By Ray Pride Pride@moviecitynews.com

SUNDANCE INSTITUTE ANNOUNCES FILMS IN SPOTLIGHT, PARK CITY AT MIDNIGHT AND NEW ‘SUNDANCE KIDS’ SECTION FOR 2014 SUNDANCE FILM FESTIVAL

Posted Thursday, December 5th, 2013 - Comments Off on SUNDANCE INSTITUTE ANNOUNCES FILMS IN SPOTLIGHT, PARK CITY AT MIDNIGHT AND NEW ‘SUNDANCE KIDS’ SECTION FOR 2014 SUNDANCE FILM FESTIVAL
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FOR IMMEDIATE RELEASE

December 5, 2013

30th Anniversary of the Sundance Film Festival

Park City, UT — Sundance Institute announced today the films selected to screen in the 2014 Sundance Film Festival out-of-competition sections Spotlight, Park City at Midnight and new ‘Sundance Kids’ section of films for younger audiences. The Festival takes place January 16-26 in Park City, Salt Lake City, Ogden and Sundance, Utah.

Trevor Groth, Director of Programming for the Sundance Film Festival, said, “The films in the sections announced today round out our 2014 Sundance Film Festival program and further reflect the depth and diversity of modern independent filmmaking that will satisfy everyone from festival fledglings to fanatics.”

In addition to those announced today, films in the U.S. and World Competition and NEXT <=> sections have been announced. Films for the Premieres and Documentary Premieres sections have not yet been announced. For a full list of films announced to date visit www.sundance.org/festival.

SPOTLIGHT
Regardless of where these films have played throughout the world, the Spotlight program is a tribute to the cinema we love.

Blue Ruin / U.S.A. (Director and screenwriter: Jeremy Saulnier) — A mysterious outsider’s quiet life turns upside down when he returns to his childhood home to carry out an act of vengeance. Proving to be an amateur assassin, he winds up in a brutal fight to protect his estranged family. Cast: Macon Blair, Amy Hargreaves, Sidné Anderson, Devin Ratray, Kevin Kolack.

The Double / United Kingdom (Director: Richard Ayoade, Screenwriter: Avi Korine) — Jesse Eisenberg plays Simon, a timid and isolated man who is overlooked at work. When James, a new coworker arrives, he upsets the balance because he is both Simon’s physical double and his opposite: confident and good with women. Then James slowly starts taking over Simon’s life. Cast: Jesse Eisenberg, Mia Wasikowska, Wallace Shawn, Noah Taylor, Cathy Moriarty, James Fox.

Ida / Poland (Director: Pawel Pawlikowski, Screenwriters: Pawel Pawlikowski, Rebecca Lenkiewicz) — Anna, a young novitiate nun in 1960s Poland, is on the verge of taking her vows when she discovers a dark family secret dating back to the years of the Nazi occupation. Cast: Agata Kulesza, Agata Trzebuchowska, Dawid Ogrodnik.

Locke / United Kingdom (Director and screenwriter: Steven Knight) — Locke is a feat of dynamic storytelling from Academy Award–nominated writer/director Steven Knight, anchored by Tom Hardy’s fantastic performance. Unfolding in real time, the film is a gripping story of choices, consequences, and a man who risks everything he holds dear to do the right thing. Cast: Tom Hardy, Ruth Wilson, Olivia Colman, Andrew Scott, Tom Holland, Bill Milner.

The Lunchbox / India, France, Germany (Director and screenwriter: Ritesh Batra) — A mistake made by the dabbawallahs, Mumbai’s famously efficient lunchbox delivery system, connects a young housewife to a stranger in the dusk of his life. Through notes in the lunchbox, the two build a fantasy world that gradually threatens to overwhelm their reality. Cast: Irrfan Khan, Nimrat Kaur, Nawazuddin Siddiqui, Denzil Smith, Bharati Achrekar, Nakul Vaid Nakul Vaid.

Only Lovers Left Alive / U.S.A. (Director and screenwriter: Jim Jarmusch) — Set against the desolation of Detroit and Tangier, an underground musician, depressed by the direction the world is taking, reunites with his lover. Their love story has endured for centuries, but the woman’s uncontrollable sister disrupts their idyll. Can these wise outsiders continue to survive as the world collapses around them? Cast: Tom Hiddleston, Tilda Swinton, Mia Wasikowska, John Hurt, Anton Yelchin, Jeffrey Wright.

R100 / Japan (Director and screenwriter: Hitoshi Matsumoto) — A mild-mannered family man with a secret taste for S&M finds himself pursued by a gang of ruthless dominatrices—each with a unique talent—in this hilarious and bizarre take on the sex comedy from Japanese comic mastermind Hitoshi Matsumoto. Cast: Nao Ohmori, Lindsay Kay Hayward, Hairi Katagiri.

Stranger by the Lake / France (Director and screenwriter: Alain Guiraudie) — Frank spends his summer searching for companionship at a lake in France. He meets Michel, an attractive, mysterious man and falls blindly in love. When a death occurs, Frank and Michel become the primary suspects. Stranger by the Lake is an erotic thriller testing the limits of sexual desire. Cast: Pierre Deladonchamps, Christophe Paou, Patrick d’Assumçao.

PARK CITY AT MIDNIGHT
From horror flicks to comedies to works that defy any genre, these unruly films will keep you edge-seated and wide awake. Each is a world premiere.

The Babadook / Australia (Director and screenwriter: Jennifer Kent) — A single mother, plagued by the violent death of her husband, battles with her son’s fear of a monster lurking in the house, but soon discovers a sinister presence all around her. Cast: Essie Davis, Noah Wiseman, Daniel Henshall, Hayley McElhinney, Barbara West, Ben Winspear.

Cooties / U.S.A. (Directors: Jonathan Millott, Cary Murnion, Screenwriters: Leigh Whannell, Ian Brennan) — A mysterious virus hits an isolated elementary school and transforms the students into a feral swarm of mass savages; then an unlikely hero must lead a motley band of teachers in the fight of their lives. Cast: Elijah Wood, Rainn Wilson, Alison Pill, Jack McBrayer, Leigh Whannell, Nasim Pedrad.

Dead Snow; Red vs. Dead / Norway (Director: Tommy Wirkola, Screenwriters: Tommy Wirkola, Stig Frode Henriksen, Vegar Hoel) — The gruesome Nazi Zombies are back to finish their mission, but our hero is not willing to die. He is gathering his own army to give them a final fight. Cast: Vegar Hoel, Stig Frode Henriksen, Martin Starr, Ørjan Gamst, Monica Haas, Jocelyn DeBoer.

The Guest / U.S.A. (Director: Adam Wingard, Screenwriter: Simon Barrett) — A soldier on leave befriends the family of a fallen comrade. He soon becomes a threat to everyone around him when it’s revealed he’s not who he says he is. Cast: Dan Stevens, Maika Monroe, Leland Orser, Lance Reddick, Chase Williamson, Brendan Meyer.

Killers / Japan, Indonesia (Directors: The Mo Brothers, Screenwriters: Timo Tjahjanto, Takuji Ushiyama) — Two serial killers post their violent crimes online in a psychotic battle for notoriety. It soon becomes clear that they will square off with one another face to face. Cast: Kazuki Kitamura, Oka Antara, Rin Takanashi, Luna Maya, Ray Sahetapy.

The Signal / U.S.A. (Director: William Eubank, Screenwriters: William Eubank, Carlyle Eubank, David Frigerio) — Three college students disappear under mysterious circumstances while tracking a computer hacker through the Southwest. Cast: Laurence Fishburne, Brenton Thwaites, Olivia Cooke, Beau Knapp.

Under the Electric Sky (EDC 2013) / U.S.A. (Directors: Dan Cutforth, Jane Lipsitz) — This 3-D film chronicles the love, community, and life of festivalgoers during Electric Daisy Carnival Las Vegas, the largest music festival in the U.S. Behind-the-scenes footage and exclusive interviews with Insomniac’s Pasquale Rotella reveal the magic that makes this three-night, 345,000-person event a global phenomenon.

What We Do in the Shadows / New Zealand, U.S.A. (Directors and screenwriters: Taika Waititi, Jemaine Clement) — This mockumentary follows the struggles of a group of New Zealand–based vampires to understand modern society and adapt to the ever-changing world around them. Cast: Jemaine Clement, Taika Waititi, Jonny Brugh, Cori Gonzales-Macuer, Stu Rutherford.

SUNDANCE KIDS
To reach our youngest independent film fans, we have created a new section of the Festival especially for them. Programmed in cooperation with Tumbleweeds, Utah’s premiere film festival for children and youth.

Ernest and Celestine / France, Belgium, Luxembourg (Directors: Benjamin Renner, Stéphane Aubier, Vincent Patar, Screenwriter: Daniel Pennac) — Unlike her fellow mice, Celestine is an artist and a dreamer. When she nearly ends up as breakfast for a bear named Ernest, the two form an unlikely bond that is quickly challenged by their respective communities. Cast: Forest Whitaker, Mackenzie Foy, Lauren Bacall, Paul Giamatti, William H. Macy, Megan Mullally. World Premiere (English version)

Zip & Zap and the Marble Gang / Spain (Director: Oskar Santos, Screenwriters: Francisco Roncal, Jorge Lara, Oskar Santos) — Zip and Zap are punished by being sent to a re-education center. Guided by intelligence, they uncover a mysterious secret hidden deep within the school and end up having the most exciting adventure of their lives. Cast: Javier Gutiérrez, Daniel Cerezo, Raúl Rivas, Claudia Vega, Marcos Ruiz, Fran García. U.S. Premiere

 

 

The Sundance Film Festival®
Celebrating its 30th anniversary in 2014, the Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Beasts of the Southern Wild, Fruitvale Station, Little Miss Sunshine, An Education, sex, lies, and videotape, Reservoir Dogs, The Cove, Hedwig and the Angry Inch, An Inconvenient Truth, Precious, and Napoleon Dynamite, and through its New Frontier initiative, has showcased the cinematic works of media artists including Isaac Julien, Doug Aitken, Pierre Huyghe, Jennifer Steinkamp, and Matthew Barney. The Festival is a program of the non-profit Sundance Institute®. 2014 Festival sponsors to date include: Presenting Sponsors – HP, Acura, Sundance Channel and Chase Sapphire Preferred®; Leadership Sponsors – Airbnb, DIRECTV, Entertainment Weekly, LensCrafters, Southwest Airlines, Sprint and YouTube; Sustaining Sponsors – Adobe, Canada Goose, Canon U.S.A., Inc., FilterForGood®, a partnership between Brita® and Nalgene®, Hilton HHonors and Waldorf Astoria Hotels & Resorts, Ketel One Vodka, L’Oréal Paris, MorningStar Farms®, Omnicom, Quaker Oats Company, Stella Artois® and Time Warner Inc. Sundance Institute recognizes critical support from the Utah Governor’s Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent film and theatre artists. www.sundance.org/festival

 

Sundance Institute
Founded by Robert Redford in 1981, Sundance Institute is a global, nonprofit cultural organization dedicated to nurturing artistic expression in film and theater, and to supporting intercultural dialogue between artists and audiences. The Institute promotes independent storytelling to unite, inform and inspire, regardless of geo-political, social, religious or cultural differences. Internationally recognized for its annual Sundance Film Festival and its artistic development programs for directors, screenwriters, producers, film composers, playwrights and theatre artists, Sundance Institute has nurtured such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, An Inconvenient Truth, Spring Awakening, Born into Brothels, Trouble the Water, Light in the Piazza and Angels in America. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

 

 

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

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And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

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I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

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My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
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“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon