By David Poland poland@moviecitynews.com

Sony Pictures Worldwide Acquisitions Take International On Sundance Opener, Whiplash

SONY PICTURES WORLDWIDE ACQUISITIONS TAKES
INTERNATIONAL RIGHTS TO SUNDANCE OPENER, WHIPLASH

Park City, UT (January 16, 2014) – Sony Pictures Worldwide Acquisitions (SPWA) has acquired rights to several international territories to this year’s 2014 Sundance Film Festival opening night feature film, WHIPLASH, starring J.K. Simmons and Miles Teller. Territories acquired include: UK, Scandinavia, Benelux, Eastern Europe (ex CIS), Greece, South Africa, Spain, Italy, Portugal and Latin America.

The deal was made by SPWA’s Michael Helfand, Jon Freedberg and Chan Phung and international sales agency Sierra/Affinity on behalf of Bold Films. Directed and written by Damien Chazelle (Guy And Madeline On A Park Bench), WHIPLASH is adapted from a short film that won Sundance’s jury award for fiction in 2013 (also written and directed by Chazelle). Producers are Jason Blum, Helen Estabrook, Michel Litvak and David Lancaster; with Jason Reitman, Gary Michael Walters and Couper Samuelson executive producing. Bold Films financed the movie.

WHIPLASH follows Andrew (Teller), a first-year college student as he begins his quest to become the core drummer of the top jazz orchestra in the country. Under the direction of a prestigious but borderline abusive instructor named Fletcher (J.K. Simmons), Andrew would do anything to become a famous musician. His commitment is put to the ultimate test when the unrelenting and eccentric band professor all but drives him to madness. Fletcher’s extreme teaching methods rattle Andrew’s faith in drumming…and in himself. In the end, the struggle is only worthwhile if Andrew is really the one-in-a-million talent that Fletcher believes him to be.

William Morris Endeavor (WME) is handling all domestic rights.

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ABOUT SONY PICTURES WORLDWIDE ACQUISITIONS
Sony Pictures Worldwide Acquisitions (SPWA) is a Sony Pictures Entertainment (SPE) company. Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. For additional information, go to http://www.sonypictures.com. Sony Pictures Worldwide Acquisitions can be found on the World Wide Web at http://www.sonypicturesworldwideacquisitions.com.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

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~ David Simon