MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

BYOB 711

byob-apes

Be Sociable, Share!

5 Responses to “BYOB 711”

  1. Stella's Boy says:

    Anyone going to see Boyhood this weekend? Man am I dying to see it. Not sure when it will hit Milwaukee (if it does; with Landmark here you never know).

  2. berg says:

    Dawn was good for what it was, especially like the Gun Crazy shot with Koba at the helm of the tank …. but why does [EDITED] blow himself up and how does Caesar get operated on for his bullet wound and then in the next scene he’s leaping around like an ape

  3. Stella's Boy says:

    Is that a spoiler?

  4. sanj says:

    one of my favorite dp30’s recently – Elliott Lester tells some great stories about working with actors and does cool voices. if you have the time watch the whole thing.

    i had no idea who this guy was and now i’m a fan… somehow DP didn’t screw up this interview up.

    DP/30 @ LAFF: Elliott Lester, Nightingale

    http://www.youtube.com/watch?v=nNRRSEGbKE4

  5. SamLowry says:

    This Guardian article was amazing even before I reached the following:

    “Dinesh D’Souza, the Oliver Stone of the Tea Party, has now made two movies about the meaning of Obama’s presidency. The first, 2016: Obama’s America, garnered an astounding $33m at the box office, and his lawyers blamed disappointing returns from this summer’s America on a Google conspiracy to confuse moviegoers about its showtimes. (Of course.)”

    (The gist of the article is that the Right is doomed because a majority of Millennials are flaming liberals. One caveat is that the phrase “under-30” comes up frequently, bringing to mind the Guizot quote “Not to be a republican at 20 is proof of want of heart; to be one at 30 is proof of want of head.” Of course the French meaning of “republican” in the early 1800s is the reverse of the current American meaning.)

The Hot Blog

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon