By Ray Pride Pride@moviecitynews.com

The Academy Lists The 134 Docs Submitted For Oscar 2014; Shortlist Of 15 Comes In December

Posted Friday, October 31st, 2014 - Comments Off on The Academy Lists The 134 Docs Submitted For Oscar 2014; Shortlist Of 15 Comes In December
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134 DOCUMENTARY FEATURES SUBMITTED FOR 2014 OSCAR® RACE

LOS ANGELES, CA – One hundred thirty-four features have been submitted for consideration in the Documentary Feature category for the 87th Academy Awards®.

The submitted features, listed in alphabetical order, are:

“Afternoon of a Faun: Tanaquil Le Clercq”
“Ai Weiwei: The Fake Case”
“Algorithms”
“Alive Inside”
“All You Need Is Love”
“Altina”
“America: Imagine the World without Her”
“American Revolutionary: The Evolution of Grace Lee Boggs”
“Anita”
“Antarctica: A Year on Ice”
“Art and Craft”
“Awake: The Life of Yogananda”
“The Barefoot Artist”
“The Battered Bastards of Baseball”
“Before You Know It”
“Bitter Honey”
“Born to Fly: Elizabeth Streb vs. Gravity”
“Botso The Teacher from Tbilisi”
“Captivated The Trials of Pamela Smart”
“The Case against 8”
“Cesar’s Last Fast”
“Citizen Koch”
“CitizenFour”
“Code Black”
“Concerning Violence”
“The Culture High”
“Cyber-Seniors”
“DamNation”
“Dancing in Jaffa”
“Death Metal Angola”
“The Decent One”
“Dinosaur 13”
“Do You Know What My Name Is?”
“Documented”
“The Dog”
“E-Team”
“Elaine Stritch: Shoot Me”
“Elena”
“Evolution of a Criminal”
“Fed Up”
“Finding Fela”
“Finding Vivian Maier”
“Food Chains”
“The Galapagos Affair: Satan Came to Eden”
“Getting to the Nutcracker”
“Glen Campbell…I’ll Be Me”
“Gore Vidal: The United States of Amnesia”
“The Great Flood”
“The Great Invisible”
“The Green Prince”
“The Hacker Wars”
“The Hadza: Last of the First”
“Hanna Ranch”
“Happy Valley”
“The Hornet’s Nest”
“I Am Ali”
“If You Build It”
“The Immortalists”
“The Internet’s Own Boy”
“Ivory Tower”
“James Cameron’s Deepsea Challenge”
“Jodorowsky’s Dune”
“Journey of a Female Comic”
“Keep On Keepin’ On”
“Kids for Cash”
“The Kill Team”
“Korengal”
“La Bare”
“Last Days in Vietnam”
“Last Hijack”
“The Last Patrol”
“Levitated Mass”
“Life Itself”
“Little White Lie”
“Llyn Foulkes One Man Band”
“Magician: The Astonishing Life and Work of Orson Welles”
“Manakamana”
“Merchants of Doubt”
“Mission Blue”
“Mistaken for Strangers”
“Mitt”
“Monk with a Camera”
“Nas: Time Is Illmatic”
“National Gallery”
“Next Goal Wins”
“Next Year Jerusalem”
“Night Will Fall”
“No Cameras Allowed”
“Now: In the Wings on a World Stage”
“Occupy the Farm”
“The Only Real Game”
“The Overnighters”
“Particle Fever”
“Pay 2 Play: Democracy’s High Stakes”
“Pelican Dreams”
“The Pleasures of Being Out of Step”
“Plot for Peace”
“Point and Shoot”
“Poverty Inc.”
“Print the Legend”
“Private Violence”
“Pump”
“Rabindranath Tagore – The Poet of Eternity”
“Red Army”
“Remote Area Medical”
“Rich Hill”
“The Rule”
“The Salt of the Earth”
“Shadows from My Past”
“She’s Beautiful When She’s Angry”
“A Small Section of the World”
“Smiling through the Apocalypse – Esquire in the 60s”
“Supermensch: The Legend of Shep Gordon”
“The Supreme Price”
“Tales of the Grim Sleeper”
“Tanzania: A Journey Within”
“This Is Not a Ball”
“Thomas Keating: A Rising Tide of Silence”
“Through a Lens Darkly: Black Photographers and the Emergence of a People”
“True Son”
“20,000 Days on Earth”
“Unclaimed”
“Under the Electric Sky”
“Underwater Dreams”
“Virunga”
“Waiting for August”
“Walking the Camino: Six Ways to Santiago”
“Warsaw Uprising”
“Watchers of the Sky”
“Watermark”
“We Are the Giant”
“We Could Be King”
“Whitey: United States of America v. James J. Bulger”
“A World Not Ours”

Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process.  A shortlist of 15 films will be announced in December.

Films submitted in the Documentary Feature category also may qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.

The 87th Academy Awards nominations will be announced live on Thursday, January 15, 2015, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

The Oscars® will be held on Sunday, February 22, 2015, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

 

# # #

 

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards—in which the members vote to select the nominees and winners — the Academy presents a diverse year-round slate of public programs, exhibitions and events; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies.

FOLLOW THE ACADEMY
www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

 

 

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon