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David Poland

By David Poland poland@moviecitynews.com

Great Moments in Sam Jackson (Not So Great For Sam Rubin)

Rubin apology after the jump…


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8 Responses to “Great Moments in Sam Jackson (Not So Great For Sam Rubin)”

  1. EtGuild2 says:

    This makes me want to revisit your awesome Django DP/30. You need to give a seminar on how to interview Samuel L. Jackson.

  2. Spassky says:

    God bless Sam L. Jackson for handling this so well.

    This Sam Rubin fella needs to get his stupid hack cracker ass back to San Diego for the rest of his life. JEEEZUS. fuck that guy.

    EDIT: Russia, send Sam Rubin to Russia. I like San Diego, I think.

  3. YancySkancy says:

    The funny thing is, Sam Jackson WAS in a Super Bowl ad — the one for CAPTAIN AMERICA 2. I suppose it’s possible that whoever provided Rubin with the questions intended it to be about that ad, but if so, Rubin must have been unaware or he wouldn’t have apologized. He would’ve just said, “Calm down, dude; I meant your movie trailer.” I’m a little surprised though that Jackson’s answer wasn’t “Which ad? Oh, you mean for the movie?”

  4. Jermsguy says:

    In case you’ve forgotten why Sam Jackson is cool…

  5. glamourboy says:

    Cool??? I think it shows why Sam Jackson is a dick. People make mistakes. There was no reason for SJ to take Rubin over the coals. Perhaps your definition of cool is using your power and celebrity to humiliate someone in public…but it is not mine.

  6. Sam says:

    SLJ didn’t “take Rubin over the coals,” at least in a malicious way. It was a bunch of good natured and ultimately harmless ribbing. No big deal.

    I thought Rubin handled the aftermath of his error well too.

  7. cadavra says:

    No, Glamourboy is correct. Jackson dragged it out well past the point where it was funny to become borderline nasty. I remember the year after INDEPENDENCE DAY, no less than Roger Ebert on the Oscar Red Carpet asked a young woman, “And who are you?” She replied, “Vivica A. Fox. I’m in INDEPENDENCE DAY.” He blushed, apologized profusely, she smiled and accepted it. And that was the end of it. Bottom line: It can happen to anybody. Jackson needed to let it go long before he did. Rubin made an innocent mistake and was treated like he was about to light up a cross.

  8. YancySkancy says:

    Yeah, that last look on Jackson’s face doesn’t look too good natured. I still think it’s odd that Jackson said “Which ad?” instead of “Oh, the Captain America ad?” Someone said on Ken Levine’s blog that they actually showed the Cap trailer right before the interview, but I haven’t seen that part, so I don’t know. Rubin does mention Marvel in his first sentence though. I think it’s quite possible Rubin was just ill-prepared and didn’t even know what he was asking about.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
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“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon