mens! 3 Filmoption

3,250 (410)

8

0.01

Bidder 70 First Run

3,040 (3,040)

1

0.01

Domestic Market Share (Jan. 1 – May 16, 2013)
Distributor (releases) Box Office (millions) Market Share
Buena Vista (7)

608.6

17.70%

Universal (7)

435.2

12.70%

Warner Bros. (12)

418.9

12.20%

20th Century Fox (7)

343.1

10.00%

Weinstein Co. (11)

322.2

9.40%

Paramount (11)

301.8

8.80%

Lionsgate (15)

263.5

7.70%

Sony (6)

211

6.10%

FilmDistrict (5)

118.2

3.40%

Relativity (3)

105.8

3.10%

Open Road (4)

93.7

2.70%

Focus (5)

52.3

1.50%

eOne/Alliance (12)

23.2

0.70%

Sony Classics (7)

17.9

0.50%

Other * (134)

114.2

3.40%

3429.6

100%

* none greater than 0.45%
Top Global Grossers (Jan. 1 – May 16, 2013) *
Title Distributor Box Office
Iron Man 3 BV

1,001,735,611

The Croods Fox

488,932,555

Oz the Great and Powerful BV

487,938,619

G.I. Joe: Retaliation Par

358,984,034

Django Unchained * Weinstein/Sony

353,534,862

A Good Day to Die Hard Fox

303,945,557

Les Miserables * Uni

300,894,684

The Hobbit: An Unexpected Journey * WB

288,252,146

Life of Pi * Fox

281,405,350

Oblivion Uni

251,041,039

Hansel and Gretel: Witch Hunters Par

226,223,398

Journey to the West Huayi Brothers

208,631,598

Silver Linings Playbook * Weinstein Co.

207,575,345

Jack the Giant Slayer WB

200,766,572

Wreck-It Ralph * BV

187,186,154

Identity Thief Uni

172,709,357

Olympus Has Fallen FilmDistrict

152,119,524

Mama Uni/eOne

143,576,550

Lincoln * BV

140,195,054

Jack Reacher * Par

137,028,343

Zero Dark Thirty * Sony/Alliance

136,987,503

Warm Bodies Lionsgate

117,489,873

Gangster Squad WB

105,140,542

So Young Enlight

103,473,815

* does not include 2012 box office

 

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Leonard Klady's Friday Estimates
Friday Screens % Chg Cume
Title Gross Thtr % Chgn Cume
Venom 33 4250 NEW 33
A Star is Born 15.7 3686 NEW 15.7
Smallfoot 3.5 4131 -46% 31.3
Night School 3.5 3019 -63% 37.9
The House Wirh a Clock in its Walls 1.8 3463 -43% 49.5
A Simple Favor 1 2408 -50% 46.6
The Nun 0.75 2264 -52% 111.5
Hell Fest 0.6 2297 -70% 7.4
Crazy Rich Asians 0.6 1466 -51% 167.6
The Predator 0.25 1643 -77% 49.3
Also Debuting
The Hate U Give 0.17 36
Shine 85,600 609
Exes Baggage 75,900 62
NOTA 71,300 138
96 61,600 62
Andhadhun 55,000 54
Afsar 45,400 33
Project Gutenberg 36,000 17
Love Yatri 22,300 41
Hello, Mrs. Money 22,200 37
Studio 54 5,300 1
Loving Pablo 4,200 15
3-Day Estimates Weekend % Chg Cume
No Good Dead 24.4 (11,230) NEW 24.4
Dolphin Tale 2 16.6 (4,540) NEW 16.6
Guardians of the Galaxy 7.9 (2,550) -23% 305.8
Teenage Mutant Ninja Turtles 4.8 (1,630) -26% 181.1
The Drop 4.4 (5,480) NEW 4.4
Let's Be Cops 4.3 (1,570) -22% 73
If I Stay 4.0 (1,320) -28% 44.9
The November Man 2.8 (1,030) -36% 22.5
The Giver 2.5 (1,120) -26% 41.2
The Hundred-Foot Journey 2.5 (1,270) -21% 49.4