By Ray Pride Pride@moviecitynews.com

75 ORIGINAL SONGS TUNE UP FOR 2013 OSCAR

Posted Monday, December 16th, 2013 - Comments Off on 75 ORIGINAL SONGS TUNE UP FOR 2013 OSCAR
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FOR IMMEDIATE RELEASE
December 16, 2013

BEVERLY HILLS, CA — Seventy-five songs from eligible feature-length motion pictures released in 2013 are in contention for nominations in the Original Song category for the 86th Oscars®, the Academy of Motion Picture Arts and Sciences announced today.

The original songs, along with the motion picture in which each song is featured, are listed below in alphabetical order by film title and song title:

“Amen” from “All Is Lost”
“Alone Yet Not Alone” from “Alone Yet Not Alone”
“Doby” from “Anchorman 2: The Legend Continues”
“Last Mile Home” from “August: Osage County”
“Austenland” from “Austenland”
“Comic Books” from “Austenland”
“L.O.V.E.D.A.R.C.Y” from “Austenland”
“What Up” from “Austenland”
“He Loves Me Still” from “Black Nativity”
“Hush Child (Get You Through This Silent Night)” from “Black Nativity”
“Test Of Faith” from “Black Nativity”
“Forgiveness” from “Brave Miss World”
“Lullaby Song” from “Cleaver’s Destiny”
“Shine Your Way” from “The Croods”
“Happy” from “Despicable Me 2”
“Gonna Be Alright” from “Epic”
“Rise Up” from “Epic”
“What Matters Most” from “Escape from Planet Earth”
“Bones” from “For No Good Reason”
“Going Nowhere” from “For No Good Reason”
“Gonzo” from “For No Good Reason”
“The Courage To Believe” from “Free China: The Courage to Believe”
“Let It Go” from “Frozen”
“100$ Bill” from “The Great Gatsby”
“A Little Party Never Killed Nobody (All We Got)” from “The Great Gatsby”
“Over The Love” from “The Great Gatsby”
“Together” from “The Great Gatsby”
“Young and Beautiful” from “The Great Gatsby”
“The Moon Song” from “Her”
“I See Fire” from “The Hobbit: The Desolation of Smaug”
“Bite Of Our Lives” from “How Sweet It Is”
“Try” from     “How Sweet It Is”
“Atlas” from “The Hunger Games: Catching Fire”
“Better You, Better Me” from “The Inevitable Defeat of Mister & Pete”
“Bring It On” from “Jewtopia”
“Aygiri Nadani” from “Kamasutra 3D”
“Har Har Mahadeva” from “Kamasutra 3D”
“I Felt” from “Kamasutra 3D”
“Of The Soil” from “Kamasutra 3D”
“Sawariya” from “Kamasutra 3D”
“In The Middle Of The Night” from “Lee Daniels’ The Butler”
“You And I Ain’t Nothin’ No More” from “Lee Daniels’ The Butler”
“Let’s Take A Trip” from “Live at the Foxes Den”
“Pour Me Another Dream” from “Live at the Foxes Den”
“The Time Of My Life” from “Live at the Foxes Den”
“Ordinary Love” from “Mandela: Long Walk to Freedom”
“Monsters University” from “Monsters University”
“When The Darkness Comes” from “The Mortal Instruments: City of Bones”
“Sacrifice (I Am Here)” from “Murph: The Protector”
“The Muslims Are Coming” from “The Muslims Are Coming!”
“Oblivion” from “Oblivion”
“Sweeter Than Fiction” from “One Chance”
“Nothing Can Stop Me Now” from “Planes”
“We Both Know” from “Safe Haven”
“Get Used To Me” from “The Sapphires”
“Stay Alive” from “The Secret Life of Walter Mitty”
“So You Know What It’s Like” from “Short Term 12”
“There’s No Black Or White” from “Somm”
“Cut Me Some Slack” from “Sound City”
“You Can’t Fix This” from “Sound City”
“Let It Go” from “Spark: A Burning Man Story”
“We Ride” from “Spark: A Burning Man Story”
“Becomes The Color” from “Stoker”
“Younger Every Day” from “3 Geezers!”
“Here It Comes” from “Trance”
“Let The Bass Go” from “Turbo”
“The Snail Is Fast” from “Turbo”
“Speedin'” from “Turbo”
“My Lord Sunshine (Sunrise)” from “12 Years a Slave”
“Make It Love” from “Two: The Story of Roman & Nyro”
“One Life” from “The Ultimate Life”
“Unfinished Songs” from “Unfinished Song”
“For The Time Being” from “The Way, Way Back”
“Go Where The Love Is” from “The Way, Way Back”
“Bleed For Love” from “Winnie Mandela”

During the nominations process, all voting members of the Music Branch will receive a Reminder List of works submitted in the category and a DVD copy of the song clips.  Members will be asked to watch the clips and then vote in the order of their preference for not more than five achievements in the category.  The five achievements receiving the highest number of votes will become the nominations for final voting for the award.  A maximum of two songs may be nominated from any one film.

To be eligible, a song must consist of words and music, both of which are original and written specifically for the film.  A clearly audible, intelligible, substantive rendition of both lyric and melody must be used in the body of the film or as the first music cue in the end credits.

The 86th Academy Awards® nominations will be announced live on Thursday, January 16, 2014, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre® at Hollywood & Highland Center®, and televised live on the ABC Television Network.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

# # #

 

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards–in which the members vote to select the nominees and winners–Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

FOLLOW THE ACADEMY
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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon