By Ray Pride Pride@moviecitynews.com

CHARLIE HUNNAM CAST AS CHRISTIAN GREY IN UNIVERSAL PICTURES AND FOCUS FEATURES’ FILM ADAPTATION OF “FIFTY SHADES OF GREY”

Posted Monday, September 2nd, 2013 - Comments Off on CHARLIE HUNNAM CAST AS CHRISTIAN GREY IN UNIVERSAL PICTURES AND FOCUS FEATURES’ FILM ADAPTATION OF “FIFTY SHADES OF GREY”
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NEWS RELEASE

UNIVERSAL CITY, CA, September 2, 2013 — Charlie Hunnam will star as Christian Grey, the lead male character in Universal Pictures and Focus Features’ highly anticipated film adaptation of “Fifty Shades of Grey,” it was announced today.  He joins Dakota Johnson, who will star opposite him as Anastasia Steele.  The film, which will be released by Focus Features on August 1, 2014 in North America, is being directed by Sam Taylor-Johnson and produced by Michael De Luca and Dana Brunetti alongside E L James, the author of the #1 bestselling book on which the film is based.  The screenplay is by Kelly Marcel.  The announcement about Mr. Hunnam’s casting in Fifty Shades of Grey was made today by Ms. James.

Mr. Hunnam currently stars as a regular on the critically acclaimed FX series Sons of Anarchy.  His feature film credits include Pacific Rim, Children of Men, Cold Mountain, and Nicholas Nickleby.

“Fifty Shades of Grey” has become a global phenomenon and the trilogy has been translated in 50 languages worldwide since its release.  To date, the “Fifty Shades” trilogy has sold over 70 million copies worldwide in e-book and print, making it one of the fastest-selling book series ever.

Universal and Focus acquired the rights to the three books in the “Fifty Shades of Grey” trilogy in March 2012.  Focus Features will market and distribute the first film in partnership with Universal.

“Fifty Shades of Grey” follows the relationship of 27-year-old billionaire Christian Grey and college student Anastasia Steele.  Subsequent novels in the series, “Fifty Shades Darker” and “Fifty Shades Freed,” explore the couple’s deepening relationship.  For more information please see the official Fifty Shades of Grey Facebook page: http://www.facebook.com/fiftyshadesofgreymovie.

About Universal Pictures

Universal Pictures is a division of Universal Studios (www.universalstudios.com).  Universal Studios is part of NBCUniversal.  NBCUniversal is one of the world’s leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group, world-renowned theme parks, and a suite of leading Internet-based businesses.  NBCUniversal is a subsidiary of Comcast Corporation.
About Focus Features

Focus Features and Focus Features International (www.focusfeatures.com) comprise a singular global company. This worldwide studio makes original and daring films that challenge the mainstream to embrace and enjoy voices and visions from around the world that deliver global commercial success. The company operates as Focus Features in North America and as Focus Features International (FFI) in the rest of the world.

Focus Features and FFI are part of NBCUniversal, one of the world’s leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience.  NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group, world-renowned theme parks, and a suite of leading Internet-based businesses.  NBCUniversal is a subsidiary of Comcast Corporation.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon